| Photos (See all 80 | slideshow) | Videos (see all 15) |
Directed by | |||
| Matt Reeves | |||
Writing credits(WGA) | ||
| Matt Reeves | (screenplay) | |
| John Ajvide Lindqvist | (screenplay "Låt den rätte komma in") | |
| John Ajvide Lindqvist | (novel "Låt den rätte komma in") | |
Produced by | |||
| Tobin Armbrust | .... | producer | |
| Alexander Yves Brunner | .... | producer (as Alex Brunner) | |
| Guy East | .... | producer | |
| Philip Elway | .... | executive producer | |
| Donna Gigliotti | .... | producer | |
| Jillian Longnecker | .... | associate producer: Exclusive Media Group and Hammer Films | |
| Fredrik Malmberg | .... | executive producer | |
| Andy Mayson | .... | co-executive producer: Exclusive Media Group and Hammer Films | |
| Carl Molinder | .... | producer | |
| John Nordling | .... | producer | |
| Simon Oakes | .... | producer | |
| John Ptak | .... | executive producer | |
| Vicki Dee Rock | .... | co-producer | |
| Marc Schipper | .... | co-executive producer: Exclusive Media Group and Hammer Films | |
| Nigel Sinclair | .... | executive producer | |
| Robert Kessel | .... | production executive (uncredited) | |
Original Music by | |||
| Michael Giacchino | |||
Cinematography by | |||
| Greig Fraser | (director of photography) | ||
Film Editing by | |||
| Stan Salfas | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Ford Wheeler | |||
Art Direction by | |||
| Guy Barnes | |||
Set Decoration by | |||
| Wendy Ozols-Barnes | (as Wendy Barnes) | ||
Costume Design by | |||
| Melissa Bruning | |||
Makeup Department | |||
| Janessa Bouldin | .... | additional hair stylist | |
| Andy Clement | .... | makeup prosthetics (as Andrew Clement) | |
| Tarra D. Day | .... | makeup department head (as Tarra Day) | |
| Jake Garber | .... | additional makeup effects (as Jacob Garber) | |
| Kelly Golden | .... | silicone prosthetic technician | |
| Jennifer McDaniel | .... | makeup department head (as Jennifer McDaniel-Pfeiffer) | |
| Bart Mixon | .... | additional makeup effects | |
| Jessica Nelson | .... | contact lens technician | |
| Brian Rae | .... | mold and lab technician | |
| JoAnn Stafford-Chaney | .... | hair department head (as Jo Ann Stafford-Chaney) | |
| Sheila Trujillo-Gomez | .... | additional makeup artist (as Sheila Trujillo) | |
| Georgia Allen | .... | special makeup effects artist (uncredited) | |
| Cristina Patterson | .... | contact lens coordinator/painter (uncredited) | |
| Chad Washam | .... | special makeup effects technician (uncredited) | |
Production Management | |||
| Anne Johns | .... | unit production manager | |
| Bruce Markoe | .... | post-production supervisor | |
| Tiffany Tiesiera | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jai James | .... | second assistant director | |
| Sarah Lemon | .... | second second assistant director | |
| Rip Murray | .... | first assistant director | |
| Chemen Ochoa | .... | second assistant director (as Chemen A. Ochoa) | |
| Bradley Parker | .... | second unit director (as Brad Parker) | |
| Katie Pruitt | .... | additional second second assistant director | |
Art Department | |||
| Brett Andrews | .... | property master | |
| RA Arancio-Parrain | .... | leadman | |
| David D. Baumann | .... | assistant property master | |
| Vincent Berardi | .... | gang boss trainee | |
| Mike Blatner | .... | gang boss | |
| Patrick Boyles | .... | painter | |
| Craig Butterman | .... | propmaker (as Vraig W. Butterman) | |
| Ryan Cowles | .... | art department | |
| Jason Critchfield | .... | paint foreman | |
| Brooke Fair | .... | on-set painter | |
| Doug Gray | .... | sculptor gang boss (as Douglas Gray) | |
| Richard Hughes | .... | set dresser | |
| Richard Hurff | .... | propmaker | |
| Janice B. Jacobson | .... | painter | |
| Ronald O. Jaynes | .... | construction coordinator (as Ron Jaynes) | |
| Lelan Keffer | .... | set dresser | |
| George Kruft | .... | paint gang boss (as George A. Kruft) | |
