Supernatural: Season 4, Episode 10

Heaven and Hell (20 Nov. 2008)

TV Episode  -   -  Drama | Fantasy | Horror
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Reviews: 11 user | 2 critic

Dean and Sam figure out why Castiel and his superior/handler, Uriel the Angel of Death, want Anna Milton dead when the three of them are forced to go on the run, not only from heavenly and ... See full summary »



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Episode complete credited cast:
Ruby (as Genevieve Cortese)


Dean and Sam figure out why Castiel and his superior/handler, Uriel the Angel of Death, want Anna Milton dead when the three of them are forced to go on the run, not only from heavenly and vengeful angels, but from Alastair and his demon minions who also try to track down Sam, Dean, and Anna. With the assistance from the now-blind soothsayer, Pamela Barnes, they discover that 'Anna' is a fallen (former) angel and needs to seek her grace wings before the forces of both Heaven and Hell find them. Written by Anonymous

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TV-14 | See all certifications »




Release Date:

20 November 2008 (USA)  »

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Aspect Ratio:

16:9 HD
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Did You Know?


The episode title was "Hell's Angels" until just a few days before airing. It was changed after notice of trademark infringement by Hell's Angels Motorcycle Corporation. See more »


Dean Winchester: Can I ask you something? What do they want me for? Why did they save me?
Anna Milton: I'm sorry. The angels aren't talking about it, and it was after I fell.
Dean Winchester: That's another question. Why would you fall? Why would you want to be one of us?
Anna Milton: You don't mean that.
Dean Winchester: I don't? A bunch of, of miserable bastards, I mean, eating, crapping, confused, afraid...
Anna Milton: I dunno, there's loyalty, forgiveness... love?
Dean Winchester: Pain?
Anna Milton: Chocolate cake.
Dean Winchester: Guilt?
Anna Milton: [firmly] Sex.
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References Angels in the Outfield (1951) See more »


Ready For Love
Performed by Bad Company
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User Reviews

11 May 2009 | by (Australia) – See all my reviews

after a wonderful couple of years, the gloss is wearing off. keeping mythology accurate is important when telling stories (don't even get me started on 'merlin'!!), so the 'reinterpretations' of religious stories bothers me. bluntly put - heaven and hell could have been much, much better. ideally, if a storyline is based on religious tales (regardless of the faith in question) then those tales should be represented faithfully, without losing the details. i think this is what the previous writer means by 'facts'. if writers wish to use the scenarios of heaven and hell and angels and daemons within a predominantly Christian context, then these should be kept to.

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