While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
Selene, a beautiful warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap. Written by
At the beginning of the movie when Alice lands in Alaska, she walks over to the beach, places her camera on a log, and sits down in front of it. Initially, the camera is angled at a lower position and could not possibly be recording her face. As she continues with her filmed monologue, the camera changes angles and is positioned toward her upper body as it should have been to begin with. See more »
My name is Alice. I worked for the Umbrella Corporation in a secret laboratory developing experimental viral weaponry. There was an incident. A virus escaped. Everybody died. Trouble was, they didn't stay dead. This was the start of an apocalypse that would sweep the entire world. The men responsible for this disaster took refuge underground and continued to experiment with the deadly T-Virus. They felt secure in their high-tech fortress. But they were wrong.
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At the end of the credits, you can hear Alice say: "Hey boys, is that any way to treat a lady?" See more »
This fourth Resident Evil instalment was only ever going to be worth seeing if it featured lots of amusing gore and entertaining action scenes that utilised the third dimension successfully. Evidently, director Anderson must've known this too, because nary a second is wasted on anything else. From the get go we're embroiled in a mass raid on Umbrella's high-tech underground headquarters by dozens of Alice replicates. It's Matrix-y slick, features a massive body count and is a great way to kick off proceedings, even if the CGI is occasionally substandard.
The remainder of the film becomes grubbier once it relocates to an abandoned maximum security prison surrounded by thousands of the "infected". Alice, and the ragtag bunch of Los Angeleno's she meets in the jail, encounter blood-thirsty zombies left, right and centre with murderous glee. The finest sequence on offer comes thanks to the inexplicably nonsensical inclusion of an unnamed 10ft creature with a mammoth axe-like weapon, who was apparently only introduced so we could witness its gruesome demise. With rain-drenched slow motion and heart pounding music, watching Alice and Claire despatch of this demented beast is a thrill.
To mention other dispensable elements of this movie you know, acting, character development, dialogue, plot plausibility, etc would be redundant for two reasons, (a) because your enjoyment of Afterlife can be measured wholly on your reaction to the above couple of paragraphs and (b) we all know that the aforementioned filmic elements will be close to non-existent anyhow.
3 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
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