| Photos (See all 52 | slideshow) | Videos (see all 18) |
Directed by | |||
| Cary Fukunaga | (as Cary Joji Fukunaga) | ||
Writing credits(in alphabetical order) | ||
| Charlotte Brontë | novel | |
| Moira Buffini | screenplay | |
Produced by | |||
| Mairi Bett | .... | co-producer | |
| Hannah Farrell | .... | associate producer | |
| Peter Hampden | .... | executive producer | |
| Christine Langan | .... | executive producer | |
| Alison Owen | .... | producer | |
| Paul Trijbits | .... | producer | |
| Faye Ward | .... | co-producer | |
| Sasha Harris | .... | line producer: re-shoots (uncredited) | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Adriano Goldman | (director of photography) | ||
Film Editing by | |||
| Melanie Oliver | (as Melanie Ann Oliver) | ||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Will Hughes-Jones | |||
Art Direction by | |||
| Karl Probert | |||
Set Decoration by | |||
| Tina Jones | |||
Costume Design by | |||
| Michael O'Connor | |||
Makeup Department | |||
| Bee Archer | .... | daily makeup artist | |
| Theresa Carey | .... | trainee hair stylist: BBC | |
| Theresa Carey | .... | trainee makeup artist: BBC | |
| Carolyn Cousins | .... | crowd hair stylist | |
| Carolyn Cousins | .... | crowd makeup artist | |
| Françoise Cresson | .... | daily makeup artist | |
| Julie Dartnell | .... | daily makeup artist | |
| Janita Doyle | .... | daily makeup artist | |
| Sarah Grispo | .... | daily makeup artist | |
| Lilly Hodson | .... | trainee makeup artist | |
| Jane Logan | .... | crowd hair and makeup artist | |
| Ameneh Mahloudji | .... | daily makeup artist | |
| Veronica McAleer | .... | on-set chief hair stylist: additional photography (as Veronica Brebner) | |
| Veronica McAleer | .... | on-set chief makeup artist: additional photography (as Veronica Brebner) | |
| Belinda Parish | .... | daily makeup artist (as Belinda Parrish) | |
| Daniel Phillips | .... | hair designer | |
| Daniel Phillips | .... | makeup designer | |
| Tapio Salmi | .... | hair stylist | |
| Tapio Salmi | .... | makeup stylist | |
| Loulia Sheppard | .... | hair stylist | |
| Rupert Simon | .... | daily makeup artist | |
| Barbara Taylor | .... | daily makeup artist | |
| Xanthia White | .... | daily makeup artist | |
| Eve Wignall | .... | daily makeup artist | |
| Kristyan Mallett | .... | special makeup effects designer (uncredited) | |
Production Management | |||
| Rob Campbell-Bell | .... | assistant unit manager (as Robert Campbell-Bell) | |
| Sasha Harris | .... | production manager | |
| Michael Solinger | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lee Grumett | .... | first assistant director | |
| Jude Harrison | .... | daily third assistant director: crowd | |
| Ursula Haworth | .... | daily third assistant director: crowd | |
| Alexander Holt | .... | second assistant director: additional photography | |
| Tamara King | .... | daily third assistant director: crowd | |
| Carley Lane | .... | third assistant director | |
| Arif Maruthiyil | .... | trainee assistant director | |
| Barrie McCulloch | .... | first assistant director: additional photography | |
| Jo Tew | .... | second assistant director | |
Art Department | |||
| Lynne Benelick | .... | standby props (as Lynn Bennellick) | |
| Ian Cooper | .... | dressing props: additional photography | |
| Cathy Cosgrove | .... | buyer: additional photography | |
| Cathy Cosgrove | .... | set decorator: additional photography | |
| David Creed | .... | standby carpenter: additional photography | |
| Charlotte Crosbie | .... | petty cash buyer | |
| Josh Field | .... | prop trainee | |
| Jordan Forbes | .... | prop trainee | |
| Peter Hallam | .... | property master: additional photography | |
| Dean Hawley | .... | standby painter | |
| Lizzie Kilham | .... | standby art director | |
| Dave Midson | .... | dressing props | |
