The true story of 17-year-old Sicilian Rita Atria (Veronica D'Agostino) -- who broke the Sicilian Mafia's code of silence and testified against the "family business" after both her father ... See full summary »
Don Salluste, a petty tyrant in his own home and minister of the King of Spain, falls from grace. Wanting revenge, he tries to compromize the Queen with his valet Blaze, introduced as his ... See full summary »
Louis de Funès,
A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many... See full summary »
Bengt C.W. Carlsson
Friday night in Mexico City... guided by three different ways of understanding the world, 20-year-olds, Juan, Rodrigo and Christian live after-hour adventures of friendship, love, and respect in a city marked by social differences.
Eva López Sánchez
María de los Ángeles Ayuso,
A couple finds a baby on their doorstep with a note asking them to temporarily keep it. They take the baby in and care for it as if it were their own. But what if the baby's mom really returns to claim it?
Robert Allan Ackerman
Banker to the poor tells the enthralling story of Muhammad Yunus, who set up the Grameen Bank in Bangladesh to lend tiny sums to the poorest of the poor, who were shunned by ordinary banks.... See full summary »
The true story of 17-year-old Sicilian Rita Atria (Veronica D'Agostino) -- who broke the Sicilian Mafia's code of silence and testified against the "family business" after both her father and then her brother are both murdered -- is brought to vivid life in Marco Amenta's hard-hitting and wonderfully acted drama. Written by
Someone tells you one word: "Sicily". Quick, quick, what do you think? you think of Godfather scenes, of rolling rural landscapes, societies scarred by vendettas and inter-family violence, closeups of old rugged facial lineaments, scenes of emigration on rural lifestyle.
Now, the true Sicily is much different, with modern office buildings, people holding cell phones and having business meetings, and a much more urban society.
For a motion picture financed and produced just a few years ago, and supposedly on a modern story, this production was a disappointment. Totally stereotypical. I mean, Antonioni's "L'Avventura" from forty years earlier looks much more modern.
Obviously, the producers wanted to create a cash cow and sell it to the American audience, still nostalgic of the GF series. Smart movie-goers can easily see through the facade, and not like this production. The producers think that the audience is stupid enough to see their stereotypical work.
If you want to see a motion picture that portrays modern Italy with its crime-ridden background, see Gomorrah.
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