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The Girl Who Played with Fire (2009)

Flickan som lekte med elden (original title)
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As computer hacker Lisbeth and journalist Mikael investigate a sex-trafficking ring, Lisbeth is accused of three murders, causing her to go on the run while Mikael works to clear her name.

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(screenplay), (novel)
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3,839 ( 34)
1 win & 4 nominations. See more awards »

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Journalist Mikael Blomkvist is aided in his search for a woman who has been missing for forty years by Lisbeth Salander, a young computer hacker.

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Young computer hacker Lisbeth Salander and journalist Mikael Blomkvist find themselves caught in a web of spies, cybercriminals and corrupt government officials.

Director: Fede Alvarez
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Cast

Cast overview, first billed only:
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Michalis Koutsogiannakis ...
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Sofia Ledarp ...
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Reuben Sallmander ...
Yasmine Garbi ...
Ralph Carlsson ...
Georgi Staykov ...
Hans Christian Thulin ...
Dag Svensson (as Hans-Christian Thulin)
Jennie Silfverhjelm ...
...
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Storyline

Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation. Written by benmo

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for brutal violence including a rape, some strong sexual content, nudity and language | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

27 August 2010 (USA)  »

Also Known As:

The Girl Who Played with Fire  »

Box Office

Budget:

€4,000,000 (estimated)

Opening Weekend:

$904,998 (USA) (9 July 2010)

Gross:

$6,942,564 (USA) (4 February 2011)
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Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When the police are in Lisbeth's apartment, one is sifting through her mail. Briefly seen is the September/October 2008 issue of Kung Fu Tai Chi magazine with Jow Ga Grandmaster Hoy Lee on the cover. See more »

Goofs

When Lisbeth is reliving her nightmare involving Dr. Teleborian, she is on her back. When there is a close-up view of her foot, the position of her foot indicates that she is on her stomach. The view switches back to her face and she is on her back. See more »

Connections

Featured in Charlie Rose: Episode dated 25 October 2010 (2010) See more »

Soundtracks

Calling You
Text & Music by Jacob Groth and Misen Larsen (as Misen Groth)
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Frequently Asked Questions

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User Reviews

 
Second installment of the Swedish Millennium trilogy about heroine Lisbeth Salander made me relish the first film by director Niels Arden Oplev
11 August 2010 | by (sf, usa) – See all my reviews

This follow-up installment by director Daniel Alfredson is a decent mystery thriller with expected action scenes and a string of plot points to keep your interest going. It provides more background information about our tenacious heroine Lisbeth's childhood and her legal guardians, mysterious police reports, and her couple of singularly close friends (Miriam and Paolo, both happened to also know kick-boxing and boxing). Of course, there is Millennium key journalist, Micke Blomkvist and his fellow investigative reporters, and most of the storyline we're following thread after thread, hoping (as everyone in the movie does) to get closer to Lisbeth. From the audience point of view, we get to see her, alright, tagging along with her varying guises to avert danger too close for comfort. She, too, wanted to get to the bottom of the alleged murders that were conveniently linked to her name. The whole movie feels like an expanded "Wallender" episode from the Swedish police-detective TV mystery series.*

"The Girl Who Played With Fire" gave us seemingly straightforward 'facts' as the multiple characters uncover - likened to a 'treasure hunt' (or musical chairs, if you so inclined from the number game of the targets by the villains) vs. providing dramatic highs and penetrating clues, suspenseful and emotional exciting turns as in "The Girl With the Dragon Tattoo," when we followed Lisbeth and Micke on their investigative furtive trails and cerebral deductions. What Danish director Niels Arden Oplev gave us in the first installment can very well stand on its own as a suspense dramatic thriller (which was true to the original Swedish title "Men Who Hate Women"). It's an excellent whodunit - quality entertainment, moving and satisfying wrap-up to the point of tear-jerker, in spite of some plot-required gritty (raw, not for the squeamish) scenes, which were actual arcs for the next two installments to lean on and refer to. Yes, I recall those particular cited scenes in "The Girl Who Played With Fire" when replayed and enhanced our empathy with Lisbeth's character. What this second installment did give us is preparing for the next and final movie in pursuit of Lisbeth's truth along with Micke staunchly standing up for her - so I kinda read the reviews already on IMDb for "The Girl Who Kicked the Hornet's Nest". Truly anticipate for the wide release of the 'Part 2' of the second installment and getting to the nitty-gritty rhyme and reason of our heroine Lisbeth and hope for the very best for her.

Do see "The Girl With Dragon Tattoo" if you haven't experience it yet. Yes, mind you, there are NFE (not for everyone) scenes, but they are necessary to the understanding of the heroine, Lisbeth Salander, and set up for the next two movies that follow in this worthwhile mystery trilogy from Sweden. Subtitles in English.

* "Wallender" is a popular Swedish detective mystery TV series I was lucky to catch now and then on KCSM (in Bay Area, California) on their 'International Mystery Monday nights' at 10 PM. They are usually intense, violent crime scenes without apology, political story lines, tons of threads (or red-herrings) that compel you to stay through till the end of the 90-minute episode. There's also a British "Wallender" mystery series based on the same Swedish police-detective Kurt Wallender, played by Kenneth Branagh (who's an executive producer for the program).

If you have a chance to catch the German-Austrian production of "Tatort: Crime Scene" - that's a favorite international mystery I highly recommend. Every TV episode is intelligently written and delivered, with crime scenes usually suggestive or chilling effects off-screen, and simply loved the pair of investigators Max Ballauf and Freddy Schenk (detective partners brilliantly played by Klaus J. Behrendt and Dietmar Bär - one's kinda skinny, the other's kindly plump). If good old-fashioned mystery style is your cup of tea, try "Maigret" the French, pipe piping burly of an endearing Parisian Inspector, impeccably portrayed by Bruno Crémer, who solves murderous puzzles ever so facile. Great sets, costumes and befitting music as we accompany Maigret, unhurriedly sauntering on police business, visiting the rural provinces of French locales.


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