Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
English rock star Aldous Snow relapses into drugs and booze after a break up and a disastrous record. In L.A., Aaron Green works for a record company stuck in recession. Aaron's boss gives him a career making task - to bring Aldous from London to L.A. for a concert in 72 hours. That day, Aaron's girlfriend Daphne tells him she wants to finish her medical residency in Seattle. Aaron's sure this ends their relationship. In London, things aren't much better: Aldous delays their departure several times, plies Aaron with vices, and alternates between bad behavior and trenchant observations. Can Aaron moderate Aldous's substance abuse and get him to the Greek? What about Daphne? Written by
When Aaron wakes up in a London hotel after a night out with Aldous, a game resembling cricket can be seen on the TV in his room. This is not an actual game, but a parody sketch from the Dutch TV show Jiskefet (1990), aptly titled "English sport". See more »
In Aaron's POV camera shot of his tongue, lipstick appears around the tip of the tongue before the dancing girl kisses it (presumably from a previous take). See more »
This is Nicholas Stoller's first mainstream film in which he both wrote and directed, exploring the high's and lows of Jason Segal's Forgetting Sarah Marshall's character "Aldous Snow".
Aldous Snow is the controversial, alcoholic, drug addict rock star stereotype played by Russell Brand. He does it well and leaves us with a strong and convincing performance, but then It's hard to criticise his acting when he for the most part just plays himself, and to that point he does it well as always.
The story-line is basic but strong, and doesn't skimp on the laughs... or the nauseating, leaving the theater in stitches and disgust several times throughout. It takes you on a journey of the highs and lows of life as a rock star, the publicly glorified side and the more somber, touching on the loneliness and struggles with relapse.
It flew by fast and felt squashed at the end, the resolution was a tad jammed and left me slightly disappointed, but i'll be watching it again.
If you liked the hangover, you'll defiantly like this.
9 of 16 people found this review helpful.
Was this review helpful to you?