Gentle Colin 'Col' Lawes happily lead a quiet life, running a news agency with his spoiled-rotten wife Sandra and playing competition darts in the Atletic Arms team. Colin catches her ... See full summary »
A worker at a Russian nuclear facility gets exposed to a lethal dose of radiation. In order to provide for his family, he steals some plutonium and sets out to sell it on Moscow's black market with the help of an incompetent criminal.
Scott Z. Burns
Valeriu Pavel Dan
The Malakian clan, a family of ruthless gangsters, controls the underworld of Southern France. At its head, the violent godfather Milo Malakian rules his world with an iron fist. His son ... See full summary »
At the beginning of the movie it clearly shows that the speedometer is at 0 while driving down the road. See more »
When the IRA decided to negotiate a peaceful solution to the Irish conflict, they secretly turned to the ANC
[African National Congress]
for advise on how to do it. They are now advising Hamas on the same strategy.
See more »
Performed by Scanners
Written by Sarah Daly and Matthew Mole
Courtesy of Influx Music Ltd./Dam Mak Records/Rhino Independent
By Arrangement with Warner Music Group Film & TV Licensing See more »
Impressive, tightly played-out drama on the end of Apartheid
Well-scripted and cast this made-for-TV drama would have to work hard to be ineffective. William Hurt, as a liberal Afrikaner university professor Esterhuyse bosses the drama. Thrown inbetween the ANC and Botha's implacable government as a way of coaxing talks into life he also has to withstand the insidious advances of insiders with other agendas. Chiwetel Ejiofor's Mbeki is an earnest character here but for reasons either of performance or historical reproduction he seems strangely marginal. Much more impressive is the (scarily similar) Mandela of Clarke Peters, played as a graceful man two steps ahead of whatever game he's introduced to.
There's a host of other cameos - I particularly liked Timothy West's Botha - which fill out the story. It's a competent production, albeit fighting an occasionally losing battle with period detail in central London (21st century buses and entryphone systems in 1985). Somerset looks beautiful too. It can be a bit cursory with the dangers a bit - the stakes that the 'players' face - but there's a lot to cram in. Above all one gets the sense of men trying to resolve things with a decorousness that must be the example for the ensuing national democracy. Stirring stuff. 7/10
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