Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Director:
Ruben Fleischer
Stars:
Jesse Eisenberg,
Emma Stone,
Woody Harrelson
Dave Lizewski is an unnoticed high school student and comic book fan who one day decides to become a super-hero, even though he has no powers, training or meaningful reason to do so.
Director:
Matthew Vaughn
Stars:
Aaron Taylor-Johnson,
Nicolas Cage,
Chloë Grace Moretz
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Director:
Jeff Wadlow
Stars:
Aaron Taylor-Johnson,
Chloë Grace Moretz,
Christopher Mintz-Plasse
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
A process server and his marijuana dealer wind up on the run from hitmen and a corrupt police officer after he witness his dealer's boss murder a competitor while trying to serve papers on him.
20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World's End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind's. Reaching The World's End is the least of their worries. Written by
Production
Luke Bromley (Young Oliver) wore a prosthetic nose to create a closer likeness to Martin Freeman (II) (Oliver Chamberlain). See more »
Goofs
Andrew Knightley's law firm is called Beckingham, Davies and Knigthley LLB. In England, the suffix 'LLB' means 'Bachelor of Laws' and describes a person who has an undergraduate degree in Law. Law firms should bear the suffix 'LLP' ('Limited Liability Partnership'). See more »
Quotes
[first lines]
Gary King:
Ever have one of those nights that starts out like any other, but ends up being the *best* night of your life?
See more »
Crazy Credits
People going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations. See more »
When you're the third film in an unofficial trilogy that includes Shaun of the Dead and Hot Fuzz then there is a lot of pressure on you to maintain that quality and unfortunately this film doesn't do that. There are good aspects to this comedy but not enough of it really comes together well enough to make it stand up to the previous two films. The plot here sees Gary King trying to reclaim happiness by convincing a group of his friends to revisit the "good old days" by going on a pub crawl they attempted when their lives lay ahead of them and they felt full of potential. However, when they do return to their home they feel like they have changed too much and should never have come back but they are only half right, because they should not have come back, although it isn't them that has changed.
I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.
This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.
The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.
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When you're the third film in an unofficial trilogy that includes Shaun of the Dead and Hot Fuzz then there is a lot of pressure on you to maintain that quality and unfortunately this film doesn't do that. There are good aspects to this comedy but not enough of it really comes together well enough to make it stand up to the previous two films. The plot here sees Gary King trying to reclaim happiness by convincing a group of his friends to revisit the "good old days" by going on a pub crawl they attempted when their lives lay ahead of them and they felt full of potential. However, when they do return to their home they feel like they have changed too much and should never have come back but they are only half right, because they should not have come back, although it isn't them that has changed.
I like the ideas behind this film. On one hand we have a sci-fi movie which owes its debts to 1950's America while on the other we have a very British plot involving a pub crawl and someone who can't let go of the time in his life where he felt important and potent a time which has left him behind and now appears a bit pathetic to still be trying to be the person he was rather than just moving on. This is a nice idea and it is one that occasionally goes somewhere but far too frequently it doesn't and it isn't consistently applied. It also doesn't help that Gary himself is a wholly unlikeable character; writing this type of person to work as someone we support is hard and the script never achieves it, it never consistently shows the cracks to the extent that you feel for him. Many of us will have a small part of Gary in us but the film never reaches it. It also doesn't help that the film seems to take his side at the end as well.
This gives us the sci-fi side and it does work better as an all out comedy sci-fi; the fight scenes are silly but yet well done and the action is quite engaging. That said it never feels grounded in the dreary British reality in the way that Hot Fuzz and Shaun managed to do so very well, so while it is decent, it never feels as clever or as special as the previous two films. It does have laughs and the film does have good elements so I don't think it is bad, just that it isn't really anywhere near as successful as it needed to be. The cast are mostly good but the material doesn't make the most of them. Pegg is the lead, has the toughest character and really can't make it work not all his fault, but still. Nick Frost is better because his character is simpler and he is fun in the action sequences. Marsan, Considine and Freeman are better actors than the material they get given here likewise the many familiar faces in support, from Brosnan down to Oram, although they do OK.
The World's End is not a bad film and if you liked the previous films then you'll be more likely to find things to enjoy here but chances are you'll still feel a little disappointed as the aspects that made the previous films work so well don't really come together with this one.