The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State ... See full summary »
When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
Alan Partridge a failed television presenter whose previous exploits had featured in the chat-show parody Knowing Me, Knowing You with Alan Partridge, and who is now presenting a programed on local radio in Norwich.
While trying to decide what Gregor Samsa wakes up as, Kafka's constantly being interrupted by knife-selling strangers, party noise, girls, fancy dress costumes, and other strange, dreamlike... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
FLOATING SUNFLOWERS tells the story of June (Anna Chlumsky), a still-life painter, and Henry (Francisco Solorzano), a fiction author, each caught in an emotional winter of their own. Unable... See full summary »
The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister's chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don't... well, they can always sack their Director of Communications Judy, who they never liked anyway and who's back home dealing with voters with blocked drains and a man who's angry about a collapsing wall. Written by
Loop Film Productions Ltd/AT
The shooting script after thirty days of filming was 237 pages long. The first cut of the film was 4.5 hours long. The final edit took four months to complete. See more »
In the scene where Malcolm is walking outside the White House talking on the phone, he walks a segment from a light pole to a police car with very few people around. However, when Judy hangs up and the camera switches to face the fat man, Malcolm is back in the first light pole and the place is suddenly crowded. Then the camera turns around and shows the police car ahead which is now surrounded by a group of people on Segways. See more »
The film's final credits roll over a long shot of the main office. At the very end, Malcolm Tucker comes out, looks at the TV and asks, "Who let this woman out with her fucking hair like this?! On national television?! Looks like she stuck her finger in a fucking electrical socket..." before walking away. See more »
It's a long time since I've seen a money this funny...
This is not a movie for those looking for the cosy delusional homilies and self congratulatory tributes to politicians of something like Yes Minister, it's vulgar, raw, enticing. An excellent comedy that never lets a moment pass without something to amuse, whilst being painfully poignant at the same time. In the build up to war, the UK government conspires to provide made up intelligence to the US to justify an act of war... sound familiar? Really, really, really funny and those who claim Yes Minister and it's ilk are superior, or more representative of what goes on in the 'corridors of power', aren't living in the real world. Critics who compare this to 'The Thick of It': remember, if this movie includes the same characters it's obviously set before the events of 'in the loop', hence we might expect them to be more energetic, rawer and ... well swear a lot. I'm not sure the pacing of TToI would have worked in movie form and it's nice to see that the writers were able to translate the basic idea to a successful movie, unlike so many TV adaptations which have fallen flat on their faces.
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