| Bobbi Sue Luther | ... | The Girl | |
| Kevin Gage | ... | Tucker | |
| Lena Headey | ... | Cindy | |
| Sean Whalen | ... | Steven | |
| Richard Lynch | ... | Mr. Jones | |
| Johnathon Schaech | ... | Johnny | |
| Thomas Dekker | ... | Tommy | |
| Nick Principe | ... | Chromeskull | |
| Jana Kramer | ... | Jamie | |
| Lucas Till | ... | Young Store Clerk | |
| Anthony Fitzgerald | ... | Anthony | |
| Seri DeYoung | ... | Bound Girl | |
| rest of cast listed alphabetically: | |||
| Mark Bentley | ... | Sheriff Bates (uncredited) | |
Directed by | |||
| Robert Hall | |||
Writing credits | ||
| Robert Hall | (written by) | |
Produced by | |||
| Kevin Bocarde | .... | executive producer | |
| Robert Hall | .... | co-executive producer | |
| Bobbi Sue Luther | .... | producer | |
| Seth Nagel | .... | co-producer | |
| Ed Polgardy | .... | co-producer | |
| Chang Tseng | .... | producer | |
Cinematography by | |||
| Scott Winig | (director of photography) | ||
Film Editing by | |||
| Andrew Bentler | |||
Casting by | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Mark Bentley | |||
Art Direction by | |||
| Michael Gaglio | |||
| Leslie Heins | |||
Costume Design by | |||
| Sarah Trost | |||
Makeup Department | |||
| Erika Diehl | .... | key hair stylist | |
| Dijais Ervin | .... | key makeup artist | |
| Christina Guerra | .... | key makeup artist: additional photography | |
| Erik Porn | .... | special makeup effects supervisor: Almost Human Inc. | |
| Christian Quarantillo | .... | special makeup effects artist | |
| Mark James Ross | .... | special makeup effects artist: Atlanta life casting: Almost Human | |
| Toby Sells | .... | special makeup effects artist: Atlanta life casting, Almost Human | |
| Scott Simpson | .... | special makeup effects artist | |
| Christa Sos | .... | assistant makeup artist | |
| Crystal Soveroski | .... | special makeup effects artist | |
Production Management | |||
| Di Goodman | .... | production manager | |
| Chang Tseng | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brianna Frisbey | .... | second assistant director | |
| Kapil Gandhi | .... | second second assistant director | |
| Andrew Shepherd | .... | first assistant director | |
Art Department | |||
| Brad Cartwright | .... | property master | |
| Brad Cartwright | .... | props | |
| Janet Tracy Keijser | .... | key set decorator | |
| John D. Sherman | .... | assistant property master | |
Sound Department | |||
| Bill Braun | .... | dialogue editor | |
| Jason Brennan | .... | sound re-recording mixer | |
| William Britt | .... | sound mixer | |
| Billy Carson | .... | foley editor | |
| Billy Carson | .... | sound effects editor | |
| Daniel Douglass | .... | sound engineer | |
| Mark Ettel | .... | sound re-recording mixer | |
| Eric Gillingham | .... | sound designer | |
| Goeun Lee | .... | additional sound editor | |
| Ryan McBride | .... | sound designer | |
| David Mercer | .... | dialogue editor | |
| John Richard Morris IV | .... | foley editor | |
| Steve Neal | .... | sound designer | |
| Rich Novak | .... | dialogue editor | |
| Kunal Rajan | .... | sound designer | |
| Victoria Rose Sampson | .... | supervising sound editor | |
| Annette Sowell | .... | backgrounds editor | |
| Trevor Stott | .... | boom operator | |
Special Effects by | |||
| Kevin Carter | .... | special effects contact lenses | |
Visual Effects by | |||
| Eric Evans | .... | digital compositor | |
| Nicholas Onstad | .... | digital compositor | |
| Bethany Pederson Onstad | .... | compositor: Almost Human Digital (as Bethany Pederson) | |
| Erik Porn | .... | visual effects artist | |
| Ikuo Saito | .... | title designer: main and end titles | |
| Marc Varisco | .... | visual effects supervisor: Asylum VFX | |
Stunts | |||
| Michael Gaglio | .... | stunt rigger | |
| Janet Tracy Keijser | .... | stunt double | |
Camera and Electrical Department | |||
| Charlie Anderson | .... | loader | |
| Laurence Avenet-Bradley | .... | camera operator | |
| Brad Baker | .... | first assistant camera: "a" camera | |
| Phaedra Eason | .... | best boy grip | |
| Blaine Eisner | .... | still photographer | |
| Nathaniel Elliott | .... | epk videographer | |
| Geoff Ernst | .... | gaffer | |
| Brianna Frisbey | .... | additional still photographer | |
| Dallas Griffin | .... | grip | |
| Dallas Griffin | .... | key rigging grip | |
| Erik F. Hill | .... | key grip | |
