The Fourth Kind
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Stranger Than Fiction: The Truthiness of ‘Fargo’

20 April 2017 2:51 PM, PDT | FilmSchoolRejects.com | See recent FilmSchoolRejects news »

“You don’t have to have a true story to make a true story movie.”

Noah Hawley’s acclaimed midwestern crime anthology Fargo returns to FX this week, along with my enthusiasm for saying oh yah and you betcha to anyone with the gall to speak to me when I would rather be watching Fargo. In my defence there are not one, but two, gloriously bad Ewan McGregor wigs. Truly, Hawley is doing the Lord’s work. Season three is set in the not too distant past of 2010, and follows the tried-and-true template of a ridiculously stacked ensemble of endearing (and woefully misguided) ne’er do wells gradually bungling their way into a shit show of their own design. As with each of the previous installments, least of all the Coen Brothers’ original 1996 film, the opening of this week’s episode features the following superimposed text:

This is a true story. The »

- Meg Shields

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