Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship causes him to take a relatively green performer under his wing as his opening act.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
English rock star Aldous Snow relapses into drugs and booze after a break up and a disastrous record. In L.A., Aaron Green works for a record company stuck in recession. Aaron's boss gives him a career making task - to bring Aldous from London to L.A. for a concert in 72 hours. That day, Aaron's girlfriend Daphne tells him she wants to finish her medical residency in Seattle. Aaron's sure this ends their relationship. In London, things aren't much better: Aldous delays their departure several times, plies Aaron with vices, and alternates between bad behavior and trenchant observations. Can Aaron moderate Aldous's substance abuse and get him to the Greek? What about Daphne? Written by
The Greek Theatre's marquee includes Bob and the Yeoman, a reference to director of photography Robert D. Yeoman. See more »
When Aldous and Aaron leave London to fly to New York, a twin engined Boeing 767 shown. However when they land in New York, a four engined Boeing 747 is shown landing. London to New York flights tend to be nonstop, so they wouldn't have changed planes. Also when they fly to Vegas, they take off in a Boeing 757 and land in an Airbus A320, and the planes have different company liveries. See more »
Man, that opening party was incredible. Check out the pictures on Myspace. There's one of me eating cheese off some girl's titties.
Please just lie to me and say I didn't miss another awesome party.
You missed an awesome party. I woke up with glitter on my dick.
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After the end credits role, Aaron Green's hallucination of Sergio's head appears saying, "Go home. Get the fuck out of the theater. The movie's over." See more »
Opening up with the shooting of Aldos Snow's latest music video and then showing his downward spiral that leads to present day was the hilarious, perfect beginning for this innovative comedic spin-off. If you saw 'Forgetting Sarah Marshall' then this is exactly what you would expect a movie about Aldos Snow to be like. This movie has a heart that I did not expect to see, it's buried under lewd, vulgar and brilliant wit, but it's in there.
Russell Brand just opens his mouth and his words are comedic gold. Jonah Hill takes a step out of his comfort zone, a bit, and plays a "no confidence good guy". (Usually he's the overconfident prick, for all you naysayers). Diddy delivers a surprisingly strong performance that I'm sure shocked anyone who sees him. He's actually hilarious! His repartee with everyone he comes into contact with is spot-on. The entire cast has hilarious one-liners and the two main characters really make this movie a joy to watch.
The plot is actually a creative one, something we don't see a lot of nowadays. Albeit the humor treads into "familiar gross-out" jokes, there are clever jokes too. But it's all you have to expect when following "Rock and Roll personified". Another point I was surprised by was that a lot... a lot of the scenes from the trailers were not in the movie. I thought that was a good and bad thing. Good because it didn't show us stuff we've already seen and gave us the chance to see new stuff. But bad because a few of the scenes were real funny.
For the critics who are hating this movie: Do you like comedy? Do you like Apatow's stuff? Do you like Russell Brand or Jonah Hill? If the answer is no to any 2 of these... why are you reviewing this movie? Your opinion is pointless for the people that actually DO like these movies.
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