| Photos (See all 12 | slideshow) | Videos (see all 12) |
| Colin Farrell | ... | Mitchel | |
| Keira Knightley | ... | Charlotte | |
| David Thewlis | ... | Jordan | |
| Anna Friel | ... | Briony | |
| Ben Chaplin | ... | Billy Norton | |
| Ray Winstone | ... | Gant | |
| Eddie Marsan | ... | DI Bailey | |
| Sanjeev Bhaskar | ... | Dr. Raju | |
| Stephen Graham | ... | Danny | |
| Ophelia Lovibond | ... | Penny | |
| Jamie Campbell Bower | ... | Whiteboy | |
| Velibor Topic | ... | Storbor | |
| Lee Boardman | ... | Lee | |
| Alan Williams | ... | Joe | |
| Jonathan Cullen | ... | Anthony Trent | |
| Robert Willox | ... | Ravaged Guard | |
| Tony Way | ... | Lone Paparazzo | |
| Tim Plester | ... | Paparazzo One | |
| Jake Abraham | ... | Paparazzo Two | |
| Damir Koluder | ... | Storbor's Friend | |
| Nick Bartlett | ... | Beaumont | |
| Matt King | ... | Fletcher | |
| Jamie Blackley | ... | The Footballer | |
| Gregory Foreman | ... | Kid with Footballer | |
| Sarah Niles | ... | Hospital Matron | |
| Jonny Coyne | ... | Heavy One (as Jonathan Coyne) | |
| Bob Mercer | ... | Heavy Two | |
| Elly Fairman | ... | Gant's Wife | |
| Oliver Wood | ... | Bottom Feeder One | |
| Jonny Leigh Wright | ... | Bottom Feeder Two (as Jonny Leigh-Wright) | |
| Hainsley Lloyd Bennett | ... | Unfortunate Student | |
| Michelle Asante | ... | Woman in Brixton Flat | |
| Julian Littman | ... | Alfons | |
| Zehra Sameena | ... | Indian Woman at Ashmole Estate (as Sameena Zehra) | |
| Giles Terera | ... | Waiter | |
| Gerald Home | ... | Undertaker | |
| rest of cast listed alphabetically: | |||
| Mihai Arsene | ... | Paparazzo III (uncredited) | |
| Julian Bastida | ... | Spanish Man (uncredited) | |
| David Dawson | ... | Big Issue Seller (uncredited) | |
| Heath Finn | ... | Lawyer II (uncredited) | |
| Simon Grover | ... | Porter at Storage (uncredited) | |
| Andrew Havill | ... | Unlikely Vagrant (uncredited) | |
| Duane Henry | ... | Nation of Islam Guy (uncredited) | |
| Andre Hopley | ... | Gangster (uncredited) | |
| Philip Howard | ... | Gangster Cameo (uncredited) | |
| Oleg Kalninsh | ... | Russian Gangster (uncredited) | |
| David Lyddon | ... | Customer (uncredited) | |
| Peter Nikkos | ... | Senior TMZ Reporter (uncredited) | |
| Eric Richard | ... | Villanous Pensioner in Cafe (uncredited) | |
| Laurence Richardson | ... | (uncredited) | |
| Christina S. Roman | ... | Spanish Woman (uncredited) | |
| Daniel Ryan | ... | Bank Manager (uncredited) | |
| Kerry Shale | ... | Lawyer (uncredited) | |
| Ben Shockley | ... | Detective (uncredited) | |
| Donald Sumpter | ... | Pentonville Governor (uncredited) | |
| Brad Wall | ... | London Gangster in Pub (uncredited) | |
Directed by | |||
| William Monahan | |||
Writing credits | ||
| William Monahan | (screenplay) | |
| Ken Bruen | (novel) | |
Produced by | |||
| Quentin Curtis | .... | producer | |
| Tim Headington | .... | producer | |
| Justine Suzanne Jones | .... | associate producer | |
| Graham King | .... | producer | |
| William Monahan | .... | producer | |
| Redmond Morris | .... | executive producer | |
| Jacob Rush | .... | associate producer | |
| Theodore Suchecki | .... | co-producer (as Ted Suchecki) | |
| Colin Vaines | .... | executive producer | |
Original Music by | |||
| Sergio Pizzorno | |||
Cinematography by | |||
| Chris Menges | (director of photography) | ||
Film Editing by | |||
| Dody Dorn | |||
| Robb Sullivan | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Martin Childs | |||
Art Direction by | |||
| Sarah Stuart | |||
Set Decoration by | |||
| Celia Bobak | |||
Costume Design by | |||
| Odile Dicks-Mireaux | |||
Makeup Department | |||
| Christine Blundell | .... | makeup designer | |
| Bella Cruickshank | .... | makeup artist | |
| Bella Cruickshank | .... | makeup designer | |
| Lucy Friend | .... | crowd makeup trainee: dailies | |
| Teri Galati | .... | daily makeup artist | |
| Soleil Jackson | .... | crowd makeup trainee: dailies | |
| Denise Kum | .... | additional makeup and hair artist | |
| Gemma Low | .... | makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Monica MacDonald | .... | daily makeup artist | |
| Chloe Meddings | .... | makeup artist | |
| Pascale Recher | .... | makeup trainee | |
| Matthew Smith | .... | prosthetic makeup designer | |
| Nicola Springall | .... | crowd makeup trainee: dailies | |
| Charlotte Thompson | .... | makeup artist: dailies | |
| Lesa Warrener | .... | key makeup artist | |
Production Management | |||
| David Bell | .... | unit manager | |
| David Dresher | .... | post-production supervisor | |
