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Chloë Grace Moretz,
20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World's End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind's. Reaching The World's End is the least of their worries. Written by
When the guys try to place calls after the fight in the bathroom and can't get through, Andy says "It must be the network" which it is, since the alien force calls itself The Network. See more »
In the early scenes with Gary recruiting his buddies, his Eye of Horus necklace frequently appears and disappears from shot to shot. See more »
Ever have one of those nights that starts out like any other, but ends up being the *best* night of your life?
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People going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations. See more »
Five pre-middle-aged male friends are drawn to Newton Haven, the site of their failed dozen-pub crawl as students in 1990. They're led by Gary King (Simon Pegg). He's the one who couldn't move on from that night; couldn't get a job like them, or get married like them. Reluctant revelry and bad-tempered banter ensues, before the gang discovers that the residents of the town have changed. That is, they have BEEN changed...
The World's End is considerably better than the ostensibly similar This Is The End, a super-indulgent American comedy which mistook f-bombs for humour and name-dropping for satire. Edgar Wright's film is indulgent also, but at the service of audience enjoyment, as opposed to the enjoyment of the players. The script is surprisingly dense and intricate, many of its jokes arriving bittersweet. In an era when so many comedies are heavily (and lazily) improvised, it's refreshing to watch a tightly woven story unfold for once.
The action scenes are given equal attention, lovingly choreographed like some kind of slapstick dance. Chief pugilist is Andrew, our sort-of-hero, played by Nick Frost with remarkable agility. This instalment is far less bloodthirsty than its predecessors - more Scott Pilgrim than Shaun.
The rest of the group is made up of Paddy Considine, Eddie Marsan, and Martin Freeman. The performances are all top-drawer, although it takes time for their individual personalities to emerge. But then, the fact that they are now practically indistinguishable may be the point - for all their disapproval of Gary, they are the ones playing it safe.
What's most impressive about The World's End is the fact that it's actually about something. Nostalgia is easy to indulge but difficult to deconstruct, but this film genuinely aspires to explore the idea of selective memory - as with a bad hangover, our memories tends to return in subjective spasms, and the truth is only accessible by gathering multiple witnesses. And the truth isn't always what it cracked up to be.
The World's End is, for me, the best of the "Cornetto Trilogy". Highly recommended.
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