A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. But Red Mist leads his own group of evil supervillains to get revenge, kill Kick-Ass and destroy everything he stands for.
Chloë Grace Moretz,
20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World's End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind's. Reaching The World's End is the least of their worries. Written by
The song that plays at the beginning of the movie is called "Summer's Magic" by Mark Summers. It contains two BBC Radio references. The first is part of the fast-talking introduction to "It's That Man Again" (ITMA), starring Tommy Handley, a comedy show which buoyed up British morale during the worst of World War II. The show was well-known for its rapid-fire delivery. This is perhaps to set up the character of Gary King as a glib, charismatic, persuasive leader. This is followed almost immediately by the soothing narrator who told stories to mums and their toddlers in the late 1950s on "Listen With Mother" - "Are you sitting comfortably? Then we'll begin." See more »
When Gary is telling the boys what he's changed on the car since they last saw it he says "Carburettor" The car is a Ford Granada 2.8i Ghia X this model did not have a carburettor it was fuel injected. See more »
Ever have one of those nights that starts out like any other, but ends up being the *best* night of your life?
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People going to see the film at the Broadway Cinema in Letchworth, the location for the outside of The Mermaid, were shown a short clip beforehand featuring Simon Pegg, Edgar Wright and Nick Frost, welcoming them to the cinema and hoping they enjoyed watching it from inside one of the filming locations. See more »
Hilarious, surprisingly heartfelt, and the most fun of 2013.
This is by far the funniest and most fun movie of the year; everyone involved is as good as ever. Honestly, this is a movie made by fans, for fans, and the entire theater loved it. I got to see this at a Cornetto Trilogy marathon comprised of Shaun of the Dead and Hot Fuzz leading up to the 10:00 PM premiere of the film, and EVERYONE had an incredible time. Everyone.
First thing's first: is a comedy, so is it funny? FROM START TO FINISH! And, surprisingly, it's actually very heartfelt. The characters are very likable (even if they're rude and belligerent, they have a good side to them) and there is an argument between Simon Pegg and Nick Frost towards the end that was actually very moving. This film never sacrifices a character or plot point to make a joke, just like the other films in this trilogy, and that in itself shows the care here. A lot of movies are just mindless fun, but this is actually smart, and it in turn makes it so much more fun.
Edgar Wright's timing and ability to create terrific fight scenes are as good as ever, and of course Simon Pegg, Nick Frost, and all others are just fantastic. And let me say something: these special effects are stellar throughout and it only cost $20 million? Truly well-spent. I just can't wait to see this again.
And note: I am *not* comparing this to Shaun of the Dead or Hot Fuzz (which are my two favorite comedies of all time) because each entry in the Cornetto Trilogy is so different and all of them are truly exceptional. I will, however, compare it to everything else this year and it's the second-best movie of the year behind Stoker.
9.7/10, amazing, two thumbs up, far above average, etc.
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