A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.
In Los Alamos, New Mexico, the twelve year-old Owen is a lonely and outcast boy bullied in school by Kenny and two other classmates; at home, Owen dreams of avenging himself against the trio of bullies. He befriends his twelve-year-old next door neighbor, Abby, who only appears during the night in the playground of their building. Meanwhile, Abby's father is a wanted serial-killer who drains the blood of his victims to supply Abby, who is actually an ancient vampire. Abby advises Owen to fight Kenny; however, soon he discovers that she is a vampire, and he feels fear and love for the girl. Meanwhile a police officer is investigating the murder cases, believing that it is a satanic cult. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The candy, Now and Later, is a recurring object throughout the film. Owen (Kodi Smit-McPhee) is consistently eating the candy and hiding the wrappers, the candy's theme song is what Owen is singing in his first and last scene, and Abby (Chloë Grace Moretz) writes her first note to Owen on a Now and Later wrapper. See more »
On the bus to the ice-pond, Owen is wearing a winter cap where the top half is yellow. When he gets off the bus, and the bully tells him he's going for a swim, his hat is now all dark colors. See more »
One-three-one to dispatch, come in.
One-three-one, this is dispatch, go ahead.
This is one-three-one. We have a male, mid 50s, with burns over nine to nine and a half percent of his body. Prior to our arrival on scene, the patient apparently doused his head, neck and face with some sort of highly concentrated acid. patient's airway is severely compromised due to fume inhalation. Vital signs unstable. Please advise, patient is a federal suspect. We're coming in with a ...
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I'm not one for "scary" movies, but this movie was so much more than that. And in a time where I'm becoming more and more reluctant to watch vampire films, I needed a movie like this to remind me just how good this type of subject matter can be. Kodi Smit-McPhee and Chloe Moretz were phenomenal. They brought a subtlety to there characters that was gently heartbreaking at times, while exquisitely silent and perceptive at others. The dynamic of the characters was tangible, and the viewer ends up with a sense - not of whether the actions of the characters are right or wrong or whether vampirism itself is okay when presented with the face of a 12-year-old girl - but of whether they themselves believe in the rightness or wrongness of where the story takes this young boy. Unlike most "scary" movies, this one leaves the viewer with something to think about when they leave the theater. And if that's not good storytelling, I don't know what is.
The soundtrack was beautifully mellow at times as well as keeping on point for the more thrilling parts of the film. The shots were lovely and simple at times and rather artistically impressive at others.
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