The true story of 17-year-old Sicilian Rita Atria (Veronica D'Agostino) -- who broke the Sicilian Mafia's code of silence and testified against the "family business" after both her father ... See full summary »
Padre Puglisi a priest from a mafia-controlled district of Paleremo, helps kids to get off the streets and in his church creates an embracing place of hope and righteousness, which means ... See full summary »
The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. ... See full summary »
The story of the first ever "anti-mafia judges pool" established in the '80s at the Palermo Courthouse, in Sicily, in the '80s, while two mafia families started a 10-year-long war to obtain... See full summary »
Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly... See full summary »
Gianni Di Gregorio
Valeria De Franciscis,
"I cento passi" (one hundred steps) was the distance between the Impastatos' house and the house of Tano Badalamenti, an important Mafia boss, in the small Sicilian town of Cinisi. The ... See full summary »
Marco Tullio Giordana
Luigi Lo Cascio,
Luigi Maria Burruano,
Banker to the poor tells the enthralling story of Muhammad Yunus, who set up the Grameen Bank in Bangladesh to lend tiny sums to the poorest of the poor, who were shunned by ordinary banks.... See full summary »
The true story of 17-year-old Sicilian Rita Atria (Veronica D'Agostino) -- who broke the Sicilian Mafia's code of silence and testified against the "family business" after both her father and then her brother are both murdered -- is brought to vivid life in Marco Amenta's hard-hitting and wonderfully acted drama. Written by
Someone tells you one word: "Sicily". Quick, quick, what do you think? you think of Godfather scenes, of rolling rural landscapes, societies scarred by vendettas and inter-family violence, closeups of old rugged facial lineaments, scenes of emigration on rural lifestyle.
Now, the true Sicily is much different, with modern office buildings, people holding cell phones and having business meetings, and a much more urban society.
For a motion picture financed and produced just a few years ago, and supposedly on a modern story, this production was a disappointment. Totally stereotypical. I mean, Antonioni's "L'Avventura" from forty years earlier looks much more modern.
Obviously, the producers wanted to create a cash cow and sell it to the American audience, still nostalgic of the GF series. Smart movie-goers can easily see through the facade, and not like this production. The producers think that the audience is stupid enough to see their stereotypical work.
If you want to see a motion picture that portrays modern Italy with its crime-ridden background, see Gomorrah.
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