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A salesman for a natural gas company experiences life-changing events after arriving in a small town, where his corporation wants to tap into the available resources.
Director:
Gus Van Sant
Stars:
Matt Damon,
Hal Holbrook,
Frances McDormand
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
In a city rife with injustice, ex-cop Billy Taggart seeks redemption and revenge after being double-crossed and then framed by its most powerful figure: Mayor Nicholas Hostetler.
Director:
Allen Hughes
Stars:
Mark Wahlberg,
Russell Crowe,
Catherine Zeta-Jones
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.
Director:
Steve McQueen
Stars:
Michael Fassbender,
Lucy Walters,
James Badge Dale
Two pairs of parents hold a cordial meeting after their sons are involved in a fight, though as their time together progresses, increasingly childish behavior throws the evening into chaos.
Director:
Roman Polanski
Stars:
Jodie Foster,
Kate Winslet,
Christoph Waltz
Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves.
Director:
David Ayer
Stars:
Jake Gyllenhaal,
Michael Peña,
Anna Kendrick
Most feature films slot 1-2 percent of production costs for the music budget, but in "Fade', music supervisor Steven Van Zandt, had about 10% of the $20-million-plus budget or at least $2 million. See more »
Connections
Features Blow-Up (1966)
Seen by characters at a cinema.
See more »
The Sopranos' creator David Chase's directorial debut, "Not Fade Away", is, at its core, a sad movie, masked by the comedy and music that barricade my empathy. The fictional story of a 1960s teenage drummer (John Magaro) who creates a rock band with a few of his friends, "Not Fade Away" is a very character driven film, focusing primarily on the social life of the protagonist, specifically his relationship with his girlfriend (Bella Heathcorte), his band mates, and his family. I won't spoil the plot, but it is a coming-of-age tale, not as much about learning and growing as it is about doing and living. James Gandolfini is an on screen pleasure as the main character's father, while the rest of the cast, mostly lesser known actors, gratifyingly embody the 1960s rock and roll personality.
Gloriously filmed by Chase's cinematographer Eigil Bryld, the film succeeds in emitting a rock and roll cluttered vibe when the music is playing, contrasted by a dark, Godfatheresque undertone that is signature of David Chase during more dramatic scenes. While the art direction and costume design were spot on, in the end it was the music that was transporting me through time. Repeatedly watching, with the characters, The Beatles, The Rolling Stones, and Buddy Holly perform on a small black and white TV, I was sent back into the age of drugs, sex, and rock and roll. The band's original songs were probably the highlight of the film. Under the supervision of Steve Van Zandt, the music department took advantage of the actors' talented musical backgrounds and were able to conjure up some extremely enjoyable tracks that very well could've been written during the era.
My main problem with the film is the fact that it is littered with unnecessary scenes, scenes that are probably meant to indicate character development, but ultimately convey little to nothing. It also fails to establish Heathcote, the supporting actress, as an interesting or particularly likable character. Not much is ever learned about her through the course of the film while notably less significant characters remain better developed and ultimately more interesting.
When walking into the theater at the New York Film Festival, I thought I was in for another "Almost Famous". What I got was a very different movie. "Not Fade Away" is a simple picture. With a basic plot structure and relatable characters, the film is practically spoon-fed to its audiences. It is the end of the film, the final scenes, that sum up not only the movie, but the era. You must think before you proclaim a lack of closure, consider the times and the lifestyle. Rock spawned from the blues and, in the sad actuality of this movie, can't ever separate from its source. Success is 10% inspiration and 90% perspiration and in the end we often can't keep up. I recommend this vicarious joyride to all music, drama, and comedy movie lovers, as well as anyone who is looking for a party, a party that is shut down by reality. 8/10 stars.
20 of 25 people found this review helpful.
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The Sopranos' creator David Chase's directorial debut, "Not Fade Away", is, at its core, a sad movie, masked by the comedy and music that barricade my empathy. The fictional story of a 1960s teenage drummer (John Magaro) who creates a rock band with a few of his friends, "Not Fade Away" is a very character driven film, focusing primarily on the social life of the protagonist, specifically his relationship with his girlfriend (Bella Heathcorte), his band mates, and his family. I won't spoil the plot, but it is a coming-of-age tale, not as much about learning and growing as it is about doing and living. James Gandolfini is an on screen pleasure as the main character's father, while the rest of the cast, mostly lesser known actors, gratifyingly embody the 1960s rock and roll personality.
Gloriously filmed by Chase's cinematographer Eigil Bryld, the film succeeds in emitting a rock and roll cluttered vibe when the music is playing, contrasted by a dark, Godfatheresque undertone that is signature of David Chase during more dramatic scenes. While the art direction and costume design were spot on, in the end it was the music that was transporting me through time. Repeatedly watching, with the characters, The Beatles, The Rolling Stones, and Buddy Holly perform on a small black and white TV, I was sent back into the age of drugs, sex, and rock and roll. The band's original songs were probably the highlight of the film. Under the supervision of Steve Van Zandt, the music department took advantage of the actors' talented musical backgrounds and were able to conjure up some extremely enjoyable tracks that very well could've been written during the era.
My main problem with the film is the fact that it is littered with unnecessary scenes, scenes that are probably meant to indicate character development, but ultimately convey little to nothing. It also fails to establish Heathcote, the supporting actress, as an interesting or particularly likable character. Not much is ever learned about her through the course of the film while notably less significant characters remain better developed and ultimately more interesting.
When walking into the theater at the New York Film Festival, I thought I was in for another "Almost Famous". What I got was a very different movie. "Not Fade Away" is a simple picture. With a basic plot structure and relatable characters, the film is practically spoon-fed to its audiences. It is the end of the film, the final scenes, that sum up not only the movie, but the era. You must think before you proclaim a lack of closure, consider the times and the lifestyle. Rock spawned from the blues and, in the sad actuality of this movie, can't ever separate from its source. Success is 10% inspiration and 90% perspiration and in the end we often can't keep up. I recommend this vicarious joyride to all music, drama, and comedy movie lovers, as well as anyone who is looking for a party, a party that is shut down by reality. 8/10 stars.