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The Door (2009)
"Die Tür" (original title)

6.7
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Ratings: 6.7/10 from 2,605 users  
Reviews: 10 user | 37 critic

A successful artist loses control of his life after his young daughter's death. A chance for a new start appears, but all is not what it seems.

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(screenplay), (novel)
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Title: The Door (2009)

The Door (2009) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
...
...
Maja Andernach
Valeria Eisenbart ...
Leonie Andernach
Thomas Thieme ...
Siggi Butschma
...
Max Oelze
Stefan Gebelhoff ...
Paul Wiegand
...
Susanne Wiegand
...
Gia
Nele Trebs ...
Nele Weigant
Thomas Arnold ...
Edgar Keun
Karsten Dahlem ...
Polizist 1
René Lay ...
Polizist 2
Christof Düro ...
Fahrer Kleinbus
Lena Sabine Berg ...
Henriette Zahnert (as Sabine Berg)
Patrick Heinrich ...
Segej
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Storyline

A successful artist loses control of his life after his young daughter's death. A chance for a new start appears, but all is not what it seems.

Plot Summary | Add Synopsis


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Release Date:

26 November 2009 (Germany)  »

Also Known As:

A Porta  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film was set intentionally in no specific city or country so the story could take place in any Northern European city (the exterior shots were filmed mostly in Potsdam, Germany). This is recognizable by the fact that the vehicle licence plates have no format used in the EU, the uniforms of the police officers are just plain black and the police car has no markings. See more »

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User Reviews

 
Over-sophisticated European cinema - with a great performance though
21 November 2013 | by (Estonia) – See all my reviews

Within last decades, suspense thrillers have become trendy, and novelists and screenwriters try to create the source materials as mind-twisting and twisted as possible. While focusing on such a turn/twist, they form rather trivial story around it - intentionally or spontaneously. All this applies to the film in question, where the basic story is rather trivial, with keywords as middle-class family, jealousy, adultery... Well, a certain twist provides additional food for thought and even criminal moments, but all this is often difficult to follow, and collisions between someone and his/her younger version via traveling in time is not too compelling. The ending scenes add some action, but the solution is - well, you just shrug your shoulders...

As usual, Mads Mikkelsen gives a strong performance (in German), and there are a few scenes without his presence, but the rest are just good, not more; anyway, admirers of Mikkelsen and/or psychological drama thrillers do probably see more interesting angles.


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