During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
In postwar Hong Kong, legendary Wing Chun grandmaster Ip Man is reluctantly called into action once more, when what begin as simple challenges from rival kung fu styles soon draw him into ... See full summary »
Anthony Chau-Sang Wong,
A martial arts instructor from the police force gets imprisoned after killing a man by accident. But when a vicious killer starts targeting martial arts masters, the instructor offers to help the police in return for his freedom.
A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
In 1935 in Foshan, south China, there are martial arts schools on every street corner. Ip Man is the undisputed martial arts champion, yet he has not devoted himself to teaching. Despite this, it seems that all the kung fu masters of the city are eager to fight him to improve their reputation. Written by
The idea of an Ip Man biopic originated in 1998 when Jeffrey Lau and Corey Yuen discussed the idea of making a film based on Bruce Lee's martial arts master. However, Paragon Films Ltd, the studio producing the proposed film, closed and the project was abandoned. Producer Raymond Bak-Ming Wong decided to develop his own Ip Man film with full consent from Ip's sons, and had filmmakers head to Foshan to research Ip's life. Ip Chun, Ip Man's eldest son, along with martial arts master Leo Au-yeung and several other Wing Chun practitioners served as technical consultants for the film. See more »
In the bedroom, when Yip Man is reading, there is a modern lamp made of matte metal. See more »
[Facing the Northerner Ip Man adopts his combat stance with an unsettling mixture of mettle and serenity]
Wing Chun, Ip Man.
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Donnie Yen is a long time favorite of mine, although this is mainly due to his martial arts skills and screen presence rather than his acting skills. In Ip Man (or Ye Wen, as they were shouting in the seats next to mine) he delivers a truly solid performance on the acting side, carrying the burden of a nation on his shoulders with gravitas, at least that's what he conveyed to the audience at the cinema. They were actually applauding at times. Then again, moviegoers might be more absorbed over here on a regular basis. I digress.
I'm not going to delve deeper into plot details. The basic stuff is already outlined above, and I also feel the historical accuracy of certain events depicted can be debated. That's a bit of a moot point, though, since most people will watch this for the action scenes. Nobody will be disappointed. Donnie kicks twelve kinds of ass in this movie, and it is all accompanied by some of the meanest sound design I've ever heard. Every one of his rapid punches can be felt as he pummels the poor bastards in his way with the Ip Man-style of martial arts (imdb won't let me spell out the name for some reason). The final bout is epic,but for me it was one scene about halfway through that got my heart beating faster. It involves Donnie, ten Japanese karate practitioners and some of the most furious fighting I've ever seen on screen. You can really sense the anger of his character in this scene. Great stuff.
The film moves forward at a brisk pace and contains a surprisingly large amount of fight scenes. It totally lacks the vintage over-the-top-aesthetics of Donnie Yen's films of the 80's and 90's, but for some people that's a good thing. I personally think this is his finest performance to date.
Highly recommended for fans of martial arts cinema!
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