| Jonathan Millward | .... | storyboard artist | |
| Nick Milner | .... | prop storeman | |
| Garry Moore | .... | standby carpenter | |
| Daniel Nussbaumer | .... | trainee art director: BBC | |
| Steve Payne | .... | daily propman (as Steven Payne) | |
| Wesley Peppiatt | .... | daily propman | |
| Clare Porritt | .... | art department assistant | |
| Mickey Pugh | .... | standby props (as Michael Pugh) | |
| Graeme Purdy | .... | property master | |
| Tabitha Quitman | .... | daily art department assistant | |
| Chris Rosser | .... | assistant art director | |
| Tony Sankey | .... | construction manager: London | |
| Bob Sherwood | .... | dressing props | |
| Ian Summers | .... | construction manager: Derbyshire | |
| Katherine Tidy | .... | home economist (as Katharine Tidy) | |
| Kate Venner | .... | production buyer | |
| James Wakefield | .... | assistant art director | |
| Rohan Harris | .... | scenic artist (uncredited) | |
| Tabitha Quitman | .... | work experience (uncredited) | |
| Doreen Watkinson | .... | prop maker (uncredited) | |
Special Effects by | |||
| Tony Auger | .... | special effects supervisor | |
| Jonathan Bullock | .... | special effects standby: additional photography | |
| Danny Hills | .... | special effects technician | |
| Stuart Prior | .... | special effects technician | |
| Mark Roberts | .... | senior special effects technician | |
Visual Effects by | |||
| Oana Anghel | .... | graphics coordinator: Lip Sync Post | |
| Jean Arousi | .... | visual effects editorial: Modus FX | |
| Marie-Ève Authier | .... | pre compositor: Modus FX | |
| Marie-Pier Avoine | .... | texture artist: Modus FX | |
| Angela Barson | .... | visual effects supervisor: BlueBolt | |
| Dan Bentham | .... | visual effects senior producer: Lip Sync Post | |
| Lizzie Bentley | .... | digital matte painter: BlueBolt | |
| Mathieu Bertrand | .... | lead look development: Modus FX | |
| Patrick Bissonnette | .... | visual effects financial controller: Modus FX | |
| Jonathan Boisvert | .... | technical support: Modus FX | |
| Guy Boudreau | .... | pre compositor: Modus FX | |
| Marc Bourbonnais | .... | visual effects executive producer: Modus FX | |
| Linden Brownbill | .... | visual effects film engineer: Lip Sync Post | |
| Alberto Buron | .... | digital restoration artist: Lip Sync Post | |
| Luke Butler | .... | digital compositor: Lip Sync Post | |
| Naomi Butler | .... | digital compositor: Lip Sync Post | |
| Alexandre Canniccioni | .... | texture artist: Modus FX | |
| Guillaume Champagne | .... | modeller: Modus FX | |
| Sébastien Chartier | .... | visual effects artist: Alchemy 24 | |
| Nicolas Cloutier | .... | matte painter: Modus FX | |
| Valérie Clément | .... | visual effects sales and marketing director: Modus FX | |
| Tom Collier | .... | lead compositor: Lip Sync Post | |
| Tobie Cote | .... | matte painter: Modus FX (as Tobias Côté) | |
| Jacynthe Côté | .... | visual effects production manager: Modus FX | |
| Peter Dickinson | .... | graphic designer: Lip Sync Post | |
| Stefan Drury | .... | head of visual effects: Lip Sync Post | |
| Marilyn Emond | .... | visual effects coordinator: Modus FX | |
| Sean Farrow | .... | visual effects supervisor: Lip Sync Post | |
| Jean-François Ferland | .... | visual effects artist: Alchemy 24 | |
| Matt Foster | .... | digital matte painter: Lip Sync Post | |
| Dominic Gaudreau | .... | director of technology: Modus FX | |
| Varun Hadkar | .... | compositor: BlueBolt | |
| Julia Hall | .... | graphic designer: Lip Sync Post | |
| Sandro Henriques | .... | digital compositor: Lip Sync Post | |
| Paddy Kelly | .... | visual effects producer: BlueBolt | |
| Markus Kuha | .... | lead compositor: BlueBolt | |
| Louis Laflamme-Fillion | .... | visual effects editorial: Modus FX | |
| Martin Larrivée | .... | compositor: Modus FX | |
| Luka Leskovsek | .... | compositor: BlueBolt | |
