Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, ... See full summary »
Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman (Anne Parillaud) recovering from rape and an apparent attempted suicide. In one reality, ... See full summary »
Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link... See full summary »
Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. ... See full summary »
Ever since she broke up with Nigel, Lena soldiers on through life as best she can with her two kids. She valiantly overcomes the obstacles put in her way. But she has yet to confront the ... See full summary »
The first eight cantos of Dante's Inferno (up to the entrance to the city of Dis). The text is read entirely in "talking head" fashion, and punctuated with a kaleidoscopic blend of both newly shot and archival footage.
At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
"When the legend becomes fact, print the legend ."...
...or so-in French translation- said the father of William James III (no relation), says William, alias Pee Wee Crane, pulp novelist, who sitting in a restaurant hears invisible diners (mis)tell his own story. Most of the film is a flashback- the others' version, William's version, a mixture of both?- we can't know.
William has broken his promise to his wife, Anne-Marie, and gambled again- this time successfully. They go to what he has won; an estate- in Patagonia in 1925 we eventually learn- where the inhabitants are Austrian by birth but insist on speaking French, where the fact that William now owns it makes no difference to the original inhabitants (who aren't very concerned about whether they are dead or alive either). Slowly and formally a strange and mysterious ghost story emerges. It is sumptuously and elegantly filmed, with events taking place off-screen or behind the camera, relishing oddities and absurdities and finally an epilogue ties it all together in an arbitrary but logical way- a characteristic Ruiz film, which recognises it is a film and relishes it too.
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