| Photos (See all 19 | slideshow) | Videos (see all 18) |
| Colm Meaney | ... | Don Revie | |
| Henry Goodman | ... | Manny Cussins | |
| David Roper | ... | Sam Bolton | |
| Jimmy Reddington | ... | Keith Archer | |
| Oliver Stokes | ... | Nigel Clough | |
| Ryan Day | ... | Simon Clough | |
| Michael Sheen | ... | Brian Clough | |
| Mark Bazeley | ... | Austin Mitchell | |
| Timothy Spall | ... | Peter Taylor | |
| Maurice Roëves | ... | Jimmy Gordon | |
| Stephen Graham | ... | Billy Bremner | |
| Peter McDonald | ... | Johnny Giles | |
| Mark Cameron | ... | Norman Hunter | |
| Frank Skillin | ... | Younger Nigel Clough | |
| Dylan Van Hoof | ... | Younger Simon Clough | |
| Sydney Wade | ... | Younger Elizabeth Clough | |
| Elizabeth Carling | ... | Barbara Clough | |
| Jim Broadbent | ... | Sam Longson | |
| Mark Jameson | ... | Groundsman | |
| Liam Thomas | ... | Les Cocker | |
| Glenn Cunningham | ... | Syd Owen | |
| Tony Gubba | ... | Himself | |
| Gillian Waugh | ... | Lillian Taylor | |
| Brian McCardie | ... | Dave Mackay | |
| Martin Compston | ... | John O'Hare | |
| Colin Harris | ... | John McGovern | |
| Giles Alderson | ... | Colin Todd | |
| Stewart Robertson | ... | Archie Gemmill | |
| Laurie Rea | ... | Terry Hennessey | |
| Michael Parkinson | ... | Himself (as Sir Michael Parkinson) | |
| Ralph Ineson | ... | Journalist | |
| Philip Childs | ... | Commentator (Wembley) | |
| Terence Harvey | ... | FA Committee Chairman | |
| Gordon Hall | ... | FA White Haired Elder | |
| John Craven | ... | Himself | |
| Isabella Eades-Jones | ... | Elizabeth Clough | |
| Joe Dempsie | ... | Duncan McKenzie | |
| Paul Bown | ... | Mike Bamber | |
| Christopher Chilton | ... | Floor Manager | |
| rest of cast listed alphabetically: | |||
| Tomasz Aleksander | ... | Roy McFarland (uncredited) | |
| Muhammad Ali | ... | Himself (archive footage) (uncredited) | |
| Brian Clough | ... | Himself (archive footage) (uncredited) | |
| Alex Harker | ... | Allan Clarke (uncredited) | |
| Nathan Head | ... | Photographer (uncredited) | |
| Jimmy Hill | ... | Himself (archive footage) (uncredited) | |
| Kevin Keegan | ... | Himself (archive footage) (uncredited) | |
| James MacColl | ... | Luton Town Player (uncredited) | |
| Stephen Nicholas | ... | Alan Durban (uncredited) | |
| Don Revie | ... | Himself (archive footage) (uncredited) | |
| John Savage | ... | Gordon McQueen (uncredited) | |
| David Stevenson | ... | (uncredited) | |
| Danny Tomlinson | ... | David Harvey (uncredited) | |
| Baxter Williams | ... | Committee Member (uncredited) | |
| Craig Williams | ... | Joe Jordan (uncredited) | |
| Chris Wilson | ... | FA Disciplinary Board Member (uncredited) | |
Directed by | |||
| Tom Hooper | |||
Writing credits(in alphabetical order) | ||
| Peter Morgan | screenplay | |
| David Peace | novel "The Damned Utd" | |
Original Music by | |||
| Rob Lane | |||
Cinematography by | |||
| Ben Smithard | (director of photography) | ||
Film Editing by | |||
| Melanie Oliver | |||
Casting by | |||
| Daniel Hubbard | (as Dan Hubbard) | ||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Andrew Holden-Stokes | (supervising art director) | ||
| Leon McCarthy | |||
Costume Design by | |||
| Mike O'Neill | |||
Makeup Department | |||
| Jan Archibald | .... | hair designer | |
| Jan Archibald | .... | makeup designer | |
| Nicola Mount | .... | hair stylist | |
| Nicola Mount | .... | makeup artist | |
| Rachael Speke | .... | hair stylist | |
| Rachael Speke | .... | makeup artist | |
| Caitlin Tanner | .... | chief hair stylist | |
| Caitlin Tanner | .... | chief makeup artist | |
| Barbara Taylor | .... | crowd hair supervisor | |
| Jo Sweeting | .... | makeup artist: dailies (uncredited) | |
Production Management | |||
| Mally Chung | .... | unit manager | |
| Alistair Hopkins | .... | post-production supervisor | |
| Monique Mussell | .... | production manager | |
| Juanjo Seda | .... | production manager: Mallorca | |
Second Unit Director or Assistant Director | |||
| Martin Curry | .... | first assistant director | |
| Alex Kaye-Besley | .... | crowd second assistant director | |
| Sarah Mooney | .... | crowd assistant director | |
| Gemma Nunn | .... | third assistant director | |
