After losing her job, making out with her soon-to-be former boss and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson faces spending the holiday with her family.
Robert Downey Jr.
Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma. After losing her passport at a political rally, she... See full summary »
U Aung Ko,
Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new "ladyfriend," shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do the dysfunctional family dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small children, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and ... Written by
"Happy Tears" is sort of odd: It draws you in, and you comfortably watch the whole thing. Then, after it ends, you realize it suffers from "chick flick" syndrome, almost as bad as the worst of the genre.
It really has poor story structure. It seems to be moving along, but really it's just floating along on a stream of trenchant dialog and beautiful graphics and editing, and some great acting. But it ends on a happy-go-lucky, that seems rather undeserved and subsequently trite. All kinds of dramatic elements get dropped, and others enter without decent leading development.
In short, if you like narrative integrity, skip it.
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