Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle -- a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.
An emotionally self-destructive boxer's journey through life, as the violence and temper that leads him to the top in the ring, destroys his life outside it.
Based on the story of Vince Papale, a 30-year-old bartender from South Philadelphia who overcame long odds to play for the NFL's Philadelphia Eagles in 1976.
Director:
Ericson Core
Stars:
Mark Wahlberg,
Greg Kinnear,
Elizabeth Banks
Taking over England's top football club Leeds United, previously successful manager Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor who has loyally stayed with Brighton & Hove Albion. Written by
Jeremy Perkins {J-26}
The scenes in the film set at the Derby County training ground were actually filmed in Leeds at a football pitch ironically overlooking the Leeds United stadium. See more »
Goofs
The commentator introduces Leeds as the League champions before the 27.01.68 game, but Manchester United were the reigning champions at the time. See more »
Quotes
Brian Clough:
What are you doing? You weren't supposed to *accept* our resignations!
Sam Longson:
Shouldn't bloody well offer them, then, should you?
Brian Clough:
Look, you can't get rid of us. It would be a disaster for the club. For the whole of Derby!
Sam Longson:
You can't keep shooting your mouth off the way you have been and issuing these ultimatums. With great reluctance, your resignations have been accepted.
Brian Clough:
Look, you can't do this. It's madness.
Sam Longson:
The decision stands. Car keys on the table and out.
Brian Clough:
We're gonna create a footballing dynasty ...
[...] See more »
Football has been poorly served by the cinema to date. "The Damned United" goes a long way to rectifying that. A bravura performance from Martin Sheen as Brian Clough and a faithful, intelligent screenplay by Peter Morgan combine with a well chosen storyline to deliver a convincing tale. Crucially, this is not a film about football, it uses football as a framework for ambition, greed, success, failure, friendship and love.
The traditional traps surrounding a football film are avoided. "Live" action is limited, and team sequences brief. Consequently the characters are given a chance to breathe and develop , not just Clough's, but those of Peter Taylor, marvellously captured by Timothy Spall, and others . Chairmen Manny Cousins and Sam Longson enjoy rewarding cameo parts and the footballers themselves are picked as actors rather than surrogate footballers.
Critics may carp about the odd anachronism and unconvincing physical shape of the Leeds United team in particular but it is the ego of Brian Clough which bestrides this story. The 90 minutes barely does justice to his 45 days at Leeds as his career up to the appointment is interwoven into the main tale. Although faction is a dangerous device, for me it does justice to both the lovingly recreated era and the characters. Cloughs family have apparently repudiated this work, which is a shame. It is broadly favourable with the wrinkles as foibles rather than damnable weaknesses.
The film closes with a re-creation of the YTV interview with Clough and Revie sitting side by side immediately following Clough's dismissal. The atmosphere is electric, Clough is surprisingly conciliatory whilst Revie delivers an, "I told you so", tour de force. Echoes of the Sheen/Morgan collaboration Frost / Nixon abound as does the repeated device of the late night telephone call from the arch protagonists, this time Clough to Revie, last time Nixon to Frost. The final reconciliation between Clough and Taylor is as brave a depiction of a male platonic relationship as has been screened for a very long time.
A triumph for all concerned.
62 of 72 people found this review helpful.
Was this review helpful to you?
Football has been poorly served by the cinema to date. "The Damned United" goes a long way to rectifying that. A bravura performance from Martin Sheen as Brian Clough and a faithful, intelligent screenplay by Peter Morgan combine with a well chosen storyline to deliver a convincing tale. Crucially, this is not a film about football, it uses football as a framework for ambition, greed, success, failure, friendship and love.
The traditional traps surrounding a football film are avoided. "Live" action is limited, and team sequences brief. Consequently the characters are given a chance to breathe and develop , not just Clough's, but those of Peter Taylor, marvellously captured by Timothy Spall, and others . Chairmen Manny Cousins and Sam Longson enjoy rewarding cameo parts and the footballers themselves are picked as actors rather than surrogate footballers.
Critics may carp about the odd anachronism and unconvincing physical shape of the Leeds United team in particular but it is the ego of Brian Clough which bestrides this story. The 90 minutes barely does justice to his 45 days at Leeds as his career up to the appointment is interwoven into the main tale. Although faction is a dangerous device, for me it does justice to both the lovingly recreated era and the characters. Cloughs family have apparently repudiated this work, which is a shame. It is broadly favourable with the wrinkles as foibles rather than damnable weaknesses.
The film closes with a re-creation of the YTV interview with Clough and Revie sitting side by side immediately following Clough's dismissal. The atmosphere is electric, Clough is surprisingly conciliatory whilst Revie delivers an, "I told you so", tour de force. Echoes of the Sheen/Morgan collaboration Frost / Nixon abound as does the repeated device of the late night telephone call from the arch protagonists, this time Clough to Revie, last time Nixon to Frost. The final reconciliation between Clough and Taylor is as brave a depiction of a male platonic relationship as has been screened for a very long time.
A triumph for all concerned.