| Amahl Lovato | .... | set designer | |
| Jason Mack | .... | set dresser | |
| Jose Mendoza | .... | painter (as Jose I. Mendoza) | |
| Matthew Miller | .... | propmaker | |
| Lawrence Morales | .... | propmaker | |
| Jesus A. Murillo | .... | painter (as Jesus Murillo) | |
| Jodi Nichols | .... | art department coordinator | |
| Paul Ortega | .... | paint foreman (as Randy Paul Ortega) | |
| Randy Ortega | .... | lead scenic (as Randy E. Ortega) | |
| Robert Ortega | .... | paint gang boss | |
| Robert Ortega | .... | stand-by painter | |
| Pietro Angel Palladini | .... | painter | |
| Rhonda Paynter | .... | on-set dresser | |
| Christina Pizzala | .... | painter | |
| Scott Plunket | .... | set dresser | |
| Rosario Provenza | .... | assistant art director | |
| Chip Radaelli | .... | general foreman (as Thomas 'Chip' Radaelli) | |
| Billy W. Ray | .... | buyer (as Billy Ray) | |
| Jorge Reyes | .... | foreman trainee | |
| Macario Rivera | .... | painter | |
| Leonard Sanchez | .... | labor foreman | |
| Craig Sears | .... | propmaker | |
| Josh Sheppard | .... | storyboard artist (as Joshua Sheppard) | |
| Kris Strube | .... | laborer (as Kris Strubie) | |
| Angelo Tomarchio | .... | sculptor gang boss | |
| Omar Villarreal | .... | propmaker | |
| Keith Walters | .... | prop consultant | |
| Cisco Whitson-Brown | .... | painter | |
| Steven Maes | .... | graphic designer (uncredited) | |
| Lucas Stein | .... | painter (uncredited) | |
Sound Department | |||
| Marco Alicea | .... | digital transfer | |
| Antony Bayman | .... | adr mixer | |
| David Brownlow | .... | additional sound mixer | |
| John Countryman | .... | digital transfer | |
| Jenna Dalla Riva | .... | foley recording assistant | |
| Luke Dunn Gielmuda | .... | additional sound editor | |
| Will Files | .... | re-recording mixer (as William Files) | |
| Will Files | .... | supervising sound designer (as William Files) | |
| Kim Foscato | .... | sound editor | |
| Andrea Gard | .... | additional sound editor | |
| Howie Hammerman | .... | engineering services (as Howie Hammermann) | |
| Jack Heeren | .... | foley mixer | |
| Jack Herren | .... | foley mixer | |
| Bobby Johanson | .... | adr mixer | |
| Rick Kline | .... | re-recording mixer | |
| Goro Koyama | .... | foley artist | |
| Andy Malcolm | .... | foley artist | |
| Steve Morris | .... | engineering services | |
| Douglas Murray | .... | re-recording mixer | |
| Douglas Murray | .... | supervising sound designer | |
| Chris Navarro | .... | adr mixer | |
| Jordan O'Neill | .... | datasat sound mastering engineer | |
| Kurt Peterson | .... | boom operator | |
| Jack Rametta | .... | adr mixer | |
| Edwardo Santiago | .... | sound utility (as Eddie Santiago) | |
| Tony Sereno | .... | assistant re-recording mixer | |
| Robert Shoup | .... | sound editor | |
| Clint Smith | .... | recordist | |
| Daniel Sperry | .... | dolby sound consultant (as Dan Sperry) | |
| Don White | .... | foley mixer | |
| Ed White | .... | sound mixer | |
| Noah Katz | .... | digital audio engineer (uncredited) | |
| Zach Martin | .... | assistant re-recording mixer (uncredited) | |
Special Effects by | |||
| Brett Cole | .... | special effects technician: snow | |
| Dan Flannigan | .... | fire coordinator | |
| David Greene | .... | special effects foreman | |
| Werner Hahnlein | .... | special effects coordinator | |
| Roland Hathaway | .... | special effects foreman: snow | |
| Daniel Holt | .... | special effects technician: snow | |
| Mark Noel | .... | gimble technician | |
| Arnold Peterson | .... | gimble operator | |
| Mike Prawitz | .... | special effects technician: on-set | |
| Ryan Roundy | .... | special effects foreman | |
| Yoichi Art Sakamoto | .... | makeup effects | |
| Arthur G. Schlosser | .... | special effects technician: snow | |
| Richard Terry Tjelmeland | .... | special effects foreman | |