| Sylvain Lorgeou | .... | lead concept artist: Modus FX | |
| Sylvain Lorgeou | .... | lead matte painter: Modus FX | |
| Aileen McIntosh | .... | visual effects producer: Lip Sync Post | |
| Maxime Murray | .... | technical support: Modus FX | |
| Dylan Owen | .... | digital compositor: Lip Sync Post | |
| Mathieu Phaneuf | .... | lead modeller: Modus FX | |
| John Purdie | .... | digital compositor: Lip Sync Post | |
| Florian Schuck | .... | compositor: BlueBolt | |
| David Sjodin | .... | digital compositor: Lip Sync Post | |
| Angela Stanley | .... | digital compositor: Lip Sync Post (as Angela Rose) | |
| Jon Stanley | .... | senior systems manager: Lip Sync Post | |
| Stéphane Stradella | .... | compositor: Modus FX (as Stephane Stradella) | |
| Lucy Tanner | .... | visual effects coordinator: Lip Sync Post | |
| Guillaume Thimus | .... | compositing artist: tracking and layout: Modus FX | |
| Georges Tornero | .... | compositor: Modus FX | |
| Samantha Tracey | .... | visual effects producer: Lip Sync Post | |
| Valentin Trasnea | .... | pre compositor: Modus FX | |
| Howard Watkins | .... | creative director: Lip Sync Post | |
| Simon Weaner | .... | matte painter: Modus FX | |
| Yanick Wilisky | .... | visual effects supervisor: Modus FX | |
| Odile-Emmanuelle Auger | .... | visual effects coordinator: Modus FX (uncredited) | |
| Chris Bentley | .... | digital lab operator (uncredited) | |
| Renaud Bousquet | .... | td tracking and layout: Modus FX (uncredited) | |
| Warwick Campbell | .... | digital compositor: Lip Sync Post (uncredited) | |
| Jimmy Caron | .... | visual effects artist: Modus FX (uncredited) | |
| Jonathan Carré | .... | digital compositor: Modus FX (uncredited) | |
| Andrea Espinal | .... | digital compositor: Modus FX (uncredited) | |
| Jean-Sébastien Fortin | .... | digital compositor: Modus FX (uncredited) | |
| Rob Geddes | .... | roto artist (uncredited) | |
| Yanni Goudetsidis | .... | systems engineer (uncredited) | |
| Mauricio Guwzynski | .... | digital compositor: Modus FX (uncredited) | |
| Pascal Laflamme | .... | td tracking and layout: Modus FX (uncredited) | |
| Florent Lebrun | .... | matte painter: Modus FX (uncredited) | |
| Samuel Loriault-Goulet | .... | data wrangler: Modus FX (uncredited) | |
| Samuel Loriault-Goulet | .... | layout modeler (uncredited) | |
| Stephane Picard | .... | data wrangler: Modus FX (uncredited) | |
| Gareth Repton | .... | compositor (uncredited) | |
| Lucy Seaborne | .... | digital restoration artist: Lip Sync Post (uncredited) | |
| Armando Velazquez | .... | digital compositor: Modus FX (uncredited) | |
Stunts | |||
| Tom Cox | .... | stunt performer | |
| Richard Hansen | .... | stunt performer | |
| Mark Henson | .... | stunt coordinator (as Franklin Henson) | |
| Holly Lumsden | .... | stunt performer | |
| Helen Steinway Bailey | .... | stunt performer (as Helen Steinway-Bailey) | |
Casting Department | |||
| Kharmel Cochrane | .... | casting assistant | |
| Robert Sterne | .... | casting assistant | |
| Brendan Donnison | .... | voice casting (uncredited) | |
| Emily Tilelli | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Jane Bogunovic | .... | costume maker | |
| Louisa Cassels | .... | costume trainee | |
| Ruth Green | .... | daily costume assistant | |
| Georgina Gunner | .... | costume supervisor | |
| Gordon Harmer | .... | daily costume assistant | |
| Carin Hoff | .... | daily costume assistant | |
| Vandra Howard | .... | daily costume assistant | |
| Anna Kot | .... | costume design assistant | |
| Melissa Layton | .... | costume standby (as Melisa Layton-Skorepa) | |
| Catherine Lovett | .... | costume supervisor: additional photography (as Cat Lovett) | |
| Elaine Mansouri | .... | costume maker | |
| Calandra Meredith | .... | costume standby | |
| Jacqueline Mulligan | .... | costume maker | |
