Emma left Russia to live with her husband in Italy. Now a member of a powerful industrial family, she is the respected mother of three, but feels unfulfilled. One day, Antonio, a talented chef and her son's friend, makes her senses kindle.
Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British ... See full summary »
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
Over two decades ago, Emma left Russia to follow Tancredi Recchi, the man who had proposed to her. Now a member of a powerful industrial Milanese family, she is the respected mother of three. But Emma, although not unhappy, feels confusedly unfulfilled. One day Antonio, a talented chef and her son's friend and partner, makes her senses kindle. It does not take long before she embarks on a passionate affair with the sensuous young man. Written by
When Edoardo and Elisabetta meet in London, there's a lot of shadow on the pavement. When they walk away together in the next shot, there's a lot more sun. But the weather can change quickly in the UK. See more »
I can't describe the power of this film, and I can't stop thinking about it either. There's a negative review on here that says to go see MICHAEL CLAYTON instead and not to waste your time. Well, if a movie about plot, overly drawn characters and artifice, all shot by the book, is what you're looking for, then yes... this probably isn't the movie for you.
But if you like people more than stories. If you want to see film-making at its most graceful and organic and inventive, if you want a musical score that will turn a sidelong glance into an operatic overture, then this IS the movie for you. It is a baroque masterwork. A cathedral of a film. Cold as stone but inspiring the soul.
Tilda Swinton is a goddess. She says so little, but communicates so much. There's an entire ocean of emotion inside or her, spilling out of her eyes. I cried twice at this film. Once because of the subject matter and then again at the delicacy of the film-making. Don't let people with conservative tastes and conventional ideas of film and story tell you not to go see this movie. They are robbing you of experiencing pure emotive cinema.
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