| Tom Rye | .... | second assistant director | |
Art Department | |||
| Jason Bond | .... | property master | |
| Jean Challender | .... | art department coordinator | |
| Henry Gallagher | .... | standby painter | |
| Rose Geddes | .... | art department runner | |
| Philip Green | .... | trainee: Screen Yorkshire | |
| Darren Hayward | .... | carpenter | |
| Sara Hayward | .... | stand-by art director | |
| Mark Hopton | .... | trainee: Screen Yorkshire | |
| Eric Johnston | .... | stagehand | |
| Peter Jones | .... | carpenter | |
| Steven Leadbitter | .... | standby carpenter (as Steve Leadbitter) | |
| Graeme McHugh | .... | scenic artist | |
| Leah Megginson | .... | stand-by prop hand | |
| Jay Pales | .... | stand-by prop hand | |
| Martin Parker | .... | construction manager | |
| Kevin Scarrott | .... | dressing prop hand | |
| Alison Staples | .... | graphic designer | |
| Kate Thomas | .... | production buyer | |
| Michael Turner | .... | dressing prop hand (as Mickey Turner) | |
| Kevin Waite | .... | carpenter | |
| Colin Worrall | .... | painter | |
| Douglas Ingram | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Martin Beresford | .... | sound mixer | |
| Dawn Gough | .... | assistant sound editor | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Andrea King | .... | foley artist | |
| Forbes Noonan | .... | foley supervisor | |
| Giles Parkes | .... | sound assistant | |
| Phil Porter | .... | boom operator (as Philip Porter) | |
| Andre Schmidt | .... | supervising dialogue editor (as André Schmidt) | |
| Alexandros Sidiropoulos | .... | assistant sound re-recording mixer | |
| Matthew Skelding | .... | dialogue editor | |
| Jack Stew | .... | foley artist | |
| Lee Walpole | .... | supervising sound editor | |
| Rachel Carberry | .... | assistant adr recordist (uncredited) | |
| Naomi Dandridge | .... | adr recordist (uncredited) | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Mark Henry | .... | adr recordist (uncredited) | |
| Billy Quinn | .... | sfx recordist (uncredited) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
| Chris Sturmer | .... | sound consultant: dolby (uncredited) | |
| Virginia Thorn | .... | assistant dialogue editor (uncredited) | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Paul Kelly | .... | special effects supervisor | |
Visual Effects by | |||
| Charlie Bennett | .... | digital matte painter: The Mill (as Charles Bennett) | |
| David A.T. Bowman | .... | visual effects supervisor: The Mill (as David Bowman) | |
| Darren Christie | .... | visual effects consultant | |
| Martin Clough | .... | data operator: Molinare | |
| Will Cohen | .... | visual effects executive producer: The Mill | |
| Joe Dearman | .... | data operator: Molinare | |
| Dave Early | .... | senior digital matte painter: The Mill (as David Early) | |
| Marie A. Jones | .... | visual effects producer: The Mill (as Marie Jones) | |
| Simon Kilroe | .... | additional visual effects supervisor: Molinare | |
| Suraj Odedra | .... | cg artist: The Mill | |
| Katy Piggott | .... | data operator: Molinare | |
| Lewis Saunders | .... | visual effects artist: Molinare | |
| Foad Shah | .... | compositor: The Mill | |
| Shanaullah Umerji | .... | additional visual effects producer: Molinare | |
| Anthony Webb | .... | visual effects artist: Molinare | |
| Kris Anderson | .... | digital compositor (uncredited) | |
| Bryan Bartlett | .... | digital compositor (uncredited) | |
| David Emeny | .... | digital compositor (uncredited) | |
| Stephanie C. Kelly | .... | digital compositor (uncredited) | |
| Rick McMahon | .... | visual effects artist (uncredited) | |
| Natalie Stopford | .... | visual effects producer (uncredited) | |
| Ben Turner | .... | digital compositor (uncredited) | |
Stunts | |||
| Ian Pead | .... | stunts | |
| Peter Pedrero | .... | stunt coordinator | |
| Charles Ramsay | .... | stunts | |
| Roy Taylor | .... | stunts | |
Camera and Electrical Department | |||
| Steven Campbell | .... | electrician | |
| Adam Coles | .... | focus puller: "a" camera | |
| Mark Dempsey | .... | clapper loader | |
| Stuart Drummond | .... | gaffer | |
| Phil Field | .... | electrician | |
| Alex Fitton | .... | camera trainee | |
