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Directed by | |||
| Alastair Fothergill | |||
| Mark Linfield | |||
Writing credits | ||
| Alastair Fothergill | (original concept) & | |
| Mark Linfield | (original concept) | |
| Mark Linfield | (written by) & | |
| Alastair Fothergill | (written by) & | |
| Don Hahn | (written by) | |
| Tim Allen | ... | Narrator (voice) |
Produced by | |||
| Alastair Fothergill | .... | producer | |
| Don Hahn | .... | executive producer | |
| Mark Linfield | .... | producer | |
| Connie Nartonis Thompson | .... | associate producer | |
| Alix Tidmarsh | .... | producer | |
Original Music by | |||
| Nicholas Hooper | |||
Cinematography by | |||
| Martyn Colbeck | (co-cinematographer) | ||
| Bill Wallauer | (co-cinematographer) | ||
Film Editing by | |||
| Andy Netley | |||
Production Management | |||
| Liz Stevens | .... | production manager | |
| Emma Zee | .... | post-production supervisor | |
Sound Department | |||
| Matthew Gough | .... | sound re-recording mixer | |
| Simon Hill | .... | mix technician | |
| Kate Hopkins | .... | supervising sound editor | |
| Philip Jenkins | .... | foley mixer | |
| Doc Kane | .... | narration mixer | |
| Kristin Mosher | .... | sound recordist: Uganda | |
| Tim Owens | .... | sound editor | |
| Johnathan Rush | .... | sound mix technician | |
| Jack Stew | .... | foley artist | |
| David Turner | .... | sound facility director | |
| David Turner | .... | sound project manager | |
| Andrew Wilson | .... | sound re-recording mixer | |
Visual Effects by | |||
| Lorraine Johnson | .... | film recording supervisor | |
Camera and Electrical Department | |||
| Michael Kelem | .... | aerial photography | |
| Samuel Munene | .... | assistant camera: Uganda | |
| Tim Shepherd | .... | time-lapse photography | |
| Warwick Sloss | .... | additional photography | |
| Bill Wallauer | .... | principal photography: Uganda | |
Editorial Department | |||
| Dan Clamp | .... | technical manager | |
| Wesley Hibberd | .... | digital intermediate assistant | |
| Luke Rainey | .... | colorist | |
Music Department | |||
| Gordon Davidson | .... | assistant score mixing engineer | |
| Gordon Davidson | .... | scoring pro tools engineer | |
| Andrew Dudman | .... | music recording engineer | |
| Andrew Dudman | .... | music scoring mixer | |
| Allan Jenkins | .... | music editor | |
| Alastair King | .... | conductor | |
| Alastair King | .... | orchestrator | |
| Matt Mysko | .... | assistant recording engineer | |
Other crew | |||
| Edward Anderson | .... | field manager | |
| Dan Clamp | .... | technical manager | |
| Sarah Garner | .... | production coordinator | |
| Maggie Gisel | .... | production support | |
| Rachel James | .... | production accountant | |
| David Reynolds | .... | creative consultant (as Dave Reynolds) | |
| Hugh Wilson | .... | field assistant | |
| Kirk Wise | .... | creative consultant | |
Thanks | |||
| Jane Goodall | .... | thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |