From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
A cryptic message from Bond's past, sends him on a trail to uncover a sinister organization. While M battles political forces to keep the Secret Service alive, Bond peels back the layers of deceit to reveal the terrible truth behind S.P.E.C.T.R.E.
In the fourth installment of the Mission Impossible series, Ethan Hunt and a new team race against time to track down Hendricks, a dangerous terrorist who has gained access to Russian nuclear launch codes and is planning a strike on the United States. An attempt by the team to stop him at the Kremlin ends in a disaster, with an explosion causing severe damage to the Kremlin and the IMF being implicated in the bombing, forcing the President to invoke Ghost Protocol, under which the IMF is disavowed, and will be offered no help or backup in any form. Undaunted, Ethan and his team chase Hendricks to Dubai, and from there to Mumbai, but several spectacular action sequences later, they might still be too late to stop a disaster. Written by
During production, Tom Cruise did the majority of his own stunts including the skyscraper sequence(s), to show the audience it was actually him. This would allow Director Brad Bird to have more capabilities with camera angles, and not having to hide the fact that it is a stuntman doing the stunts. See more »
In the beginning we see Sabine Moreau shoot IMF agent Hanaway three times as she is approaching him while walking down a lane. She then bends down to take his package and shoots him two more times for good measure. Later while in a van after the prison break, agent Jane Carter explains to Ethan Hunt why Hanaway is not there and they replay the scene again. Now evil Sabine Moreau shoots Hanaway three times but as she bends down to take his package she does not shoot him twice more for good measure. See more »
[in Russian, to Burly Russian Prisoner]
Hey, how did you open your cell door?
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Much like the first 'Mission: Impossible' movie, the opening credits to this film contain major plot points to the film. See more »
Is there anything Brad Bird can't do? Interest was certainly high when it was announced that the animation director would be making his live- action directing debut, choosing to tackle the third sequel in the Mission: Impossible film series. Brian De Palma's first, while it hasn't aged well, is a tense 70s style thriller, John Woo's M:I 2 increased the action but lowered the intelligence, and in 2006 JJ Abrams reinvigorated the franchise with the exciting and highly enjoyable M:I 3. But all of the previous films have been completely left in the dust by Bird's Mission: Impossible Ghost Protocol, a strong contender for film of the year and perhaps one of the finest action films ever made. To have pulled off such a feat is somewhat remarkable for Bird. While certainly an immensely talented director (best known for The Iron Giant and The Incredibles, two films which would rank highly on any respectable list of greatest animated movies of all time), the ability to transfer his skills to live-action on the scale of M:I GP with such flair sets him apart as a filmmaker with immeasurable gifts, and one of the most interesting directors working today.
So what is it about M:I GP that works so well? Tom Cruise, returning as IMF agent Ethan Hunt, once again puts everything he's got into his role. This franchise is clearly Cruise's baby, and the famously passionate star characteristically doesn't shy away from the more perilous stunt work. The level of commitment shown by Cruise is staggering, whether he's clinging to the side of the worlds tallest skyscraper (130 floors up!), or throwing himself down several levels of a parking garage. Say what you will about his eccentricities, but the man takes a pounding at every turn of this film only to rise and face down the next challenge, the very definition of a fearless performance. Also of note is Simon Pegg making a welcome return in a much larger role than the last film, and his wisecracks and facial silliness provide much needed relief from the relentless suspense of the narrative. The story is somewhat familiar as Ethan and his team fight to stop a psychopathic genius (Michael Nyqvist) hell bent on starting world war three, but what could be a fairly standard affair in less capable hands is turned into something wonderful by Bird.
As you can probably gather, the real star of M:I GP is Brad Bird. From a dialogue perspective, the film is surprisingly minimalist, as the director boldly lets his spectacular visuals speak for themselves, rather than relying on too much exposition from his characters. Likely because of his background in animation, where the visual style comes literally from the hands of the artist, Bird's compositions and framing are so meticulously crafted, particularly in some of the more pulse- pounding set pieces. The aforementioned skyscraper climb is one of the most exciting sequences I have ever seen in a film, but it's merely one of several fantastic scenes constructed by Bird and his team. Even in the quieter moments, seemingly unimportant small gags (Hunt shedding a disguise for example) add so much to the film, like the delicate icing on a huge, many-layered cake. As welcome as a new animated film from Bird would be, the astounding quality of M:I GP suggests that anything he chooses to do from this point will be hotly anticipated. Whether his Pixar compatriot Andrew Stanton can pull off the same transition with next year's John Carter remains to be seen, but for now, Brad Bird seems to be a director who can do no wrong.
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