| Nancy Kirhoffer | .... | post-production supervisor | |
| Rachel Neale | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Brewster | .... | third assistant director | |
| Carlos Fidel | .... | second assistant director | |
| Todd Lent | .... | first assistant director: Los Angeles | |
| Candy Marlowe | .... | crowd second assistant director | |
| Candy Marlowe | .... | second second assistant director | |
| Jae-sung Oh | .... | additional third assistant director | |
| Richard Styles | .... | first assistant director | |
Sound Department | |||
| Dino Dimuro | .... | sound effects editor (as Dino R. Dimuro) | |
| Gary Dodkin | .... | boom operator | |
| Lloyd Dudley | .... | sound assistant | |
| Laura Graham | .... | adr editor | |
| Glynna Grimala | .... | sound effects editor | |
| Per Hallberg | .... | supervising sound editor | |
| Dan Hegeman | .... | sound effects editor (as Daniel Hegeman) | |
| Adam Horley | .... | adr recordist | |
| Craig S. Jaeger | .... | supervising foley editor | |
| Chris Jargo | .... | supervising adr editor | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| Philip D. Morrill | .... | assistant sound editor | |
| Tony Negrete | .... | assistant sound editor (as Tony R. Negrete) | |
| Dan O'Connell | .... | foley artist | |
| Michelle Pazer | .... | adr editor | |
| Frederick H. Stahly | .... | dialogue editor | |
| Andy Stallabrass | .... | adr recordist | |
| Peter Staubli | .... | sound effects editor | |
| David Stephenson | .... | sound mixer | |
| Greg Townsend | .... | assistant re-recording mixer | |
| David Young | .... | audio engineer (as David M. Young) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Mark White | .... | special effects | |
| Nigel Wilkinson | .... | senior special effects technician | |
Visual Effects by | |||
| David Altenau | .... | additional visual effects supervisor | |
| Terence Alvares | .... | digital compositor | |
| Mandy Arnold | .... | digital restoration artist | |
| Phil Attfield | .... | on-set visual effects supervisor | |
| Steven Bray | .... | digital compositor (as Stephen Bray) | |
| Simon Carr | .... | visual effects supervisor | |
| Fawnda Denham | .... | visual effects producer | |
| Simon Frame | .... | on-set visual effects supervisor | |
| Simon Frame | .... | visual effects supervisor | |
| Tim Jacobsen | .... | additional visual effects executive producer | |
| Tim Jacobsen | .... | visual effects producer | |
| Colin Laski | .... | digital compositor | |
| Colin Laski | .... | visual effects artist | |
| Rick McMahon | .... | digital compositor | |
| Rick McMahon | .... | visual effects artist | |
| Josh Miyaji | .... | visual effects artist | |
| Molinare | .... | visual effects | |
| Jesse Morrow | .... | visual effects artist | |
| Paul Norris | .... | visual effects supervisor | |
| Collette Nunes | .... | visual effects editor | |
| Zissis Papatzikis | .... | digital compositor | |
| Cat Rowe | .... | digital colorist assist | |
| Liam Tully | .... | visual effects coordinator | |
| Sal Umerji | .... | head of visual effects department: Molinare | |
| Shanaullah Umerji | .... | visual effects producer | |
| Audrius Urbonavicius | .... | concept artist | |
| Aurelia Urbonavicius | .... | senior matte artist | |
| Anthony Webb | .... | digital compositor | |
| Anthony Wonsoff | .... | visual effects artist | |
| Thomas M. Horton | .... | visual effects executive producer (uncredited) | |
Stunts | |||
| Marc Cass | .... | stunt performer | |
| Ray De-Haan | .... | stunt performer | |
| Steve Emerson | .... | stunt performer | |
| Paul Heasman | .... | stunt performer | |
| Andy Pilgrim | .... | stunt performer | |
| Lee Sheward | .... | stunt coordinator | |
| Simon Whyman | .... | stunt performer | |
| Andy Pilgrim | .... | stunt double: Ben Chaplin (uncredited) | |
Casting Department | |||
| Kharmel Cochrane | .... | casting assistant | |
| Brendan Donnison | .... | voice casting | |
| Robert Sterne | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kathryn Blight | .... | principal costume standby | |
| Martin Chitty | .... | set costumer | |
| Ellen Crawshaw | .... | costume assistant | |
| Nigel Egerton | .... | costume supervisor | |
| Natalie Humphries | .... | assistant costume designer | |
| Anna Sandler | .... | costume buyer | |
| Carmen Sevilla-Torres | .... | daily costume assistant | |
Editorial Department | |||
| Robert Benedict | .... | post-production assistant | |
| Steve Bowen | .... | digital intermediate colorist (as Steven Bowen) | |
| George Chavez | .... | color timer: Deluxe | |
| Fiona DeSouza | .... | first assistant editor | |
