Mary is a free-spirited young woman with a run-down New York apartment and a high fashion wardrobe. She calls her godmother, a librarian, for bail money after being arrested for throwing an... See full summary »
Daisy von Scherler Mayer
Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of ... See full summary »
It is one of Egypt's enduring mysteries. What happened to Nefertiti and her husband, Akhenaten - the radical king, and likely father of King Tut? In a dark and mysterious tomb located in ... See full summary »
While on a trip to Thailand, a successful American businessman tries to radically change his life. Back in New York, his wife and daughter find their relationship with their live-in Filipino maid changing around them. At the same time, in the Philippines, the maid's family struggles to deal with her absence.
Gael García Bernal,
Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new "ladyfriend," shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do the dysfunctional family dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small children, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and ... Written by
"Happy Tears" is sort of odd: It draws you in, and you comfortably watch the whole thing. Then, after it ends, you realize it suffers from "chick flick" syndrome, almost as bad as the worst of the genre.
It really has poor story structure. It seems to be moving along, but really it's just floating along on a stream of trenchant dialog and beautiful graphics and editing, and some great acting. But it ends on a happy-go-lucky, that seems rather undeserved and subsequently trite. All kinds of dramatic elements get dropped, and others enter without decent leading development.
In short, if you like narrative integrity, skip it.
14 of 24 people found this review helpful.
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