| Kathryn Mysko Von Schultze | .... | costume maker (as Kathryn Frampton) | |
| Luan Placks | .... | costume design assistant | |
| Gemma Rasmussen | .... | trainee costume maker | |
| Lisa Robinson | .... | costume maker | |
| Sunita Singh | .... | daily costume assistant | |
| Marcia Smith | .... | costume maker | |
| Louise Sorrentino | .... | costume assistant: additional photography (as Louisa Sorrentino) | |
| Sara Tosetti | .... | costume assistant | |
| Sarah Touaibi | .... | daily costume assistant | |
| Emma Walker | .... | costume breakdown | |
| Allison Wyldeck | .... | daily costume assistant | |
| Paul Yeowell | .... | daily costume assistant | |
| Dominic Young | .... | costume cutter | |
| Catherine Lovett | .... | costume assistant (uncredited) | |
| Cecile Van Dijk | .... | costumer (uncredited) | |
Editorial Department | |||
| Chris Bentley | .... | digital intermediate-lab operator | |
| James Clarke | .... | digital intermediate supervisor | |
| Stuart Fyvie | .... | digital intermediate colorist | |
| Scott Goulding | .... | assistant digital intermediate colorist | |
| Chris McGloin | .... | first assistant editor | |
| Mathieu Reid | .... | color timer | |
| Danny Salas | .... | second assistant editor | |
| Daniel Tomlinson | .... | senior digital intermediate-lab operator | |
| Diana Vasquez | .... | digital lab operator | |
| Rick White | .... | vt supervisor: Lip Sync Post | |
| Michael Alexander Winter | .... | delivery coordinator: Ruby Films (as Michael Winter) | |
| Rob Ackerman | .... | technical support (uncredited) | |
| Scott Macbeth | .... | technical support (uncredited) | |
| Salim Rahman | .... | technical support (uncredited) | |
Music Department | |||
| John Alley | .... | musician: solo piano | |
| Mat Bartram | .... | assistant score engineer | |
| James Bellamy | .... | music editor | |
| Fiona Cruickshank | .... | assistant score engineer | |
| Olga FitzRoy | .... | assistant score engineer | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Micaela Haslam | .... | vocal contractor: Synergy Vocals | |
| Jack Liebeck | .... | musician: solo violin | |
| Dario Marianelli | .... | orchestrator | |
| Dario Marianelli | .... | score producer | |
| Andrew McKenna | .... | music advisor | |
| Melanie Pappenheim | .... | musician: vocal solo | |
| Maggie Rodford | .... | music supervisor: Air-Edel | |
| Hilary Skewes | .... | musician contractor | |
| Jill Streater | .... | music preparation | |
| Benjamin Wallfisch | .... | conductor | |
| Benjamin Wallfisch | .... | orchestrator | |
| Nick Wollage | .... | music mixer | |
| Nick Wollage | .... | music recordist | |
Transportation Department | |||
| Alex Aben | .... | driver: grip truck | |
| Trevor Atkin | .... | unit driver | |
| Piotr Chrzanowski | .... | driver: facilities | |
| Hendrik De Jonker | .... | driver: props truck | |
| Renai Dwyer | .... | driver: facilities | |
| Jon Harvey | .... | driver: construction truck | |
| Rob Hempenstall | .... | transportation captain | |
| Paul Howitt | .... | driver: costume truck | |
| Neal Hurst | .... | facilities captain: additional photography | |
| Tony Jayes | .... | driver: Ms. Wasikowska | |
| Tim Jefferis | .... | driver: facilities | |
| Mark Jones | .... | driver: Mr. Fukunaga | |
| Brian Kelly | .... | driver: Mr. Fassbender | |
| Graeme Main | .... | driver: camera car | |
| Jamie Newton | .... | driver: construction truck, additional photography | |
| Clive Noy | .... | driver: Silverado | |
| Brett Owens | .... | driver: camera car, additional photography | |
| Steve Paxman | .... | driver: costume truck, additional photography | |
| Jake Spencer | .... | driver: dressing prop | |
| Piotr Walczak | .... | facilities captain | |
| Andy Wilson | .... | driver: minibus | |
Other crew | |||
| Mark Abraham | .... | rushes runner | |
| Chris Barnett | .... | caterer | |