| Richard Terry Tjelmeland | .... | special effects technician: snow (as Terry Tjelmeland) | |
| Michael Sinclair Walter | .... | special effects crew (uncredited) | |
Visual Effects by | |||
| Jeff Allen | .... | 3d supervisor: Method Studios | |
| Eric Almeras | .... | digital paint/roto artist: Method Studios | |
| Elizabeth Asai | .... | visual effects coordinator: Ollin Studio (as Elizabeth Asai I.) | |
| Bryan Baker | .... | visual effects editor: DIVE | |
| Jamie Baxter | .... | compositor: XYZ | |
| Tim Bowman | .... | digital compositor: DIVE | |
| Kyle Boylen | .... | compositing artist: Invisible Pictures | |
| Cecile Tecson Broas | .... | digital paint/roto artist: Method Studios (as Cecile F. Tecson) | |
| Shannan Burkley | .... | matte painter: DIVE | |
| Sal Castellanos | .... | digital paint/roto artist: Method Studios | |
| Pedro Castro | .... | matte painter: Ollin Studio | |
| Korey J. Cauchon | .... | visual effects producer: DIVE (as Korey Cauchon) | |
| Chad E. Collier | .... | data technician: Method Studios | |
| Sean Coonce | .... | digital compositor: DIVE | |
| Robin L. D'Arcy | .... | visual effects producer: Ollin Studio (as Robin D'Arcy) | |
| Oliver de Gante | .... | data wrangler: Ollin Studio | |
| Joseph DiValerio | .... | digital compositor: DIVE | |
| Traci Duran | .... | visual effects editor: Method Studios | |
| Sean Andrew Faden | .... | visual effects supervisor: Method Studios (as Sean Faden) | |
| Christine Felman | .... | visual effects coordinator: Method Studios | |
| Erin Ferguson | .... | visual effects producer: Method Studios | |
| Jeremy Fernsler | .... | lead 3D artist: DIVE | |
| Zoltán Fiedler | .... | digital artist | |
| Ken Finlayson | .... | 3d modeler/texture artist: Invisible Pictures | |
| Brenda Finster | .... | visual effects coordinator: Method Studios | |
| Mark O. Forker | .... | visual effects supervisor: DIVE (as Marko Forker) | |
| Antonio Gallardo | .... | visual effects editorial producer: Ollin Studio | |
| Julio Galvan | .... | rotoscoper: Ollin Studio | |
| Stephanie Gilgar | .... | senior visual effects producer: Method Studios | |
| Daniel Gonzalez Solozabal | .... | compositor: Ollin Studio (as Daniel Gonzalez) | |
| Gabby Gourrier | .... | executive producer: Method Studios | |
| Jason Greenblum | .... | digital compositor: Method Studios | |
| Carlos Guillén | .... | compositor: Ollin Studio (as Carlos Guillen Rojas) | |
| Matthew Hackett | .... | character animator: Method Studios (as Matthew T. Hackett) | |
| Noel Hooper | .... | visual effects supervisor: Invisible Pictures | |
| Chris Hunt | .... | digital compositor: Method Studios | |
| Charlie Iturriaga | .... | visual effects supervisor: Ollin Studio | |
| Nick Jushchyshyn | .... | matchmove artist: DIVE | |
| David Kashevaroff | .... | visual effects editor | |
| Viviana Kim | .... | digital compositor: Method Studios | |
| James Kirk | .... | effects animator: Method Studios | |
| Alberto Landeros | .... | compositor: Ollin Studio | |
| Peter Lang | .... | digital paint/roto artist: Method Studios | |
| Martin Lazaro | .... | digital compositor: Method Studios | |
| Tram Le | .... | digital production manager: Method Studios | |
| Seong Joon Lee | .... | character animator: Method Studios | |
| Juan Carlos Lepe | .... | modeler: Ollin Studio | |
| Dan Letarte | .... | visual effects | |
| Miguel Lizarraga | .... | matte painter: Ollin Studio | |
| Victor Lizarraga | .... | visual effects artist: Ollin VFX | |
| Bob Lowery | .... | visual effects executive producer: DIVE | |
| Michael Maker | .... | cg tracker: Method Studios | |
| Haydn Masuda | .... | digital artist: Invisible Pictures | |
| Ed Mendez | .... | compositing supervisor: DIVE | |
| Anton Moss | .... | digital compositor: DIVE | |
| Masa Narita | .... | lead modeler/texturer: Method Studios | |
| Jorge E. Navarete | .... | rotoscoper: Ollin Studio | |
