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A mousy governess who softens the heart of her employer soon discovers that he's hiding a terrible secret.

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Nominated for 1 Oscar. Another 7 wins & 14 nominations. See more awards »

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Cast

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Miss Abbot
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Storyline

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever? Written by Mel Bellis in the U.K.

Plot Summary | Plot Synopsis

Taglines:

She sought refuge... and found a place haunted by secrets.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements including a nude image and brief violent content | See all certifications »

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Details

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Release Date:

22 April 2011 (USA)  »

Also Known As:

Dzeine Eir  »

Box Office

Opening Weekend:

$182,885 (USA) (11 March 2011)

Gross:

$11,232,825 (USA) (8 July 2011)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is possibly the first adaptation of Jane Eyre in which her rival, Blanche Ingram, is shown as described in the book: a striking black haired woman. In most other adaptations, she's played by women with bright blonde hair, likely as a contrast to dark-haired Jane. See more »

Goofs

The teacup that Jane is drinking out of is Belleek. Belleek porcelain was first produced in 1863 and was not widely available outside Ireland until the mid-1860s while the blue mark on Jane's cup was first used in 1993. See more »

Quotes

Rochester: [after Jane and Mr. Rochester have put out a fire that was set to his bed] Say nothing about this. You are no talking fool.
Jane Eyre: But...
Rochester: I'll account for the state of affairs. Say nothing.
Jane Eyre: Yes, sir.
Rochester: Is that how you would leave me? Jane, fire is a horrible death. You've saved my life. Don't walk past me as if we were strangers.
Jane Eyre: What am I to do, then?
[Rochester offers his hand, which she hesitates before taking. He covers her hand with his and draws closer]
Rochester: I have a pleasure in owing you my life.
Jane Eyre: There ...
[...]
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Connections

Featured in Ebert Presents: At the Movies: Episode #1.8 (2011) See more »

Soundtracks

Flamme Vengeresse
From Act 3 of "Le Domino Noir" (1837)
Music by Daniel-François Auber
Libretto by Eugène Scribe
Performed by Romy Settbon Moore
Arranged by Andrew McKenna
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Frequently Asked Questions

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User Reviews

Well-produced version, with terrific performances
7 March 2011 | by (New York, New York) – See all my reviews

I've seen JANE EYRE in many versions, holding the Susannah York/George C. Scott edition on a special pedestal, but this new atmospheric adaptation proves to be worthwhile. It should introduce a new audience to the classic tale.

After scoring in the title role in Tim Burton's ALICE IN WONDERLAND, Aussie thesp Mia Wasikowska is compelling with a plain Jane styling here again as title character, with her story told effectively in flashback, starting with her escape from the Gothic mansion of Rochester (Michael Fassbender), getting a school marm's gig from sympathetic young pastor "Sin-jin" (St. John, played by Mr. BILLY ELLIOT himself, Jamie Bell).

Her "tale of woe", as Rochester mockingly describes it before even hearing a word, is the familiar Charlotte Bronte yarn -suffering a scary childhood at the hands of such ogres as Mrs. Reed (Sally Hawkins, in her least giggly role to date -very effective). Years at a school for castoff girls, where corporal punishment is de rigeur, merely season Jane for life's hard knocks.

The romantic sweep of her dealings with Rochester are well portrayed, and director Cary Joji Fukunaga makes terrific use of the stark locations, shot in painterly fashion. The visuals alone make this remake worthwhile, backed by the BBC but definitely not a "Masterpiece Theatre" small-screen effort like the recent re-dos of all of Jane Austen.

The big reveal regarding Rochester's "secret" is well-done, though I was a bit disappointed that the hindsight of two versions of Jean Rhys' prequel WIDE SARGASSO SEA was not taken into account here. I guess screenwriter Moira Buffini adhered to a more purist approach.

Fassbender has already suffered casting criticism as being too good looking, but his acting carries the day -combining the right amount of sinister to temper the matinée idol veneer. After all, Jane is going to fall for him eventually. I still prefer Scott or Orson Welles in the role -tough competition indeed.

Besides the principals, Dame Judi Dench is solid as a rock as Rochester's housekeeper, giving it her always-A-game approach and adding nuance to what could be merely a stock role.


46 of 68 people found this review helpful.  Was this review helpful to you?

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