The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State ... See full summary »
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The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister's chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don't... well, they can always sack their Director of Communications Judy, who they never liked anyway and who's back home dealing with voters with blocked drains and a man who's angry about a collapsing wall. Written by
Loop Film Productions Ltd/AT
Many scenes set at 10 Downing Street (the Prime Minister of the United Kingdoms's office) were actually filmed at the real 10 Downing Street. The production gained access to the location largely because the staff were extremely excited to meet the actors who were playing their fictional counterparts. See more »
When Malcolm Tucker leaves the White House urgently for the State Department, he is seen running eastwards on Pennsylvania Avenue, and in the following scene past the Willard Hotel on E St NW. This route would take him directly away from the State Department, which is west of the White House. See more »
The film's final credits roll over a long shot of the main office. At the very end, Malcolm Tucker comes out, looks at the TV and asks, "Who let this woman out with her fucking hair like this?! On national television?! Looks like she stuck her finger in a fucking electrical socket..." before walking away. See more »
Is it a work of fictional farce or an insightful view of the members of the governmental bureaucracy? Probably in truth, In The Loop is a little bit of both, but more so its a whole lot of fun at the governments expense. There have been numerous films over the years giving us insight into how our government works, at times it sure looks bleak and unjust, but we sure haven't seen it in such a ridiculous view. In The Loop aims at making sure they scrutinize the bureaucratic desk jocks for all their worth. The film follows the Minister of International Development (Tom Hollander) after he has put his foot in his mouth, unintentionally announcing that war is unforeseeable. Back tracking and word-smith manipulations prove mute, fortunately for the Minister he's got big fans in the US who would like nothing more then to use the naive Brit in their political posturing. The hawks begin circling and before the Minister knows what game he's playing he's into deep and merely a puppet in the political theater.
There is a hint of a serious political thriller in the plot here, but In The Loop knows we've seen all that before so why not have a little fun, actually why not have a whole lot of fun and throw in lots of scalding four letter words and absolute British wit. Tom Hollander as the Minister of I.D. is dumb-foundingly perfect in his role and is well complemented by his bungling assistant Oliver (played exceptionally by Chris Addison). As the Director of Communications, Peter Capaldi steals the show with his relentlessly scathing superhuman vulgarity ridden wit. Those with a distaste for such colorful language should look elsewhere as their ears will certainly be on fire if they can last through a third of the film. Personally the language was not a problem for me, I appreciate a master of the finer words, and Capaldi has shown himself to deliver his lines with such craftsmanship that sailors around the world will be put to shame.
The Brits are a fantastic mess, but of course what international mess would be complete without the United States Govt.. And so comes the behemoth know as James Gandolifini, the Don Capo hasn't lost any of his on-screen presence. As the ol' war vet Pentagon General, Gandolfini is gruff and verbally abusive in a really mean spirited way, which is glorious. Those with a keen sense of cinema will notice how well the film shifts humor as the Brits come across the pond to the the dry humor of America. Gandolfini makes the most of his screen time, but on the American side the majority of the ridiculousness comes from Mimi Kennedy, as the Assistant Secretary of Diplomacy and her bickering 20 something Capital Hill brown nosing assistants. Director Armando Ianucci's delivers such a cynical sharp witted look at all things politically ridiculous and it works on so many levels. Fans of British humor will love this, its pureness to the form is perfectly meshed into the political platform that moves the comedy along with merely a few small bumps in the road. On the other side of the coin, those who enjoy making fun of those of the diplomatic persuasion will delight in the roasting of our governmental members.
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