Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Jack Hall, paleoclimatologist for NORAD, must make a daring trek across America to reach his son, trapped in the cross-hairs of a sudden international storm which plunges the planet into a new Ice Age.
A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap. Written by
At the beginning of the movie when Alice lands in Alaska, she walks over to the beach, places her camera on a log, and sits down in front of it. Initially, the camera is angled at a lower position and could not possibly be recording her face. As she continues with her filmed monologue, the camera changes angles and is positioned toward her upper body as it should have been to begin with. See more »
My name is Alice. I worked for the Umbrella Corporation in a secret laboratory developing experimental viral weaponry. There was an incident. A virus escaped. Everybody died. Trouble was, they didn't stay dead. This was the start of an apocalypse that would sweep the entire world. The men responsible for this disaster took refuge underground and continued to experiment with the deadly T-Virus. They felt secure in their high-tech fortress. But they were wrong.
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SPOILER WARNING: After about a 1 minute or so of end credits there comes a surprise scene with Jill Valentine, even though Sienna Guillory receives screen credit before the scene appears. See more »
Written by Chester Bennington, Rob Bourdon (as Robert Bourdon), Brad Delson,
Joseph Hahn, Mike Shinoda and Phoenix Farrell (as Dave Farrell)
Performed by Linkin Park
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Music Group Film & TV Licensing See more »
In a series that deals with viral mutations, it's pretty fitting that the fourth Resident Evil, a film that found its roots in the sort of humble zombie/ mad scientist territory, is practically mutated beyond recognition. And when is mutation ever really a good thing? After a devastating zombie plague hits humanity, rogue survivor/ superhuman Alice (Milla Jovovich) roams the globe seeking those responsible: the evil Umbrella corporation. This time, the search takes her to LA, where she finds other survivors holed up in a prison, and a mysterious safe-haven called Arcadia.
Told like a story translated into French, Japanese, back to English, and finally into GGAAAAKEEERFLLLAAARGH, Afterlife is a bloody patchwork of action movie clichés, clunky dialog, and more slow motion than you can shake a clock at. There's also a villain so villainous he wears dark glasses inside. INSIDE.
The whole thing plays out like a video recording of a theme park ride, and if we were to defend Afterlife at all, it would be that its 3D appeal does make it sort of like a ride, so much so that watching it in any other dimension is a weirdly unfocused experience that falls (get ready for it) flat. Slow-mo rubble sails unimpressively across the screen. Slow-mo bullets sort of come toward you. Oh, and did we mention the slow mo? But all these hilarious jokes aside, it's a shoddy, lazy and repetitive film that treats the audience like we don't have brains, but are just hungry for them.
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