| Damian O'Farrill | .... | visual effects production assistant: Ollin Studio | |
| Hiroyuki Okubo | .... | lighter: Method Studios | |
| Hiroyuki Okubo | .... | look development lead: Method Studios | |
| Bradley Parker | .... | visual effects supervisor (as Brad Parker) | |
| Edgar Patron | .... | compositor: Ollin Studio | |
| Edgar Piña | .... | shader: Ollin Studio | |
| Raul Prado | .... | cg supervisor: Ollin Studio | |
| Tom Quinn | .... | visual effects coordinator: DIVE | |
| Nordin Rahhali | .... | effects animator: Method Studios | |
| Ruben Rodas | .... | paint/roto artist: DIVE | |
| Sean Rowe | .... | digital film scanner | |
| Theresa Ellis Rygiel | .... | digital compositor: Method Studios (as Theresa Rygiel) | |
| Juan-Luis Sanchez | .... | cg supervisor: Method Studios | |
| Casey Schatz | .... | previsualization supervisor | |
| Crystle Schrecengost | .... | paint/roto artist: DIVE | |
| Christina Sidoti | .... | character animator: Method Studios | |
| Marion Spates | .... | lighter: Method Studios | |
| Christa Tazzeo | .... | visual effects producer: Invisible Pictures | |
| Messrob Torikian | .... | on-set matchmover | |
| Arturo Tovar | .... | compositor: Ollin Studio | |
| Salvador Tovar | .... | compositor: Ollin Studio | |
| John-Michael Trojan | .... | digital production manager: DIVE | |
| Mike Uguccioni | .... | visual effects supervisor: XYZ | |
| Jonathan Vaughn | .... | visual effects | |
| Nancey S. Wallis | .... | digital compositor: Method Studios | |
| Craig Whitaker | .... | digital compositor: DIVE | |
| Andy Williams | .... | visual effects production supervisor: DIVE | |
| Malik Williams | .... | pipeline technical director | |
| Thorsten Wolf | .... | compositor | |
| Paco Castillo | .... | digital compositor: Ollin Studio (uncredited) | |
| Brian Delmonico | .... | visual effects artist (uncredited) | |
| Aleksandar Djordjevic | .... | senior compositor: Method NY (uncredited) | |
| Graham Dunglinson | .... | visual effects producer: Method Studios (uncredited) | |
| Omar García | .... | editorial: Ollin Studio (uncredited) | |
| Pam Gonzales | .... | digital compositor (uncredited) | |
| Kerry Graham | .... | visual effects artist (uncredited) | |
| Jonah Hall | .... | consulting visual effects supervisor (uncredited) | |
| Raechel Kasprzak | .... | visual effects production assistant: Method Studios (uncredited) | |
| Thomas Kuo | .... | digital film scanner (uncredited) | |
| Mark Laszlo | .... | matchmove artist (uncredited) | |
| Julia MacMullen | .... | assistant visual effects editor (uncredited) | |
| Angela Meyer | .... | visual effects production assistant (uncredited) | |
| Kristen Millette | .... | compositor (uncredited) | |
| Andy Mower | .... | visual effects artist: Method Studios (uncredited) | |
| Eddie Offermann | .... | software/project td (uncredited) | |
| Sean Penberthy | .... | visual effects production assistant (uncredited) | |
| Wendy Pirotte | .... | production support (uncredited) | |
| Ryan Reeb | .... | character modeler (uncredited) | |
| Michael Rogers | .... | visual effects artist (uncredited) | |
| Marc Steinberg | .... | character modeler (uncredited) | |
Stunts | |||
| Emily Brobst | .... | stunt double: Abby | |
| Bobby Burns | .... | utility stunts | |
| Al Goto | .... | utility stunts | |
| Steven Lambert | .... | stunt double: The Policeman (as Steve Lambert) | |
| Angelique Midthunder | .... | utility stunts | |
| Dana Reed | .... | stunt double: Virginia | |
| John Robotham | .... | stunt coordinator | |
| Roger Stoneburner | .... | stunt double: The Father (as Roger Allen Stoneburner) | |
| Bobby Burns | .... | stunt rigger (uncredited) | |
| Deborah L. Mazor | .... | stunt performer (uncredited) | |
| Ashton Moio | .... | stunt player (uncredited) | |
| Rowbie Orsatti | .... | stunts (uncredited) | |
Animation Department | |||
| Seong Joon Lee | .... | character animator: Method Studios | |
Casting Department | |||