| Charlie Barrett | .... | horses and carriages: The Devil's Horsemen | |
| Isabel Begg | .... | senior commercial and legal manager: BBC Films | |
| Helen Bingham | .... | accounts assistant | |
| Kim Bird | .... | chaperone | |
| Peter Boothby | .... | production runner: London | |
| Charlie Borradaile | .... | floor runner: crowd, dailies | |
| Finlay Bradbury | .... | location scout (as Finlay Pile) | |
| Rupert Bray | .... | location scout | |
| Andy Brunskill | .... | development executive: Ruby Films | |
| James Buckler | .... | production and delivery coordinator: BBC Films | |
| Daniel Budd | .... | assistant accountant (as Dan Budd) | |
| Julie Burnham | .... | unit nurse | |
| Clare Collingridge | .... | floor runner: crowd, dailies | |
| Crispy Cox | .... | horses and carriages: The Devil's Horsemen | |
| Jake Cox | .... | horses and carriages: The Devil's Horsemen | |
| Matt Crook | .... | horses and carriages: The Devil's Horsemen | |
| Chris Cullum | .... | health and safety standby | |
| Andy Davies | .... | security | |
| Christian De-vos | .... | head of security (as Christian Devos) | |
| Christian De-vos | .... | security hod (as Christian Devos) | |
| Nazmeen Dhansey | .... | accounts assistant | |
| Jay Doshi | .... | contact lens technician: London | |
| Giles Edleston | .... | location manager | |
| Danny Edwards | .... | caterer | |
| Stuart Ewen | .... | production runner | |
| Jo Farrugia | .... | researcher | |
| Nicole Finnan | .... | production executive: Ruby Films | |
| Edward Fisher | .... | stand-in: Mr. Fassbender | |
| Chris Foggin | .... | floor runner | |
| Hollie Foster | .... | assistant production coordinator | |
| Adam Francis | .... | horses and carriages: The Devil's Horsemen | |
| Simon Gillis | .... | legal and business affairs manager: BBC Films | |
| Alex Gladstone | .... | location scout | |
| Mia Gray | .... | stand-in: Ms. Wasikowska | |
| Louise Green | .... | post-production assistant accountant | |
| Simone Griffiths | .... | horses and carriages: The Devil's Horsemen | |
| Mark Grimwade | .... | location scout | |
| Robin Guise | .... | production executive: Lip Sync Productions | |
| Ruth Halliday | .... | clearances | |
| Ella Harris | .... | floor runner: crowd, dailies | |
| Jane Hawley | .... | production executive: BBC Films | |
| Christopher Haworth | .... | floor runner: crowd, dailies | |
| Elaine Henderson-Boyle | .... | chaperone | |
| Billy Hinshelwood | .... | legal services | |
| Dean Hoskings | .... | security | |
| Mick Hurrell | .... | health and safety advisor | |
| Polly Jefferies | .... | production coordinator | |
| Christina Jules | .... | financial controller: Ruby Films | |
| Charlotte Keating | .... | assistant to co-producer | |
| Karl King | .... | floor runner: additional photography | |
| Anna Koch | .... | assistant: Ms. Owen and Mr. Trijbits, Ruby Films | |
| Glen Lean | .... | horses and carriages: The Devil's Horsemen | |
| Gary Longden | .... | location assistant: additional photography | |
| Michael Mann | .... | contact: London | |
| Andy McCloud | .... | security | |
| Jill McCullough | .... | dialect coach | |
| Charlotte Melhuish | .... | horses and carriages: The Devil's Horsemen | |
| Norman Merry | .... | production executive: Lip Sync Productions | |
| Rob Meyer | .... | electronic press kit | |
| John Miles | .... | production accountant | |
| Lynsey Miller | .... | production coordinator: Ruby Films | |
| Richard Moore | .... | insurance services: Media Insurance Brokers Ltd. | |
| Camilla Naprous | .... | horses and carriages: The Devil's Horsemen | |
| Daniel Naprous | .... | horse master | |
| Gerard Naprous | .... | horses and carriages: The Devil's Horsemen | |
| Tiziano Niero | .... | production assistant: additional photography | |
| Clive Noakes | .... | laboratory contact: Deluxe London | |
