Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed ... See full summary »
Deborah Kara Unger,
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation. Written by
The role of Ronald Niederman is played by Micke Spreitz. Spreitz got the part after the filmmakers' original choice Dolph Lundgren turned the role down. If Lundgren had taken the part it would have been his first role in his native country, Sweden. See more »
Blomkvist is shown driving a Toyota Prius. When he starts the car, there's a standard big-car start-up roar, but a Prius starts silently. See more »
This film continues where "The Girl with the Dragon Tattoo" left off. I have to say that personally, I do not really understand the bad reviews, though I must also admit I have not read the books yet, so I am not comparing it to the book, I am simply viewing it as a film in it's own right, and perhaps my review is therefore more generous than it would be if I had read the book too.
I personally thought this movie was riveting, but for different reasons than the first. Firstly, there is a lot of action in this film, I feel it was done well, and it kept the film exciting. Secondly, the depths into Lisbeth's past were also revealed very well. If you didn't learn that Lisbeth is untimately very sensitive behind her "cold" exterior, you learn it from this film.
Yes, certain scenes could have been better shot, better directed etc, but these are minor drawbacks. I feel this is again a must-see, and a very good bridge to the conclusion of this millennium trilogy.
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