Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city's secret services take drastic measures to solve the problem.
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
In 2074, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to 'close the loop' by transporting back Joe's future self.
Los Angeles and other cities around the world are being bombarded by meteors that seem to be slowing down once they hit the earth's atmosphere. The earth is suddenly being invaded by space aliens that have landed off the shore of LA, and who begin killing everybody along the beach. The military is ordered into action. Marine Staff Sergeant Nantz (Aaron Eckhart), who was about to retire, is reassigned to a new platoon. The platoon, flown by chopper to the forward operating base at Santa Monica Airport, is being led by a new 2nd Lt. Martinez (Ramon Rodriguez). They are sent on a mission to rescue some civilians who are trapped at the police station within alien territory. They only have 3 hours to complete their mission and get out before the Air Force bombs that zone. Written by
Douglas Young (the-movie-guy)
At the beginning of the movie it states the day is August 12, 2011 but Sergeant Major Dever on CNN states "at 14:46 Pacific Standard Time". In August, Daylight saving time is in effect, making it Pacific Daylight Time. See more »
Reporter on TV:
...an unprecedented meteor shower falling off the coast of Tokyo. The entire city is mesmerized by this incredible sight. Two hours after the first contact, an unidentified enemy has reached our coastlines in a swift and militaristic attack. Right now one thing is clear: The world is at war.
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2011 hasn't left an enticing first impression for films, both released and upcoming. With a record broken for most sequels, combined with re-releases (Conan the Barbarian) and spin-offs (Puss in Boots), finding something original in cinemas seems to be one more challenge to face for the year. That said, even though Battle: Los Angeles might not have direct relations to previous films, it doesn't avoid being dissimilar. The good news, however, is that it at least functions enough to be enjoyable.
We get a fairly brisk introduction to some of the cast before being thrust into the fight at-hand within the film. Down time is in short supply as the conflict with an invading (or as is referred to within the film, "colonizing") extraterrestrial force reigns over the runtime. Battle: Los Angeles stays in relation to its name as it takes place entirely within the city, but these Californians aren't the only people facing a new threat. A number of other areas throughout the globe deal with the same issue, though we never see anything on their end beyond brief TV broadcasts. As a result, the film takes on a feeling of being a smaller part of a potentially bigger conflict.
Since the vast majority of Battle: Los Angeles is action, the standards it's held to aren't terribly demanding. And thankfully, we're treated to some good scenes, namely the final fight just before the end which, though not epic or revolutionary by any stretch, does feel nicely built up towards. Other stretches, primarily the first few, don't hold up quite so well; suffering from the all-too-familiar Michael Bay-esque directing style of quick cuts without showing much, if anything. Fortunately, by the time the antagonists have been revealed full-well, things are seen in a far more cohesive manner.
When looking at how the film stands up on a more fundamental and less action-oriented level, the cracks begin to quickly show. Probably the easiest issue to pinpoint is that everything here is incredibly derivative of other films (and even videogames). Independence Day, District 9, Terminator, Ghost Recon Advanced Warfighter, Modern Warfare, Resistance, Battlefield; the list of friends goes on. Another shame to find is that little-to-nothing is revealed about the invaders themselves. Most of the supporting characters also come and go without much development to find. Needless to say, this isn't much of a thinker's film, especially since most of what occurs on-screen is predictable.
Battle: Los Angeles is an easy film to figure out. If you like what you saw in the trailer(s) and are fine with getting 2 hours of that, then you should be content with what's present. But a detailed story and question-answering with regards to who, what and why are MIA, unfortunately. This is a shame since the film does show potential and even gives hints at being something more elaborate, but they're never delved into. Everything here is fundamental or, if you prefer, shallow. As an action film primarily judged on the on-screen conflicts, it suffices and holds up better than most of its typically-average precursors. Thus, junkies of the said genre will likely get what they're looking for while everyone else is better off waiting until the (good) summer releases.
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