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A salesman for a natural gas company experiences life-changing events after arriving in a small town, where his corporation wants to tap into the available resources.
Director:
Gus Van Sant
Stars:
Matt Damon,
Hal Holbrook,
Frances McDormand
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
In a city rife with injustice, ex-cop Billy Taggart seeks redemption and revenge after being double-crossed and then framed by its most powerful figure: Mayor Nicholas Hostetler.
Director:
Allen Hughes
Stars:
Mark Wahlberg,
Russell Crowe,
Catherine Zeta-Jones
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves.
Director:
David Ayer
Stars:
Jake Gyllenhaal,
Michael Peña,
Anna Kendrick
While settling his recently deceased father's estate, a salesman discovers he has a sister whom he never knew about, leading both siblings to re-examine their perceptions about family and life choices.
Director:
Alex Kurtzman
Stars:
Chris Pine,
Elizabeth Banks,
Michelle Pfeiffer
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Most feature films slot 1-2 percent of production costs for the music budget, but in "Fade', music supervisor Steven Van Zandt, had about 10% of the $20-million-plus budget or at least $2 million. See more »
Goofs
In an early scene, Douglas and friends are seen perusing shrink-wrapped LP records in a music store. These discs were sold unwrapped through the 1960s, the time of the scene. See more »
Bob Dylan ends Not Fade Away with "She's an artist; she don't look back." David Chase is an artist whose first feature film is not just a look back at his coming of age in New Jersey around 1963 but about the ambiguities in the impulse to look back.
As one character quotes The Tibetan Book of the Dead, there is no past, only the present, which contains the past as it does the future. The film's title comes from a song and a singer (the prematurely snuffed Buddy Holly) we don't hear in the film because it's not about that particular song/singer or even that period; it's about the ineffable presence of the past, our containing what we were. The past is the one thing that doesn't fade away, the way youth, vim, hopes, love, faith, family, friends, lovers, do.
Time is the film's central theme. The early and late TV clips show a trio twisting again, like they did that implicit mythic summer. In the clip from Welles's Touch of Evil the fat old sheriff hearkens to the memories stirred by Marlene Dietrich's mechanical piano -- and she struggles to find the old Hank in the grotesquely obese one. OK, all those candy bars and booze don't fade away either.
Chase's hero, Douglas (John Magaro) -- however autobiographic -- is today what he was then. The plot replays the boy's growing away from his family and the independence he gained first from his passion for rock and roll music and then from his transition to the West Coast and filmmaking. In reverse of the most repeated song in the film, he has time on his side because he's alive in its flow. It's time, not the lover, that keeps running back to him. See more at www.yacowar.blogspot.com
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Bob Dylan ends Not Fade Away with "She's an artist; she don't look back." David Chase is an artist whose first feature film is not just a look back at his coming of age in New Jersey around 1963 but about the ambiguities in the impulse to look back.
As one character quotes The Tibetan Book of the Dead, there is no past, only the present, which contains the past as it does the future. The film's title comes from a song and a singer (the prematurely snuffed Buddy Holly) we don't hear in the film because it's not about that particular song/singer or even that period; it's about the ineffable presence of the past, our containing what we were. The past is the one thing that doesn't fade away, the way youth, vim, hopes, love, faith, family, friends, lovers, do.
Time is the film's central theme. The early and late TV clips show a trio twisting again, like they did that implicit mythic summer. In the clip from Welles's Touch of Evil the fat old sheriff hearkens to the memories stirred by Marlene Dietrich's mechanical piano -- and she struggles to find the old Hank in the grotesquely obese one. OK, all those candy bars and booze don't fade away either.
Chase's hero, Douglas (John Magaro) -- however autobiographic -- is today what he was then. The plot replays the boy's growing away from his family and the independence he gained first from his passion for rock and roll music and then from his transition to the West Coast and filmmaking. In reverse of the most repeated song in the film, he has time on his side because he's alive in its flow. It's time, not the lover, that keeps running back to him. See more at www.yacowar.blogspot.com