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Directed by | |||
| Michael Craft | |||
Writing credits(in alphabetical order) | ||
| Michael Craft | written by | |
| Matthew Scully | ... | Jimmy (as Matt Scully) | |
| Robert Price | ... | Malcolm | |
| Elise Greig | ... | Maria | |
| Damien Garvey | ... | Leonard | |
| Saskia Burmeister | ... | Zia | |
| Sally McKenzie | ... | Carol | |
| Mark 'Bear' Bulluss | ... | Jobbo (as Mark Bulluss) | |
| Robert Mammone | ... | Francis | |
| rest of cast listed alphabetically: | |||
| Craig Ingham | ... | Storage Unit Holder | |
| Shevaun Lee Steffens | ... | Prostitute (uncredited) | |
Produced by | |||
| Michael Craft | .... | producer | |
| Gregor Drugowitsch | .... | producer | |
| David Lightfoot | .... | executive producer | |
| Elizabeth Symes | .... | producer | |
Original Music by | |||
| Garry McDonald | |||
| Laurie Stone | |||
Cinematography by | |||
| Tony Luu | |||
Film Editing by | |||
| Geoffrey Lamb | |||
Casting by | |||
| Tom McSweeney | |||
Production Design by | |||
| Michelle Sotheren | |||
Art Direction by | |||
| Christopher Cox | |||
Costume Design by | |||
| Vanessa Loh | |||
Makeup Department | |||
| Veronique Keys | .... | key hair designer | |
| Veronique Keys | .... | key makeup designer | |
| Antony McMullen | .... | special makeup effects artist: Prosthetic Transfers | |
Production Management | |||
| Julie Forster | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luke Barlow | .... | third assistant director | |
| Sean Gilligan | .... | second unit director | |
| Nick Wyles | .... | second assistant director | |
Art Department | |||
| Ian Callander | .... | storyboard artist | |
| Sergey Musin | .... | concept artist | |
Sound Department | |||
| Ric Kaspar | .... | sound editor | |
| Vic Kaspar | .... | sound re-recording mixer | |
| Vic Kaspar | .... | supervising sound designer | |
| Frank Lipson | .... | sound effects editor | |
| Gerard Long | .... | foley artist | |
| Tim Matyear | .... | foley mixer | |
| Dan McMahon | .... | boom operator | |
| Peter Purcell | .... | temp re-recording mixer | |
Visual Effects by | |||
| Mark Doney | .... | lead compositor | |
Stunts | |||
| Paul Phillips | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mark Bills | .... | best boy electric | |
| David Brooks | .... | grip | |
| Shing Fung Cheung | .... | director of photography: second unit | |
| Matthew Floyd | .... | additional second assistant camera | |
| Brad Francis | .... | first assistant camera | |
| Billy Harmer | .... | additional grip | |
| Glenn Jones | .... | gaffer | |
| Paul Knox | .... | second assistant camera | |
| Geoffrey Owen | .... | Steadicam operator | |
| Matt Parnell | .... | third electrician | |
| Luke Stone | .... | key grip | |
| Josh Tanner | .... | data wrangler | |
Costume and Wardrobe Department | |||
| Chrissy Flannery | .... | costume supervisor | |
Editorial Department | |||
| Courtney O'Brien Brown | .... | assistant editor | |
| Adrian Hauser | .... | digital film colorist | |
| Michelle Junee | .... | post-production coordinator | |
| Justin Ngy Tran | .... | digital intermediate on-line editor | |
| Joe Lancaster | .... | editorial assistant (uncredited, pick-ups only) | |
Music Department | |||
| Kim Green | .... | music supervisor | |
Other crew | |||
| Jay Corry | .... | production assistant | |
| Tundra Gorza | .... | titles designer | |
| Stuart Monksfield | .... | project manager | |
| Jade Van Der Lei | .... | production coordinator | |
| Prudence Williams | .... | production accountant | |
| Company credits | Box office and business | Technical specifications |
| Main details |