The year is 1965. Rachel Brener is one of 3 young Mossad agents teem who caught "The Surgeon of Birkenau" - a Nazi monster who was never brought to trial in Israel. The official reason was ... See full summary »
The young, bright and decent London tramp Alan Terry accidentally witnesses a mob execution. He gets away, but leaves enough evidence for them to come looking for him among the homeless, ... See full summary »
The espionage thriller begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (Helen Mirren) and Stefan (Tom Wilkinson) about their former colleague David (Ciarán Hinds). All three have been venerated for decades by their country because of the mission that they undertook back in 1965, when the trio (portrayed, respectively, by Jessica Chastain, Marton Csokas, and Sam Worthington) tracked down Nazi war criminal Vogel (Jesper Christensen) in East Berlin. At great risk, and at considerable personal cost, the team's mission was accomplished - or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations. Written by
The plane seen landing in the background during the agents' arrival scene at the beginning of the movie is an Antonov An-26 of the Hungarian Air Force with fake Israeli markings. See more »
When Rachael is walking through the airport, the plane on the Tarmac behind her is either an Embraer E190 or E195 which were launched in 1999 and did not enter service until 2003. This film is set in 1997. See more »
Is the truth actually what happened or what everyone believes happened? The Debt attempts to answer the question and almost succeeds if it were not for some very poor screen writing. It is 1966 and Mossad has finally tracked down the infamous Birkenau surgeon, Dieter Vogel (Jesper Christensen). Dr. Vogel is very high on the list of Nazi war criminals the Israelis are hunting down because of the atrocities he committed at his concentration camp. He would deliberately blind children to see if he could change eye color and cut off hands and feet and reattach them on the wrong limbs to see what happened.
The spy team assigned to kidnap him and bring him to justice are team leader Stephan (Marton Csokas), David (Sam Worthington), and Rachel (Jessica Chastain). Their story is told in flashback and the first half of it is absolutely riveting. Rachel poses as a woman with fertility issues and becomes a patient of Dr. Vogel who is hiding as an OBGYN in the Soviet sector of East Berlin. The tension during the examination room scenes are the highlight of the film with both Rachel and the doctor verbally maneuvering to ensure the other person is who they think they are.
After a convincing action sequence, the story abruptly turns from a kidnap/escape scenario into a hostage situation. This is one of the points where the film just falls apart. Mossad and their agents are the best in the entire world at their art. There is no way such highly trained agents would fall victim to and resort to the amateur hour theatrics which come with the hostage sequence. The script is riddled with illogical and bizarre events which only occur during the film's most important sequences for some reason.
Fast forward to 1997 and now older Rachel (Helen Mirren) is at her daughter's book release party which describes the team's successful mission to Berlin all those years ago. Older Stephen (Tom Wilkinson) is also around for the recollections. The 1997 scenes are adeptly written and filmed, especially scenes with Mirren. Tom Wilkerson is just along for the ride. Unfortunately, the movie's climax is one of the most preposterous situations a decent film has been saddled with. It is so ridiculous that a two hour meeting with the writers would still not convince me this was the best way to resolve the story's actions and issues. The mood and atmosphere are destroyed and the audience collectively shook their heads in disbelief at the mockery on screen.
Screenwriters Matthew Vaughn, Jane Goldman (X-Men: First Class, Kick-Ass), and Peter Straughan (The Men Who Stare at Goats) adapted this screenplay from an earlier film. The Debt's first hour is quite good with adept flow from 1997 to 1966 and the truly suspenseful scenes between Chastain and Christensen. However, their handling of the hostage situation and the absurd climax are what really hurt this film and makes the audience shake their heads with the 'Oh, what might have been' lament.
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