In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
Having joined a recently created video club, a lowly prep-school sophomore - desensitized from reality by frequently viewed Internet imagery - accidentally captures on video the final moments of admired twin senior classmates dying from poisoned drugs. Rather than galvanize the school or this lad's life in any profound or meaningful way, the tragedy causes barely a ripple in the already emotionally diminished and out-of-touch lives of everyone around. Written by
In one of the early scenes in Rob's dorm room, a poster on the wall near the door says "DO YOU FEEL - new album." This poster is for an album by the popular alternative one-man music project headed by pop-rocker Bryce Avary known as The Rocket Summer. "Do You Feel" was The Rocket Summer's third full-length album and was released in 2007. See more »
[after seeing the memorial video Robert made]
Is that serious, Robert?
What do you mean?
Is there something wrong with you, Robert? I'm no editor but I can safely say that's probably the worst thing I've ever seen. You didn't even have music! I'm gonna tell Mr. Wiseman to have someone else reediting everything. You... I'm very disappointed.
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Though it undoubtedly bears promise, this is a film which will test your patience like few others. The film is slow-paced, which one could argue is a way for Campos to build further isolation from the main character, yet fails to depict anything interesting in its entire running time.
The characters are all cardboard-thin, save for the protagonist whose loneliness and eccentricity is apparent yet inaccessible. Believe me, I tried to feel some sort of emotional connection with him, but never achieved much except a strong yearning to fast forward the film through conversations that initially felt pointless and ultimately proved to be so. If Campos can take his skills of plot-structuring and possibly add more dialog to further reveal other aspects of his characters, then I strongly believe he has the potential to make an excellent film, but I just found this one to be an inaccessible drag.
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