Lisbeth is recovering in a hospital and awaiting trial for three murders when she is released. Mikael must prove her innocence, but Lisbeth must be willing to share the details of her sordid experiences with the court.
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed ... See full summary »
Deborah Kara Unger,
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation. Written by
The name on Salander's apartment door, V. Kulla, is a reference to Astrid Lindgren's character Pippi Longstocking and her house Villa Villekulla. See more »
When Lisbeth goes to Bjurman's house, where she is confronted by two thugs, the surrounding area is lush and green, suggesting late spring/summer. However, when she goes to Zalachenko's farm, supposedly just one or two days later, the foliage is bright yellow and orange, and their breath is visible, suggesting mid-autumn. See more »
Having read and loved the books I was pleasantly surprised to see the movie version of Men who hates women. It was so close to reaching the same level of intensity and depth as the book itself.
Unfortunately I can't say the same thing for The girl that played with the fire. The filmography, direction and the use of music never really catched on to create the intensity and drama needed for keeping me enthralled to the story. And instead of being taken for another great ride in the universe of Stieg Larson, I was left to the sensation of watching some second grade TV-series.
The difference between the first and the second movie can be summed up to the difference between creating movie magic and making mediocre cinematography.
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