| Chris McLeod | .... | best boy electric | |
| Michael Joseph Phillips | .... | electrician | |
| Timothy E. Roth | .... | electrician | |
| Andrew Sadtler | .... | grip | |
| Ikuo Saito | .... | epk videographer | |
| Natalie Saito | .... | first assistant camera: "b" camera | |
| Johnny Segal | .... | best boy grip | |
| Tammy Sutton | .... | additional still photographer | |
| Pat Swovelin | .... | assistant camera | |
| Pat Swovelin | .... | first assistant camera: "b" camera | |
| Svetlana Tesnes | .... | camera utility | |
Editorial Department | |||
| Charlie Anderson | .... | assistant editor | |
| William 'Skip' McGee | .... | post-production coordinator | |
| John Sellars | .... | colorist | |
| Bryan Yokomi | .... | assistant editor | |
Music Department | |||
| Mikael Carlsson | .... | soundtrack producer | |
| Suicidal Tendencies | .... | composer: additional music | |
Transportation Department | |||
| Lisa Clark | .... | transportation | |
| Zareiff | .... | driver | |
Other crew | |||
| Reagan Brandon | .... | script supervisor | |
| Bonnie Cunningham | .... | production coordinator | |
| Isabel Ferrer | .... | second script supervisor | |
| Christopher Holder | .... | acting coach | |
| Shannon Murray | .... | production coordinator | |
| Elran Ofir | .... | production assistant | |
| Jason Trost | .... | photo double: Chromeskull | |
| Robert Michael Zeman Jr. | .... | production assistant | |
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| Machete | The Devil's Rejects | The Professional: Golgo 13 | Drive Angry | The Tournament |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Laid to Rest: 7 out of 10: Laid to Rest is a real slasher film. A movie truly for hardcore horror and gore fans only and will make viewers, such as myself, who often enjoy a less serious outing really wonder if I want to see a true horror film. (Turns out I do) This film scared me in places and made me look away in joyful disgust in others. It is a film that raises the bar for horror.
On a lighter note let’s pretend you are married to a B movie actress whose claim to fame is a brief appearance as an Orion Slave Woman on an episode of The Star Trek spin off series Enterprise (Season 4 Episode 4 Borderland to be exact). She has large breasts but refuses to do a topless scene and she is seemingly challenged in the acting ability department. Oh and if she doesn’t star in your next project the audience will not be the only people to be denied a nude scene.
Solution? One brain damaged protagonist coming up.... Some people have trouble getting past the um acting of our star (and directors wife) Bobbi Sue Luther but I think poor acting is as much a part of the slasher genre as the false scare or lame back-story reveal and it good to see it represented here. (Strangely I don’t recall a false scare in Laid to Rest and what back-story reveal there actually is turns out to be fairly well done.) As if to make up for the main lead, the rest of the cast is much better than any slasher film deserves. For one thing they act like a real people would if confronted with such horror. (This is a credit to the script as well; but the cast really does sell this.) Kevin Gage in particular gives a performance that carries the film and what Lena Headey (The queen in 300 and Sarah Conner in the Terminator: The Sarah Connor Chronicles ) is doing in a slasher film like this is a true mystery.
The direction by Robert Hall is also top notch with the ability to create tension and true scares. The real star of this show however is the make-up effects that are simply out of this world and make this worth a look just for that reason. (No cheesy digital blood here) The only real negatives to the film, outside of Bobbi Sue Luther performance (which isn’t really that bad and fits a brain damaged character), is the opening credits and the ending. If you hate quick cuts, shaky cam and techno music all combined together the opening credits will put the fear of God into you. Don’t worry it stops as soon as the film proper starts. The ending is simply disappointing on a few levels. Characters act... well out of character, and the whole thing is anti-climatic and gimmicky.
Overall Laid to Rest is an excellent slasher film for those people who like that sort of thing. But be forewarned this is for fans only; if you don’t like real horror stay far away.