| Dan O'Toole | .... | security | |
| Nick Oliver | .... | assistant location manager | |
| Sylvia Parker | .... | script supervisor | |
| Beth Pattinson | .... | development editor: BBC Films | |
| Steve Pickering | .... | contact lens technician: Derbyshire | |
| Mike Pike | .... | horses and carriages: The Devil's Horsemen | |
| Mark Pir | .... | security | |
| Gill Raddings | .... | dog handler | |
| Jane Ralley | .... | tutor | |
| Peter Raven | .... | production executive: Lip Sync Productions | |
| Raymond Reader | .... | chef (as Raymond 'Rozza' Reader) | |
| Jeremy Richardson | .... | rushes runner | |
| Alex Ross | .... | horses and carriages: The Devil's Horsemen | |
| Zoe Ross | .... | horses and carriages: The Devil's Horsemen | |
| Mark Rowan | .... | health & safety advisor | |
| Penny Ryder | .... | assistant: Ms. Dench | |
| Lara Sargent | .... | post-production accountant | |
| Mark Shelley | .... | armourer (as Mark Shelly) | |
| Charlie Simpson | .... | unit manager | |
| Sam Smith | .... | floor runner: crowd, dailies | |
| Andy Soane | .... | caterer (as Andy Soan) | |
| Vaughn Stein | .... | base runner | |
| Richard Thompson | .... | legal services: Bloom Hergott Diemer Rosenthal Laviolette Feldman Schenkman & Goodman, LLP | |
| Ian Thomson | .... | unit publicist | |
| Jane Thurlow | .... | tutor | |
| John William Turner | .... | floor runner: crowd, dailies (as John Turner) | |
| Jenny Uglow | .... | historical advisor | |
| Sophie Vickers | .... | production executive: Ruby Films | |
| Darren White | .... | security | |
| Kirstie White | .... | post-production assistant accountant | |
| Kiri Bloom | .... | stand-in (uncredited) | |
| Charlotte Keating | .... | production coordinator: re-shoots (uncredited) | |
| Camilla Naprous | .... | assistant horse master (uncredited) | |
| Lizanne Tulip | .... | stand-in: sally hawkins (uncredited) | |
| Ben Urquhart | .... | post-production executive: Focus Features (uncredited) | |
| Lucy Ward | .... | assistant script supervisor (uncredited) | |
| Jamie H. Zelermyer | .... | production executive: Focus Features (uncredited) | |
Thanks | |||
| Jack Arbuthnott | .... | special thanks | |
| Victoria Belfrage | .... | the producers would like to thank | |
| Kath Brinson | .... | special thanks | |
| Elizabeth Bull | .... | special thanks | |
| David Campbell | .... | the producers would like to thank | |
| Paul Cantelon | .... | the producers would like to thank | |
| Judith Chan | .... | the producers would like to thank | |
| Steve Clark-Hall | .... | the producers would like to thank | |
| St John Donald | .... | the producers would like to thank | |
| Jerome Duboz | .... | the producers would like to thank | |
| Gretchen Grufman | .... | special thanks | |
| Sam Hodges | .... | special thanks | |
| Craig Kestel | .... | the producers would like to thank | |
| Lisa Mayo | .... | the producers would like to thank | |
| Conor McCaughan | .... | the producers would like to thank | |
| Rob Meyer | .... | special thanks | |
| Nigel Palmer | .... | the producers would like to thank | |
| Tanya Phegan | .... | special thanks | |
| James Rogan | .... | special thanks | |
| Timothy Struthers | .... | special thanks | |
| Melissa Tavakoli | .... | special thanks | |
| Ameer Youssef | .... | special thanks | |
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Charlotte Brontë's seminal literary work "Jane Eyre" has been adapted countless times and prepared in a myriad of ways from the 1943 Joan Fontaine/Orson Welles version that was whittled to an hour and a half to the 1983 BBC mini-series with Zelah Clarke and Timothy Dalton that spans five-plus hours. That certainly begs the question of why anyone, from writer Moira Buffini to director Cary Fukunaga to Dame Judi Dench, would feel inspired to recreate this coming-of-age story about love and accepting its blemishes.
