As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Thomas Craven is a detective who has spent years working the streets of Boston. When his own daughter is killed outside his own home, Craven soon realizes that her death is only one piece of an intriguing puzzle filled with corruption and conspiracy, and it falls to him to discover who is behind the crime. Written by
John Corigliano wrote a complete score to the original cut, with the National Philharmonic Orchestra in London, conducted by Leonard Slatkin. Corigliano's score was rejected when re-shoots made the movie more action-driven. Because Corigliano was not interested in scoring the new version, stating it was now the kind of film he would never have signed up for, a new score was commissioned from Howard Shore. See more »
When they are driving in the rain, the rain is rolling down the windows. If they were driving, the wind would push the rain drops along the windows, not down them. See more »
I regret to say that this probably means that you'll have less time.
I know what it means, I've been havin' aural hallucinations... my father's voice callin' my name as I start to sleep. Bastard's been dead for forty years, and suddenly he's yellin' at me again. I come awake.
You're not sleeping?
No, I'm not sleepin'. I start to sleep - then I jolt awake. There's somethin' about the darkness. I don't like it.
I'm not a counselor. I know you want to banter with me. I don't do that. I can only ...
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Yes, that's a good title for this film about a good cop who throws out all the rules and lives on the "edge of darkness" after his daughter is poisoned and murdered. At that point, he "doesn't give a s--t," as he states in the film. He will do whatever it takes to find out what happened to his daughter, who killed her and who was behind it all. This reminded me of Mel Gibson's 1999 film "Payback" where he plays a rough character on a mission.
There is no wasted talk in here, especially by Gibson's character, "Det.Thomas Craven." Although a little shocked because I didn't think I'd see this veteran actor return to these kind of roles, I have to admit he's fascinating in them. The only difference - and you really see this on the fine Bu-Ray transfer - is all the wrinkles in Mel's face! He ain't a kid, anymore. Either is actor Ray Winstone, but he is equally fascinating as the mysterious "Jedburgh." This is a rough film, make no mistake. The language is very profane in the first half but surprisingly absent of that in the second half. The tenseness and the no-compromise violence, however, is there from start-to-finish. The movie doesn't overdo the amount of violence, however, keeping things cerebral enough so when something does happen, it's quick and shocking.
The villains are the stereotypical ones of Hollywood: the U.S. government, the Defense Department, a senator (a Republican, of course), and a few other of the usual suspects. However, despite that normal bias, I found the film very entertaining with plenty of twists and turns to keep your brain going, not just your base instincts. Regarding the latter, there are some gruesome scenes in here, so be warned about that. As I said, it's a rough, take-no-prisoners film.
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