A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
After a classical string quartet's 25 years of success, Peter, the cellist and oldest member, decides that he must retire when he learns he has Parkinson's Disease. For the others, that announcement proves a catalyst for letting their hidden resentments come to the surface while the married members' daughter has disruptive desires of her own. All this threatens to tear the group apart even as they are famous for playing Beethoven's String Quartet No. 14, opus 131, a piece that is played non-stop no matter how life interferes. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Peter Mitchell tells his class an anecdote about the two times he met cello legend Pau Casals; this anecdote is a true incident that happened to another legendary cellist, the late Gregor Piatigorsky. This anecdote is paraphrased from Piatigorsky's autobiography, "Cellist". See more »
Daniel discusses with Alexandra how the smallest difference in horse hair can change the timbre of the violin and he pronounces it as tim-ber instead of the correct pronunciation as tam-ber. See more »
Time present and time past are both perhaps present in time future, and time future contained in time past. If all time is eternally present, all time is unredeemable. Or say that the end precedes the beginning, and the end and the beginning were always there before the beginning and after the end. And all is always now.
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Marietta's Song from Die Tote Stadt (The Dead City)
Written by Erich Wolfgang Korngold
Performed by Anne Sofie von Otter
Bengt Forsberg - Piano, Kjell Lysell and Ulf Forsberg - Violins
Mats Lidström - Cello, Nils-Erik Sparf - Viola
Courtesy of Deutsche Grammophon See more »
I have recently been diagnosed as having Parkinson's and this movie was recommended by another person with Parkinson's. I went to the movie to see if I could relate to what was going on. I was blown away by the music, the script,the settings and the performances musical or acting. To go to this movie and miss the whole tragedy of all in the movie is to miss the obvious.
It isn't about how good the music was played, whether the movie portrayed realism in human interaction, not the obvious flaws of the individuals, nor the film making's errors. To me it was all this as a whole, absolutely faultless in combining the plot with subplots, the tensions, the love, and the compassion of great artists doing what they loved playing wonderfully well.
I have to wonder where the criticism comes from other reviewers. Is it their perfectionist expectations, or is it from a lowered self esteem brought about by never achieving their dreams. And the script was a reflection of their anger.
And, although Parkinson's was part of the plot it was handled in a very thoughtful way. I would be happy if my whole family would go to the movie to see just the way a person so afflicted has to hold their cup with two hands to keep from spilling their drink. And, because it is a well made wonderful movie filled with enjoyment. Only two people left the movie house before the credit were finished.
27 of 32 people found this review helpful.
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