Fukunaga's ("Sin Nombre") take doesn't exactly provide an amazing revelation or epiphanic justification for bringing "Jane Eyre" back to life, but it does prove that no classic can be so overdone that it becomes untouchable; even the most tried and dated of love stories can find new life. Fukanaga has given "Jane Eyre" a photorealistic makeover devoid of frills and fiercely au naturel, but no less gripping than the story's "livelier" retellings.
Fictional period dramas often feel overtly pristine and glazed over to the point of fairytale, but in watching this film, you get the sense that this is quite possibly how the story would have looked and felt if it had been true. All the way down to accents, this rendition has clearly labored over historical authenticity and it shows in the finished product.
Mia Wasikowska ("The Kids Are All Right") continues to choose spot-on independent films despite leading the billion-dollar "Alice in Wonderland" of 2010 and it continues to pay off. She's clearly adept at embodying literary characters, or at least at recreating them within herself rather than worrying about trying to become the way the majority perceives them. Her modest looks suit Jane perfectly and she can play both the fragile girl who has been so often wronged by those who were supposed to care for her and the somewhat self-assured young woman who so plainly understands right from wrong.
Buffini ("Tamara Drewe") tells "Jane Eyre" in an un-narrated flashback. The film opens with Jane dashing away from the spectre of the Thornfield estate and stumbling through the beautifully captured but cold and desolate English countryside in a state of total anguish. She arrives at the Rivers' place where they enquire as to her identity. As the voice of Mr. Rochester (Michael Fassbender) beckons her, she cannot block out the memories of her journey. The film then catches up to that point in real time and continues on to the end.
Other than a terrific performance from Amelia Clarkson as young Jane, the early chapters involving Lowood School seem to be of less significance in this version other than the very clear point to establish Mr. Brocklehurst as an insensitive headmaster and clearly spell out Jane's early traumas that have affected her perspective. The love story between Jane and Mr. Rochester and the way it affects Jane takes supreme precedence in this film and with a two- hour run time, rightfully so. Nevertheless, the short beginnings prevent the film from showing the whole scope of Jane's troubled life.
Fassbender and Wasikowska work terrifically and manage to communicate the class and age discrepancy that made "Jane Eyre" a juicy read back in the 19th Century. Fassbender does seem to let Rochester's guard down quicker than expected, but I enjoyed his choice to be less standoffish and more brooding; he determines his secret to be more a responsibility of an unfortunate nature than a loathsome burden. His love for Jane then feels more sincere.
An actress as magnetizing as Judi Dench choosing to play the caretaker Mrs. Fairfax sums up the humble attitude of this "Jane Eyre." She uses her gravitas to the effect of being the film's lone comic relief and complements the scenes rather than stealing them from Wasikowska, who is 55 years her junior.
The film itself aims for subtlety and chooses not to amp up the shock value of the story's most pivotal scenes. There's some manufactured suspense, but it's mostly natural. It ends up being the most commendable aspect of Fukunaga's vision, but maybe the most hampering as well. He creates exceptional tone and mood with the help of his wonderful cast and this seizes our interest, but his "Jane" never takes a chance with any emotional punches. A superbly crafted film, just not a resonant one.
~Steven C