A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
In Los Alamos, New Mexico, the twelve year-old Owen is a lonely and outcast boy bullied in school by Kenny and two other classmates; at home, Owen dreams of avenging himself against the trio of bullies. He befriends his twelve-year-old next door neighbor, Abby, who only appears during the night in the playground of their building. Meanwhile, Abby's father is a wanted serial-killer who drains the blood of his victims to supply Abby, who is actually an ancient vampire. Abby advises Owen to fight Kenny; however, soon he discovers that she is a vampire, and he feels fear and love for the girl. Meanwhile a police officer is investigating the murder cases, believing that it is a satanic cult. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The candy, Now and Later, is a recurring object throughout the film. Owen (Kodi Smit-McPhee) is consistently eating the candy and hiding the wrappers, the candy's theme song is what Owen is singing in his first and last scene, and Abby (Chloë Grace Moretz) writes her first note to Owen on a Now and Later wrapper. See more »
This movie takes place in 1983, yet the taxi cab that Abby gets into near the end of the movie appears to be a 1986 model. The car has a high-mount brake light, which didn't appear on cars in the U.S. until the 1986 model year. See more »
One-three-one to dispatch, come in.
One-three-one, this is dispatch, go ahead.
This is one-three-one. We have a male, mid 50s, with burns over nine to nine and a half percent of his body. Prior to our arrival on scene, the patient apparently doused his head, neck and face with some sort of highly concentrated acid. patient's airway is severely compromised due to fume inhalation. Vital signs unstable. Please advise, patient is a federal suspect. We're coming in with a ...
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The movie's end credits are in the form of black text on a white background, which is the opposite of most movie credits, which are usually white text on a black background. See more »
From the very beginning we are treated to spectacular creepiness. Who is the man who covered himself in acid? What kind of a strange young man wears a mask and pretends to stab girls? Who are the new neighbors that move in under cover of dark? This film is much more violent and has more suspense than the original, a Swedish film hailed as a landmark in vampire cinema, which might turn off some people but it really made it great for me. The film was a roller coaster of emotion and rhythm, each tender scene followed by a horrific moment. Some people may feel that it moves too slowly, but each quiet moment is meant to be enjoyed because deafening horror is soon to follow.
Overall it is not just a vampire story. It is the story of a lonely boy who finds companionship in the most unusual place. It is a wonderful study of human nature and asks important questions. Are there truly evil people in the world? And are they always evil, or can they actually be wonderful in the eyes of some? One of the great strengths of this film is that it constantly moves between two worlds--the sweetness of youth, and the horror of what a vampire really is. We get a front row seat to both and must decide if the evil outweighs the good.
I can't think of the last time I saw a vampire movie that impressed me as much. This has all the blood and action that was missing from the original, but maintains its commitment to carefully revealing the characters to us. There are wonderfully creepy additions and a truly artistic filming of a car crash that elevate this film onto a different level than the original. If you are a fan of horror films this one is not to be missed!
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