| Jo Edna Boldin | .... | casting: New Mexico | |
| Elizabeth Gabel | .... | extras casting | |
| Barbara Harris | .... | loop group/voice casting | |
| Sabrina Hyman | .... | casting associate: New York | |
| Marie A. Kohl | .... | casting associate: New Mexico (as Marie Kohl) | |
| Hannah Macpherson | .... | casting associate: New Mexico | |
| Christina Ortega | .... | extras casting assistant | |
| Leeba Zakharov | .... | casting associate: New York | |
Costume and Wardrobe Department | |||
| Bradford Booth | .... | additional set costumer | |
| John Deering | .... | set costumer | |
| Juliet Hyde-White | .... | costumer | |
| Roberta Souder Langhofer | .... | set costumer (as Bobbi Langhofer) | |
| Nancy Molleur | .... | seamstress | |
| Daniela Moore | .... | costume supervisor (as Daniela Moore Landrith) | |
| Allyson Traub | .... | costumer | |
| Mollie Kimball Whitson | .... | costume assistant | |
| Deborah Andrews | .... | cutter/fitter (uncredited) | |
Editorial Department | |||
| Des Carey | .... | digital intermediate producer | |
| Shane Harris | .... | digital intermediate colorist | |
| Mo Henry | .... | negative manager | |
| David Kashevaroff | .... | first assistant editor | |
| Rudy Lopez | .... | digital intermediate condorm artist | |
| Larry McGinley | .... | post-production assistant | |
| Adam Nazarenko | .... | digital colorist: Marketing | |
| Joe Pestana | .... | dailies assistant | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer | |
| Ian Sullivan | .... | digital intermediate accountant | |
| Arthur Tremeau | .... | digital intermediate dailies producer | |
| Lee Wimer | .... | color timer | |
| Taylor Black | .... | digital intermediate scanner: Company 3 (uncredited) | |
| Jeff Smithwick | .... | color timer (uncredited) | |
Music Department | |||
| Paul Apelgren | .... | music editor | |
| Joe Crnko | .... | conductor: Northwest Boychoir | |
| Andrea Datzman | .... | composer: additional music | |
| Andrea Datzman | .... | orchestrator | |
| George Drakoulias | .... | music consultant | |
| Liz Gallacher | .... | music supervisor | |
| Kathleen Hasay | .... | music clearance | |
| Simon James | .... | orchestra contractor | |
| Kory Kruckenberg | .... | scoring engineer | |
| Jeff Kryka | .... | music preparation: Robert Puff Music | |
| Philip Moross | .... | executive music producer | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | conductor | |
| David Sabee | .... | orchestra contractor | |
| Joel Sill | .... | music consultant | |
| Stephen E. Smith | .... | scoring mixer (as Steve Smith) | |
| Nathan Stoltzfus | .... | musician: solo voice | |
| Chris Tilton | .... | additional orchestrator | |
| Brian Valentino | .... | music recordist | |
Other crew | |||
| Steve Aguino | .... | location assistant | |
| Kazim Aminy | .... | set intern | |
| Phil Arnold | .... | studio teacher | |
| Kristen Blodget | .... | travel coordinator | |
| Rob Corlew | .... | production coordinator | |
| Rafi Crohn | .... | assistant: Mr. Reeves | |
| J.J. Dalton | .... | set production assistant (as JJ Dalton) | |
| Benjamin Eisenstein | .... | marketing and publicity consultant (as Ben Eisenstein) | |
| Michael Feldman | .... | set production assistant | |
| Daniel Fisch | .... | office production assistant | |
| Sara Jo Fischer | .... | office production assistant | |
| Jay Floyd | .... | clearances | |
| Jackie Fuchs | .... | vice president business and legal affairs: Exclusive Media Group and Hammer Films | |
| Colin Garza | .... | set production assistant | |
| Mario 'Roland' Gonzalez | .... | chef | |
| Julie Harris | .... | assistant: Mr. Sinclair | |
| Krista Harris | .... | medic | |
| Scott Herrick | .... | first assistant accountant | |
| Ben Holden | .... | creative executive: Exclusive Media Group and Hammer Films | |
| Allegro Hopkins | .... | studio teacher | |
| Elizabeth Elliott Hopkins | .... | legal services | |
