The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State ... See full summary »
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State for International Development, Simon Foster. But, after Simon accidentally backs military action on TV, he suddenly has a lot of friends in Washington, DC. If Simon can get in with the right DC people, if his entourage of one can sleep with the right intern, and if they can both stop the Prime Minister's chief spin-doctor Malcolm Tucker rigging the vote at the UN, they can halt the war. If they don't... well, they can always sack their Director of Communications Judy, who they never liked anyway and who's back home dealing with voters with blocked drains and a man who's angry about a collapsing wall. Written by
Loop Film Productions Ltd/AT
Complex, biting, rich with British and American humor
Fast paced blend of close-to-truth political intrigue, satire, clever banter and intensity, with enough simplified and goofy humor to keep American audiences shrieking with laughter. The LA festival audience was blessedly quiet through the more subtle and deeply clever humor, so if you have a pan-Atlantic sensibility you can laugh at the cleverly done but obvious stuff, as well as the richer humor that requires attention.
The cast - American, English and Scottish all did an amazing job with high synergy.
There is quite a lot of both obvious and subtle political and cultural allegory, homages, and oblique references.
It was great to see it in a packed theater, and get that immersive social experience one does not get with a DVD.
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