Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a ... See full summary »
Brad Mayfield (Kurt Angle) is a vicious criminal who takes pleasure in kidnapping, assault and deranged murder. Officer Dan Burk is trying to stop his lust for blood, while the stakes of ... See full summary »
The true story of Graeme Obree, the Champion cyclist who built his bicycle from old bits of washing machines who won his championship only to have his title stripped from him and his mental health problems which he has suffered since.
Gentle Colin 'Col' Lawes happily lead a quiet life, running a news agency with his spoiled-rotten wife Sandra and playing competition darts in the Atletic Arms team. Colin catches her ... See full summary »
The skilled pilot Denis Hopkins lives with his pregnant wife Valerie and has a comfortable lifestyle. When the gang of criminals headed by the sadistic Ricky Barnes breaks in his seaside ... See full summary »
During the movie an Opel Rekord car is driven in South Africa, although at that time General Motors was represented via it's Delta brand in that region. See more »
When the IRA decided to negotiate a peaceful solution to the Irish conflict, they secretly turned to the ANC
[African National Congress]
for advise on how to do it. They are now advising Hamas on the same strategy.
See more »
Performed by Scanners
Written by Sarah Daly and Matthew Mole
Courtesy of Influx Music Ltd./Dam Mak Records/Rhino Independent
By Arrangement with Warner Music Group Film & TV Licensing See more »
"Endgame," a British film that premiered on PBS' "Masterpiece Contemporary" but also played briefly in theaters in America, provides us with a behind-the-scenes glimpse into the waning days of South African Apartheid.
The time is the 1980s. While political prisoner Nelson Mandela languishes behind bars and violent uprisings rend the fabric of the nation, the white-minority Afrikaner government led by President P.W. Botha has declared the ANC (the African National Congress) to be an illegitimate terrorist organization run by communists and therefore unworthy of a seat at the table in any negotiations concerning the role of blacks in the future of South Africa. Into the breach stride a number of crucial players who are attempting at great personal risk to themselves and their families - to bring the two opposing sides together through secretive talks being held at an estate in the English countryside. Present at that event are Michael Young (Jonny Lee Miller), a British businessman whose company has vital interests in South Africa and who sees the eventual abolishment of Apartheid as a good and necessary thing on both a professional and moral level; Thabo Mbeki (Chiwetel Ejiofor), a representative from the ANC; and Willie Esterhuyse (William Hurt), a philosophy professor who seems to see both sides of the issue and can therefore serve as an honest broker between the two factions (though the government also sees him as a potentially useful spy for its own side). Mandela (Clarke Peters) and Botha (Timothy West) also appear as characters, with the latter trying to convince the former to denounce the ANC's acts of violence, using subtle tactics of persuasion to do so.
Written by Paula Milne and directed by Pete Travis, "Endgame," which is based on the book "The Fall of Apartheid" by Robert Harvey, strikes a careful balance between conversational sit-downs, where agreements are reached and terms hashed out, and the kind of breath-bating, cloak-and-dagger espionage sequences that are a crucial part of any political thriller. The characters are all thoughtful, three-dimensional men who have strong opinions on matters but who are also open to new ideas and compromise and who often have to contend with their own fears, prejudices and self-doubts before they can finally come to a workable resolution. The movie manages to be intimate in tone while, at the same time, never neglecting the broader political and social canvas against which this small-scale drama is taking place. The result is a well-acted, informative and dramatically compelling re-creation of recent history.
And beyond its purely academic function, "Endgame" serves as an inspirational reminder that it sometimes takes just a handful of brave, morally decent and right-thinking people, willing to forget their differences and to come together in a common cause, to make the world a better place.
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