| Rachel Horwitz | .... | studio teacher | |
| Jean E. Jacobson | .... | payroll accountant (as Jean Jacobson) | |
| Aliza James | .... | assistant: Mr. Oakes | |
| Allison Jandreau-Heil | .... | key craft service | |
| Pablo Kelly | .... | location assistant | |
| Melanie Kirschbaum | .... | business affairs coordinator: Exclusive Media Group and Hammer Films | |
| Ronald J. Levin | .... | legal services: Babok & Levin | |
| Adam Lewin | .... | assistant: Mr. Brunner (as Adam E. Lewin) | |
| Clay M. Lilley | .... | animal trainer: Gentle Jungle (as Clay Lilley) | |
| Clay M. Lilley | .... | livestock coordinator | |
| Ken Lingad | .... | unit publicist | |
| Barbara Long | .... | production accountant | |
| Colette Longo | .... | set medic | |
| Emi Löfgren | .... | assistant to producer | |
| Jennifer Mancuso | .... | assistant production coordinator | |
| Carmen Matthews | .... | additional key craft service | |
| Elizabeth McMullan | .... | dog trainer | |
| Jacy Merson | .... | assistant: Mr. Brunner | |
| Diane Min Fa | .... | set medic (as Diane Minfa) | |
| Fred Mirahmadi | .... | cook assistant (as Freddy Mirahmadi) | |
| Grant Mitchell | .... | chef | |
| Alexandria Morrow | .... | stand-in | |
| Elizabeth Muir | .... | assistant: Mr. Armbrust | |
| Arturo Padilla | .... | chef | |
| Cora Palfrey | .... | chief financial officer: Europe; Exclusive Media and Hammer Films | |
| Carrie Park | .... | animal trainer: Gentle Jungle | |
| Hilton Clay Peres | .... | location manager (as Clay Peres) | |
| Ryan J. Pezdirc | .... | set production assistant (as Ryan Pzedirc) | |
| Lynn Raines | .... | studio teacher | |
| Trudy Ramirez | .... | script supervisor | |
| Luke V. Randall | .... | office production assistant (as Luke Randall) | |
| Emily Rice | .... | post production accountant | |
| Lucy Kim Robertson | .... | second assistant accountant | |
| Jennessa Rose | .... | voices | |
| Loren Schoel | .... | assistant location manager | |
| Ian Simon | .... | set production assistant | |
| Amanda Smith | .... | stand-in: Owen | |
| Chloe Stagner | .... | stand-in: Abby | |
| Kate Stephenson | .... | assistant: Mr. Oakes | |
| William 'Billy' Stratton | .... | location assistant | |
| Amanda Sutton | .... | post production accountant | |
| Jason Tamasco | .... | assistant: Ms. Longnecker | |
| Victoria Thompson | .... | assistant craft service | |
| Suzanne Tierney | .... | legal services | |
| Laura Torrance | .... | studio teacher (as Laura 'Sissie' Torrance) | |
| Richard Vertell | .... | stand-in: Father | |
| Kristy Viera | .... | studio teacher | |
| Douglas Weerts | .... | assistant cook | |
| Dana Wilkey | .... | product placement: Adwil Agncy | |
| Brian Wilkinson | .... | assistant cook | |
| Phill Zagajewski | .... | stage manager | |
| Emily Lipson Zambello | .... | studio teacher | |
| Monika Agorelius | .... | additional epk (uncredited) | |
| Sebastien Betsch | .... | digital cinema supervisor (uncredited) | |
| Eriks Chase | .... | stand-in (uncredited) | |
| Sam Childs | .... | production consultant (uncredited) | |
| Nathan E. Davis | .... | additional set production assistant (uncredited) | |
| Sean Furst | .... | production executive (uncredited) | |
| Pamela B. Green | .... | producer: titles (uncredited) | |
| Joseph Griffenberg | .... | stand in/double (uncredited) | |
| Jason Hariton | .... | studio stage manager (uncredited) | |
| Benny James | .... | stand-in (uncredited) | |
| Cohl Kenneth Klop | .... | voice-over (uncredited) | |
| Ariel Y. Lopez | .... | stand-in (uncredited) | |
| Grant MacAllister | .... | production assistant (uncredited) | |
| Walter E. Myal | .... | additional set production assistant (uncredited) | |
| Ashley Ready | .... | assistant: executive producer (uncredited) | |
| Andrea Redder | .... | set production assistant (uncredited) | |
| G.Q. Sanchez | .... | fire safety advisor (uncredited) | |
