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A salesman for a natural gas company experiences life-changing events after arriving in a small town, where his corporation wants to tap into the available resources.
Director:
Gus Van Sant
Stars:
Matt Damon,
Hal Holbrook,
Frances McDormand
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
In a city rife with injustice, ex-cop Billy Taggart seeks redemption and revenge after being double-crossed and then framed by its most powerful figure: Mayor Nicholas Hostetler.
Director:
Allen Hughes
Stars:
Mark Wahlberg,
Russell Crowe,
Catherine Zeta-Jones
Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves.
Director:
David Ayer
Stars:
Jake Gyllenhaal,
Michael Peña,
Anna Kendrick
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Most feature films slot 1-2 percent of production costs for the music budget, but in "Fade', music supervisor Steven Van Zandt, had about 10% of the $20-million-plus budget or at least $2 million. See more »
Goofs
In an early scene, Douglas and friends are seen perusing shrink-wrapped LP records in a music store. These discs were sold unwrapped through the 1960s, the time of the scene. See more »
David Chase's anticipated Not Fade Away not only jumbles itself into an
indulgent story, constantly keeping the audience at an arm's length but
it's overly stretched and uneven not utilizing the strong talents in
the film like James Gandolfini, Jack Huston, and John Magaro. A natural
comparison to Almost Famous (2000), the film doesn't hold a candle to
Cameron Crowe's homage to music. Showcasing outstanding music of the
1960′s and 1970′s, Chase manages to capture moments of the young
adolescent mind longing to be more. Lead Magaro delivers a character
transformation of mind and body, a turn that elevates the film
considerably. The great Jack Huston, an actor that will likely be one
of the biggest things in Hollywood any minute now, delivers an
aggressive supporting turn reminiscent of Channing Tatum's work in A
Guide to Recognizing Your Saints (2006). Bella Heathcote shows
tenderness and promise but undervalued and virtually unused. James
Gandolfini, stands out with charisma and garners much of the big
laughs. A great character actor like Gandolfini should be given room to
move. The film ultimately fails because it never feels like Chase knows
his film or where he wants it to go. The last twenty minutes feel
unneeded, unearned, and thrown together for an "artistic" catalyst with
no emotional or technical effect whatsoever. A large disappointment.
17 of 30 people found this review helpful.
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David Chase's anticipated Not Fade Away not only jumbles itself into an indulgent story, constantly keeping the audience at an arm's length but it's overly stretched and uneven not utilizing the strong talents in the film like James Gandolfini, Jack Huston, and John Magaro. A natural comparison to Almost Famous (2000), the film doesn't hold a candle to Cameron Crowe's homage to music. Showcasing outstanding music of the 1960′s and 1970′s, Chase manages to capture moments of the young adolescent mind longing to be more. Lead Magaro delivers a character transformation of mind and body, a turn that elevates the film considerably. The great Jack Huston, an actor that will likely be one of the biggest things in Hollywood any minute now, delivers an aggressive supporting turn reminiscent of Channing Tatum's work in A Guide to Recognizing Your Saints (2006). Bella Heathcote shows tenderness and promise but undervalued and virtually unused. James Gandolfini, stands out with charisma and garners much of the big laughs. A great character actor like Gandolfini should be given room to move. The film ultimately fails because it never feels like Chase knows his film or where he wants it to go. The last twenty minutes feel unneeded, unearned, and thrown together for an "artistic" catalyst with no emotional or technical effect whatsoever. A large disappointment.