Fun and talented animal fairy Fawn believes you can't judge a book by its cover, or an animal by its fangs, so she befriends a huge and mysterious creature known as the NeverBeast. While ... See full summary »
The kingdom of Atlantica where music is forbidden, the youngest daughter of King Triton, named Ariel, discovers her love to an underground music club and sets off to a daring adventure to bring restoration of music back to Atlantica.
Samuel E. Wright,
Lady Tremaine gets her hands on the Fairy Godmother's wand, then turns back time to the day Cinderella tried on the glass slipper. She enlarges the slipper to fit one of the stepsisters, ... See full summary »
Christopher Daniel Barnes,
Tinker Bell finds herself crossing into the Winter Woods. There she meets Periwinkle and together they find the magical powers that their wings obtain. They have to save the Pixie Tree from a dark winter, but something horrible happens to Tinker Bell, will the wing power fix it?
Innocent and endearing Tinker Bell (Mae Whitman) returns with another tale from the magical realms of faeries. Summer fairies and winter fairies don't mix, as nature has planned each of their roles with forethought. The wings of one will freeze in the cold, while the others whittle away in the heat. Thus both lands are separated with fairies in both quarters bringing harmony across the divide. Nonetheless Tinker Bell was never one to avoid adventure and enchanted by the snowy bliss of winter decides to cross to the forbidden other side, where see encounters her white-haired twin Perriwinkle (Lucy Hale). These events counter the rules of both faerie clans, placing them in conflict with Lord Milori (Timothy Dalton) of the Winter Faeries and Queen Clarion (Anjelica Huston) of the Summer Faeries.
Full of sparkle and some charming characters, Tinker Bell's adventures in Never Never Land are just what they must be: an engrossing experience of wonder for youthful eyes, devoid of unnecessary brutality or subtextual messages for adults (well... not entirely... but almost). Thus a movie focused directly towards its target audience, but with enough sweet allure to at least keep parents in focus. Nonetheless Disney fails to avoid worrying trends to 'barbiefy' the faeries into slender voluptuous dolls. Never a Disney classic, but solidly entertaining with some dazzling Indian made animation (apparently a stark improvement on previous Tinker Bell movies) and enchanting enough to satisfy youth, while not dissuading adults.
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