Confusing realities surface in this paranoid film dealing with the fragile nature of a young woman (Anne Parillaud) recovering from rape and an apparent attempted suicide. In one reality, ... See full summary »
At a wake one night in 1945, a group of aged women recall the life of one of their number. Sixty years before, Thérèse was barely 20 years old when she eloped with her boyfriend, Firmin, a ... See full summary »
Take a walk into the weird world of filmmaker Raul Ruiz as he takes us to Paris for a twisted ride. A man which shares four names and four personalities (which is the real one?) is the link... See full summary »
Come to the Village of the Dogs, it's easy to find. Just follow the avenue of crutches and the prosthetic legs hanging from the trees. It's where the Virgin Mary keeps appearing in the sky.... See full summary »
Following a brief hug, but intense, the table set for the wedding is messy. The bride is short restyle, while the man puts the cards without respecting the plan table. Chance will he good things? Or will he lend a hand in fate?
A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself ... See full summary »
On September 27, 1810, the French troops commanded by Marshal Massena, were defeated in the Serra do Buçaco by the Anglo-Portuguese army of general Wellington. Despite the victory, ... See full summary »
"When the legend becomes fact, print the legend ."...
...or so-in French translation- said the father of William James III (no relation), says William, alias Pee Wee Crane, pulp novelist, who sitting in a restaurant hears invisible diners (mis)tell his own story. Most of the film is a flashback- the others' version, William's version, a mixture of both?- we can't know.
William has broken his promise to his wife, Anne-Marie, and gambled again- this time successfully. They go to what he has won; an estate- in Patagonia in 1925 we eventually learn- where the inhabitants are Austrian by birth but insist on speaking French, where the fact that William now owns it makes no difference to the original inhabitants (who aren't very concerned about whether they are dead or alive either). Slowly and formally a strange and mysterious ghost story emerges. It is sumptuously and elegantly filmed, with events taking place off-screen or behind the camera, relishing oddities and absurdities and finally an epilogue ties it all together in an arbitrary but logical way- a characteristic Ruiz film, which recognises it is a film and relishes it too.
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