Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to be come a teacher and eventually seeks... See full summary »
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Honduran teenager Sayra reunites with her father, an opportunity for her to potentially realize her dream of a life in the U.S. Moving to Mexico is the first step in a fateful journey of ... See full summary »
Marco Antonio Aguirre,
After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester's terrible secret be about to destroy it forever? Written by
Mel Bellis in the U.K.
The purchasing power of a British pound in 1826 was about equal to 70 pounds in 2012. That would make the fortune left to Jane Eyre worth about $2 million, not $45 million. If you think the $45 million figure is correct, consider that Fairfax owes Jane 30 GBP, or the equivalent (at that exchange rate) of some $70,000 dollars. Steep for a mere governess. See more »
Rochester drags Jane and company to meet his wife, Antoinetta, in the secret room. Bertha spits at Jane, which leaves a black mark on her dress near the bust. The camera focuses on Rochester and Antoinetta as Antoinetta goes berserk. When the camera focuses on Jane as she leaves, the black mark is gone. See more »
[Helen is about to be beaten by Ms. Scatcherd]
I see you are mortifying this girl's flesh.
Sir, she was not...
It is your mission to render her contrite and self-denying. Continue.
[Ms. Scatcherd begins beating Helen with a rod. Jane drops her chalkboard as a distraction]
And you, girl.
[He has Jane stand on her stool]
This is the pedestal of infamy, and you will remain on it all day long. You will have neither food nor drink for you must learn how barren is the life of a sinner. Children, I ...
See more »
I've seen JANE EYRE in many versions, holding the Susannah York/George C. Scott edition on a special pedestal, but this new atmospheric adaptation proves to be worthwhile. It should introduce a new audience to the classic tale.
After scoring in the title role in Tim Burton's ALICE IN WONDERLAND, Aussie thesp Mia Wasikowska is compelling with a plain Jane styling here again as title character, with her story told effectively in flashback, starting with her escape from the Gothic mansion of Rochester (Michael Fassbender), getting a school marm's gig from sympathetic young pastor "Sin-jin" (St. John, played by Mr. BILLY ELLIOT himself, Jamie Bell).
Her "tale of woe", as Rochester mockingly describes it before even hearing a word, is the familiar Charlotte Bronte yarn -suffering a scary childhood at the hands of such ogres as Mrs. Reed (Sally Hawkins, in her least giggly role to date -very effective). Years at a school for castoff girls, where corporal punishment is de rigeur, merely season Jane for life's hard knocks.
The romantic sweep of her dealings with Rochester are well portrayed, and director Cary Joji Fukunaga makes terrific use of the stark locations, shot in painterly fashion. The visuals alone make this remake worthwhile, backed by the BBC but definitely not a "Masterpiece Theatre" small-screen effort like the recent re-dos of all of Jane Austen.
The big reveal regarding Rochester's "secret" is well-done, though I was a bit disappointed that the hindsight of two versions of Jean Rhys' prequel WIDE SARGASSO SEA was not taken into account here. I guess screenwriter Moira Buffini adhered to a more purist approach.
Fassbender has already suffered casting criticism as being too good looking, but his acting carries the day -combining the right amount of sinister to temper the matinée idol veneer. After all, Jane is going to fall for him eventually. I still prefer Scott or Orson Welles in the role -tough competition indeed.
Besides the principals, Dame Judi Dench is solid as a rock as Rochester's housekeeper, giving it her always-A-game approach and adding nuance to what could be merely a stock role.
43 of 65 people found this review helpful.
Was this review helpful to you?