In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho... See full summary »
Joong-ho is a dirty detective turned pimp in financial trouble as several of his girls have recently disappeared without clearing their debts. While trying to track them down, he finds a ... See full summary »
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
The story of a cab driver in Yanji City, a region between North Korea, China and Russia. His wife goes to Korea to earn money, but he doesn't hear from her since in 6 months. He plays ... See full summary »
A mother lives quietly with her twenty-eight-year-old son, Do-joon, providing herbs and acupuncture to neighbors. One day, a girl is brutally murdered, and Do-joon is charged with the killing. Now, it's his mother's call whether to prove him innocent or to leave him imprisoned. Written by
Pusan International Film Festival
Because of phonetic differences between English and Korean, both "Mother" and "Murder" are spelled the same when translated to Korean characters. The movie title, "Madeo", is a play on this similarity, suggesting both "Mother" and "Murder". See more »
Hilarious and insightful mystery, an emotional cornucopia
Bong manages to capture some of the poignancy of motherhood in his film Mother, which concerns an elderly single mother (played by Hye-ja Kim) and her son Yoon Do-joon (played by Bin Won). Do-joon is mentally disabled, he has a low intelligence and seems to have problems with his memory. His mother is absolutely devoted to her son. Bong throws light on that extraordinary capacity of some women to totally subjugate their own lives to those of their children, who live for the pep that they get seeing often unappreciative family members troughing their way through their latest offering.
Do-joon is framed up fairly early on by the police for a murder that they can't really be bothered to investigate thoroughly. So mum is on the case, you'd better believe it! This involves for example bringing in drinks for all the members of the detective bureau on a visit to the precinct. There's a lot of tragedy in the movie, but it's offset by a comedy that is at times is almost outrageous in it's manipulativeness, Bong's really being directly provocative at times (though not in a salacious sense)! There's a grand surreal scene at one point where he convinces you that a very minor character is going to perform a deeply uncanny suicide, and then something totally banal happens instead. One of my favourite scenes is a scene on a golf course where a shot dollys across to some action taking place in sugar-white bunkers, which would not be out of place in a Fellini movie.
Bong was playing with my emotions throughout, he set up affiliations between me and other characters only to subvert them or rebuild them later, he builds scenes to emotional explosiveness just for the sake of it. The film leaves you emotionally confused at times, Bong's smashing all the buttons on the telephone, and so you don't really know what number is being dialled. The effect is deliberate.
Bottom line I think it's a celebration of motherhood, but it's not sugar-coated, it's really warts and all. Congratulations Mr Bong!
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