Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of ... See full summary »
Jonny Lee Miller,
During the movie an Opel Rekord car is driven in South Africa, although at that time General Motors was represented via it's Delta brand in that region. See more »
When the IRA decided to negotiate a peaceful solution to the Irish conflict, they secretly turned to the ANC
[African National Congress]
for advise on how to do it. They are now advising Hamas on the same strategy.
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Performed by Scanners
Written by Sarah Daly and Matthew Mole
Courtesy of Influx Music Ltd./Dam Mak Records/Rhino Independent
By Arrangement with Warner Music Group Film & TV Licensing See more »
ENDGAME: 'the final stages of an extended process of negotiation'
ENDGAME, as written by Paula Milne and directed by Pete Travis, is a thinking person's film. The subject is the ongoing crises of the Apartheid in South Africa (here during the years 1985 - 1990, with after film commentary to 1999) and the extended secret meetings between the Apartheid regime as controlled by President Botha (Timothy West), those meetings held between the African National Congress represented by Thabo Mbeki (Chiwetel Ejiofor) with prisoner Nelson Mandela (Clarke Peters) as the heart of the blacks and the increasingly disillusioned Afrikaner Apartheidists lead by Professor Will Esterhuyse (William Hurt) convened by a British representative Michael Young (Jonny Lee Miller) acting as spokesman for his entrepreneurial boss Rudolf Agnew (Derek Jacobi) of a major British industry vested in South Africa. The talks are wired by Botha's intelligence officer Dr. Niel Barnard (Mark Strong) and level of intrigue is high. The message of the film is the struggle and final victory of democracy and the end of Apartheid in South Africa, and while the cerebral discussions by this fine group of actors is illuminating, the film gains its power from fast shots of the conditions in South Africa at the time, including rioting, terrorist acts, loss of families, and the ever present intrigue and danger surrounding those men attending the secret meetings.
The supporting cast (especially John Kani as Oliver Tambo, the venerated life long friend of Mandela) is exceptionally strong, but in the end it is the unexpected fine acting of William Hurt and the always excellent Chiwetel Ejifor who remind us how small scaled dramas can have far more impact than the big epics we are used to enduring. This film is especially excellent for informing the public about the ins and outs and meanings of the South African Apartheid and why the ending of that evil regime lighted the fuse for so many other important sociologic changes.
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