Lambert is an addict. A sex addict. It once cost him his pilot job, but he's now trying to work it out through a support group and a new career as couples therapist. Judith has no problem. ... See full summary »
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Pregnant and living in Canada, Audrey visits her parents in the small French town of her birth. Over the holiday, she comes to learn the story of the grandmother who gave up her family, ... See full summary »
Paul, an irritable and stressed-out hotel manager, begins to gradually develop paranoid delusions about his wife's infidelity. As he succumbs to green-eyed jealousy, his life starts to ... See full summary »
Two years after the first "Boum", Vic - now 15 and a half years old - has a very calm love life, actually no boyfriend at all. Her parents are happily together again, Grandma Poupette ... See full summary »
He is a dedicated workaholic who lives and breathes his work. He prefers nothing more than silence. She is an accomplished pianist working on her big-break concert. To her, music and sound ... See full summary »
In this bittersweet comedy, four adult siblings gather at their dying mother's house in North Carolina for what they expect to be a quick, last goodbye. Instead, they find themselves ... See full summary »
Throughout this movie, I kept thinking "If this were made in Hollywood, it would be very different, and very bad." It is the story of a man who abandons his own life to worship several stars of French cinema. In Hollywood he could have been portrayed as a caricature, a clown. In this movie, though he is often presented as funny, he is also presented as a very disturbed man who has reacted very poorly to the disintegration of his own romantic life with his live-in companion and their child.
The "stars" whose lives he decides to direct, Catherine Deneuve and Emanuelle Béart, are sometimes presented as downright mean. They are presented, at times, as caricatures of how the French public imagines them.
But Kad Merad's character - he's a very fine and very versatile actor - is not reduced to a caricature. He's a man with psychological problems that need to be addressed professionally, and while that is often presented with a sense of humor, it is never made fun of.
This is not a great movie. But it's a good one, and definitely worth seeing. Several fine actors turn it into a real pleasure.
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