| Clare Fuller | .... | clapper loader dailies | |
| Steve Gartside | .... | electrician (as Stephen Gartside) | |
| Richard Lawson | .... | focus puller: 'b' camera | |
| Vince McGahon | .... | Steadicam operator | |
| Vince McGahon | .... | camera operator: "b" camera | |
| Ronan Murphy | .... | key grip: "a" camera | |
| David Ode | .... | key rigger | |
| Craig Porter | .... | clapper loader | |
| Howard Roe | .... | generator operator | |
| Laurie Sparham | .... | stills photographer | |
| Marc Tempest | .... | key grip: "b" camera | |
| Kim Vinegrad | .... | clapper loader | |
| John Welsh | .... | best boy | |
| Laurence Wright | .... | video trainee | |
| Dean Thompson | .... | camera operator: second unit (uncredited) | |
Casting Department | |||
| Michelle Smith | .... | additional casting | |
| Martin Ware | .... | casting assistant | |
| Abigail Barbier | .... | adr voice casting (uncredited) | |
| Louis Elman | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Caroline Drinkeld | .... | costume trainee | |
| Samantha Horn | .... | assistant costume designer | |
| Katerina Pesulova | .... | wardrobe supervisor | |
| Ladislav Procházka | .... | costume assistant | |
| Keeley Scothern | .... | costume trainee: Screen Yorkshire | |
| Esme Short | .... | costume assistant | |
| Kat Willis | .... | costume assistant | |
| Ann Maskrey | .... | costume maker (uncredited) | |
| Emily Newbold | .... | daily costumer (uncredited) | |
Editorial Department | |||
| Mike Andrews | .... | digital film technician | |
| Len Brown | .... | digital intermediate film supervisor | |
| Claire Davis | .... | post-production coordinator | |
| Tim Drewett | .... | digital film technician | |
| Matt James | .... | digital film supervisor | |
| Nina Khan | .... | digital intermediate production manager | |
| Søren Kloch | .... | digital intermediate film supervisor | |
| Steve Knight | .... | digital intermediate technician | |
| Chris McGloin | .... | first assistant editor | |
| Ben Renton | .... | second assistant editor | |
| Andy Richards | .... | supervising DI conform editor | |
| Gareth Spensley | .... | colorist | |
| Gemma Townsend | .... | digital intermediate technician | |
| Garry Maddison | .... | data scanner (uncredited) | |
Music Department | |||
| Jonathan Allen | .... | score engineer | |
| Arthur Dick | .... | musician: guitar soloist | |
| Liz Gallacher | .... | music supervisor | |
| James Gosling | .... | music preparation | |
| Rob Lane | .... | conductor | |
| Steve Parr | .... | score mixer | |
| Samuel Sim | .... | composer: additional music | |
| Simon Whiteside | .... | music preparation | |
| Alison Butters | .... | music clearance (uncredited) | |
Transportation Department | |||
| John Armistead | .... | unit driver | |
| Martin Clay | .... | driver: camera car | |
| Alan Evans | .... | unit driver | |
| Karl Jones | .... | unit driver | |
| Paul Pearson | .... | unit driver | |
| Paul Revill | .... | standby camera car driver | |
| Ian Bennett | .... | transportation captain (uncredited) | |
Other crew | |||
| Geraldine Atlee | .... | business affairs: BBC Films | |
| Nicky Ball | .... | crew and freelance development manager: Screen Yorkshire | |
| Joe Biggins | .... | inflatable crowd supervisor | |
| Carol Carmichael | .... | medic | |
| Simon Clifford | .... | football choreographer | |
| Simon Clifford | .... | football coach | |
| Andrew Craske | .... | head of communications: Screen Yorkshire | |
| Kayleigh Cruickshank | .... | location assistant | |
| Farnaz Donovan | .... | assistant production accountant | |
| Penny Dyer | .... | voice coach | |
| Zoë Edwards | .... | production executive: Left Bank Pictures (as Zoe Edwards) | |
| Marie Elwood | .... | location assistant: London | |
| Bob Farrell | .... | production assistant (as Rob Farrell) | |
| Kerry Gill-Pryde | .... | researcher: mythology and evil | |
| Simon Gillis | .... | business affairs: BBC Films | |
| Neil Gregory | .... | inflatable crowd supervisor | |
| Nick Hodson | .... | trainee: Screen Yorkshire | |
| Mark Hubbard | .... | production executive: BBC Films | |
| Paula Jalfon | .... | commercial affairs: BBC Films | |
| Marigo Kehoe | .... | head of production: Left Bank Pictures | |
