As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Thomas Craven is a detective who has spent years working the streets of Boston. When his own daughter is killed outside his own home, Craven soon realizes that her death is only one piece of an intriguing puzzle filled with corruption and conspiracy, and it falls to him to discover who is behind the crime. Written by
John Corigliano wrote a complete score to the original cut, with the National Philharmonic Orchestra in London, conducted by Leonard Slatkin. Corigliano's score was rejected when re-shoots made the movie more action-driven. Because Corigliano was not interested in scoring the new version, stating it was now the kind of film he would never have signed up for, a new score was commissioned from Howard Shore. See more »
When Craven is following Bennett into Boston's Central Artery Tunnel the scene show them getting off at exit 24, Government Center, which exits to Faneuil Hall. The next scene however show Craven pulling Bennett's car over on Rutherford Avenue which is North of Boston. See more »
This is Mel Gibson's first movie since 2002 Signs. He returns to form in this movie and that's why I rated this barely adequate movie so high. I only saw this because I loved every single Gibson movie with the exception of Signs. I saw this to see Gibson return to glory.
After watching his 24-year-old daughter die from the hands of a company she worked at, Thomas Craven decides to go for revenge. The plot happened before therefore the movie is predictable. I could have told you the plot without watching the movie.
But the high point of the film is the acting. It doesn't seem if Mel Gibson lost a touch from his brilliant acting from the 90's. I liked Ray Winstone somewhat. He just has an annoying voice.
Overall, this is a decent cop thriller. I seen these kind of movies before so I wasn't thoroughly impressed. But, I'm glad that Gibson shines. I rate this film 7/10.
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