| Matthew Carson Taylor | .... | second assistant accountant (uncredited) | |
| Wyatt Turner | .... | photo double: Kodi Smit-McPhee (uncredited) | |
| Jarik Van Sluijs | .... | creative director: titles (uncredited) | |
| Daniel Villagomez | .... | business & legal affairs (uncredited) | |
Thanks | |||
| Frank Botman | .... | special thanks | |
| Peter Dekom | .... | special thanks | |
| Bob Harvey | .... | special thanks | |
| Egbert Ho | .... | special thanks | |
| Lance Hool | .... | special thanks | |
| Robert Kessel | .... | special thanks | |
| John Ajvide Lindqvist | .... | special thanks | |
| Michiel Lowenberg | .... | special thanks | |
| Chris McGurk | .... | special thanks | |
| Arjan Postma | .... | special thanks | |
| Danny Rosett | .... | special thanks | |
| Daniel Van Der Pluijm | .... | special thanks | |
| Anneke Westbroek | .... | special thanks | |
|
|
|
|
|
| Let the Right One In | Persepolis | The Phantom of the Opera | In a Better World | Carrie |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Before finding out about this film, I had no knowledge of the book nor seen the Swedish film adaptation of "Let the Right One In." After first seeing a TV spot for "Let Me In", I got the impression that this was going to be a very original vampire story unlike any other. I went in the theater keeping my expectations leveled and I came out with a sense of complete satisfaction.
"Let Me In" feels fresh and it left a good impression on me. The pacing of the film felt right and the cast did a great job. I got to praise Chloe Moretz's portrayal of Abby/Eli. The character of Abby is so eerie and it is never implied if she is really manipulating Owen for her own motives or if she genuinely cares for him. As a vampire, she is a ruthless monster that will stop at nothing to murder a helpless victim to satisfy her cravings for blood. As a "twelve year old" girl, she appears innocent and comes off as introverted. Overall, I feel that there is a lot of tragedy in the character of Abby, but the question is does she really have a heart? I would like to think she does, but I cannot give a straight answer to that, so that would be up to the viewer to decide.
Kodi Smit-McPhee does a good job playing Owen. You can really feel a sense of alienation in Owen's world due to the constant bullying from his classmates and having nobody to rely on. It is easy to see why he develops a friendship with Abby who also happens to be a loner living the type of lifestyle she does. It was a treat to watch scenes with these two together, because it sheds a bit of light in a film with such a dark tone. Not only that, but it helps prevent "Let Me In" from being classified as a straight up horror movie.
There are some pretty gory moments in the film, but overall, the whole thing stays focused on the character's interactions. The film does a good job by staying focused on the relationship between Abby and Owen and not relying on violence to completely overtake the film.
I also got to give Richard Jenkins props for playing Abby's father. There is a lot to this character and I couldn't help but feel sympathy for him. All of his scenes are intense and a pleasure to watch.
I praise this film for introducing me to such a beautiful story. I feel a personal connection to "Let Me In." It really hits me on a deep level of emotion. I know there are people that feel that this film should not have been made, but If it was not for this film, I probably would not have known about the novel or the Swedish adaptation of "Let the Right One In." Update: After watching "Let the Right One In", I feel that these two movies are similar, but they each have it's own differences which is enough to make both the Swedish and American version stand on its own. The Swedish version blew me away just like the American version, but in ways that are different from how I reacted to the American version, which is a good thing.