| Matt Lightowler | .... | production assistant | |
| Stuart McKay | .... | archivist | |
| Connan McStay | .... | title designer | |
| Steven Metcalfe | .... | production assistant | |
| Tariq Mirza | .... | production legal | |
| Sarah Mooney | .... | floor runner | |
| Della Moore | .... | post-production accountant | |
| Shailini Vijay Naik | .... | production secretary | |
| David Peace | .... | consultant | |
| Eve Petcher | .... | assistant production coordinator | |
| Lee Ramseyer-Bache | .... | production assistant | |
| Katy Roberts | .... | production runner | |
| Penelope Robinson | .... | production accountant | |
| Lindsay Salt | .... | assistant: Mr. Harries, Left Bank Pictures | |
| Daniel Sampedro Palerm | .... | production coordinator: Mallorca (as Daniel Sampedro) | |
| James A. Smith | .... | archivist | |
| Camilla Stephenson | .... | location manager: Mallorca | |
| Jemima Thomas | .... | script supervisor | |
| Charlie Thompson | .... | location manager (as Charles Thompson) | |
| John William Turner | .... | production assistant (as John Turner) | |
| Matthew Vizard | .... | production and delivery coordinator: BBC Films | |
| Pip Williams | .... | assistant: Mr. Harries, Left Bank Pictures | |
| Grace Wilson | .... | head of finance: Left Bank Pictures | |
| Michael Wood | .... | production executive: BBC Films | |
| Andy Booth | .... | medical service (uncredited) | |
| Dan Connolly | .... | location scout (uncredited) | |
| Sekani Doram | .... | runner: second unit pick-ups (uncredited) | |
| Daniel Gulliver | .... | inflatable crowd supervisor (uncredited) | |
| Ben Hepworth | .... | location scout (uncredited) | |
| Robert Shaw | .... | daily floor runner (uncredited) | |
| Luis Vidal | .... | production assistant: Spain (uncredited) | |
Thanks | |||
| Isabel Begg | .... | thanks | |
| Jenny Borgars | .... | thanks | |
| Ann Maskrey | .... | thanks | |
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| Bend It Like Beckham | Frost/Nixon | Goal! The Dream Begins | Shaolin Soccer | Leatherheads |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Football has been poorly served by the cinema to date. "The Damned United" goes a long way to rectifying that. A bravura performance from Martin Sheen as Brian Clough and a faithful, intelligent screenplay by Peter Morgan combine with a well chosen storyline to deliver a convincing tale. Crucially, this is not a film about football, it uses football as a framework for ambition, greed, success, failure, friendship and love.
The traditional traps surrounding a football film are avoided. "Live" action is limited, and team sequences brief. Consequently the characters are given a chance to breathe and develop , not just Clough's, but those of Peter Taylor, marvellously captured by Timothy Spall, and others . Chairmen Manny Cousins and Sam Longson enjoy rewarding cameo parts and the footballers themselves are picked as actors rather than surrogate footballers.
Critics may carp about the odd anachronism and unconvincing physical shape of the Leeds United team in particular but it is the ego of Brian Clough which bestrides this story. The 90 minutes barely does justice to his 45 days at Leeds as his career up to the appointment is interwoven into the main tale. Although faction is a dangerous device, for me it does justice to both the lovingly recreated era and the characters. Cloughs family have apparently repudiated this work, which is a shame. It is broadly favourable with the wrinkles as foibles rather than damnable weaknesses.
The film closes with a re-creation of the YTV interview with Clough and Revie sitting side by side immediately following Clough's dismissal. The atmosphere is electric, Clough is surprisingly conciliatory whilst Revie delivers an, "I told you so", tour de force. Echoes of the Sheen/Morgan collaboration Frost / Nixon abound as does the repeated device of the late night telephone call from the arch protagonists, this time Clough to Revie, last time Nixon to Frost. The final reconciliation between Clough and Taylor is as brave a depiction of a male platonic relationship as has been screened for a very long time.
A triumph for all concerned.