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It Might Get Loud (2008)

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A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.

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6 nominations. See more awards »
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Cast

Credited cast:
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Himself (archive footage)
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Storyline

A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.

Plot Summary | Plot Synopsis

Genres:

Documentary | Music

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements, brief language and smoking | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

27 August 2009 (Germany)  »

Also Known As:

A Todo Volume  »

Filming Locations:

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Box Office

Opening Weekend USA:

$92,679, 16 August 2009, Limited Release

Gross USA:

$1,607,276, 13 December 2009
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

All 3 participants have featured in music from a James Bond opening credits. Jimmy Page reveals that he played on Goldfinger (1964) whilst The Edge and Jack White contributed title tracks to GoldenEye (1995) and Quantum of Solace (2008) respectively. See more »

Goofs

The section where Jimmy Page is talking about his first electric guitar is prefaced with a title card labeled "Jimmy's Strat" and showing a Fender Stratocaster. However, the pictures accompanying his story show a young Jimmy Page with a guitar that is distinctly not a Stratocaster, but a Selmer Futurama. See more »

Quotes

[first lines]
Jack White: Who says you need to buy a guitar?
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Crazy Credits

"St. Vincent De Paul", a Detroit thrift store mentioned in the movie, is credited as "St. Vincent De Paul - Detriot", with "Detroit" misspelled. See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #8.159 (2010) See more »

Soundtracks

Over the Hills and Far Away
Written by Jimmy Page, Robert Plant
Performed by Led Zeppelin
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

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User Reviews

 
And now do "Stairway to Heaven"!
1 September 2009 | by See all my reviews

Despite his deeply silly stage name, I've always been a fan of The Edge, and spent what felt like a good part of my youth trying to figure out his riffs. So it was a revelation to me to see him switch off his effects and make fun of how banal his "original" (un-enhanced) riffs really are. In another scene he points to a concrete platform on his former school where he and what was to become U2 first performed; he casually remarks "I was standing on that side" and then it dawns upon him "... and that's been my side ever since." There are a lot of quiet but magic moments like that in this documentary, that make it so captivating.

I also found the segments on Led Zeppelin's Jimmy Page fascinating. When he started out, people didn't yet make a living as rock stars (I remember a BBC session when Led Zeppelin's members were asked what they were "really" doing). Wild boy Jimmy Page got his first guitar by accident, because somebody'd left it behind in the house his family was moving into, and later he had a pretty mundane career as a session musician, where he was playing stuff nobody'd dream of associating with him today.

To me, the odd one out was Jack White. Certainly a good musician, a great specimen of a still relatively young guitarist, but he seemed to me rather grandiose, egocentric and attention-grabbing, his self-stylisation as a white bluesman with tie and pork-pie hat was just plain silly, and his attitude "I don't play big-name guitars but cheap junk and it's still great music" started to grate after a while.

The movie was best when it was just following and listening to the guitarreros. The segments when they are supposed to intimately discuss guitarish matters and "just forget that the camera's even there" don't work so well. There are lots of cute design ideas which liven up the movie and keep it together. The movie works less well when it tries to summarise and explain; a particular gaffe was when The Edge complains about the self-indulgent guitar solos of the 1970ies, and the movie ignores the blatant fact that self-indulgent soloist #1 at the time was none other than Jimmy Page.

You know who was really missing from this movie? The late, great Les Paul. I would have loved to be able listen to his side of the story.

Finally, I took a lot of heart from the final scene when all three musical heavies play The Band's "The Weight" together -- and it doesn't sound that convincing. Just like when I was jamming with my mates!


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