| Rolf Fleischmann | .... | assistant editor | |
| Emma McCleave | .... | first assistant editor | |
| Robbie Morrison | .... | trainee editor | |
| Morning Star Schott | .... | digital intermediate project manager (as Morningstar Schott) | |
| Mary Beth Smith | .... | negative cutter | |
| Liana Stewart | .... | editorial trainee | |
| Lee Twohey | .... | colorist: rushes | |
| Yon Van Kline | .... | additional editor | |
| Jodie Davidson | .... | dailies: additional colorist (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Andy Brown | .... | conductor (as Andrew Brown) | |
| Andy Brown | .... | contractor | |
| John Coyne | .... | music consultant | |
| Jessica Dannheisser | .... | orchestrator | |
| Jennifer L. Dunnington | .... | additional music editor (as Jennifer Dunnington) | |
| Jason Elliott | .... | assistant music recording engineer | |
| Joe Kearns | .... | music recording engineer | |
| Elisa Kustow | .... | music production coordinator | |
| Richard Lancaster | .... | music recording engineer | |
| Stephen McLaughlin | .... | music mixer (as Steve McLaughlin) | |
| Stephen McLaughlin | .... | music producer (as Steve McLaughlin) | |
| Jen Monnar | .... | music supervisor | |
| Jen Monnar | .... | supervising music editor | |
| Howard Paar | .... | music consultant | |
| Sergio Pizzorno | .... | music arranger: strings | |
| Sergio Pizzorno | .... | music consultant | |
| Sergio Pizzorno | .... | score performer | |
| Sergio Pizzorno | .... | score producer | |
| Paul Saunderson | .... | music recording engineer | |
| Lauren Shotwell | .... | music clearance | |
Transportation Department | |||
| Gary Birmingham | .... | transportation coordinator | |
| Martin Birmingham | .... | transportation co-captain | |
| Alan Emanuel | .... | unit driver | |
| Craig Freedman | .... | driver | |
| Tony Jayes | .... | driver | |
| Rob MacKnight | .... | driver: unit minibus | |
Thanks | |||
| Ridley Scott | .... | special thanks | |
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| The Sentinel | The Roaring Twenties | Jackie Brown | The Mysterious Pilot | Get Carter |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
In a lot of ways, this is a puzzling movie. Every single element of it is so right, so how does it end up being so completely uninvolving that I ended up nearly falling asleep halfway through? The problem isn't the casting; Colin Farrell makes a hell of a gangster, all smouldering machismo stomping through the streets of London. And with a supporting cast that includes Eddie Marsan (sleazy), David Thewlis (sleazier) and Ben Chaplin (sleaziest, and very, very good), Farrell has some excellent support. Ray Winstone has never been scarier, but of all people it's Anna Friel who takes the acting honours as Farrell's sister, a woman who out-sleazes Marsan, Thewlis and Chaplin combined.
The problem isn't the locations, or how true to life they are. I lived in London for a long time, and I've rarely seen the city depicted better, all back streets and alleyways with nasty bastards lurking around every grubby corner. Considering the film's writer and director William Monahan is from Boston, I was worried that this might be the tourist's eye view of London, but that really isn't the case. The film positively drips with atmosphere, and the expletive-heavy dialogue rings true.
And yet it all sits there, lifeless on the screen, a collection of images and characters that seem only vaguely related to one another. It doesn't help that the main plot - will Farrell become a proper gangster, or will he end up with Keira Knightley's way-too-good-for-him actress - is hardly new. But that doesn't have to be a deal breaker, and there are plenty of interesting minor characters to pass the time.
The problem is really that the film feels rushed. Those minor characters aren't given nearly enough time - Marsan gets three scenes, none of them remotely important to the plot, and even Anna Friel doesn't get a lot to do. She's still better off than Stephen Graham and Sanjeev Bhaskar, great actors who are cast in completely pointless roles that could have been played by anyone. And so much of this movie feels tacked on, from the dozen or so subplots, to Winstone's pointless murder of the wrong man halfway through, to the stalker, obviously based on Mark David Chapman, who makes several ominous appearances and is then dismissed in a single line of dialogue.
If some subplots and characters are pointless, though, the ending made me feel that way about the whole damn film. Without giving too much away, it's a horrible, limp lettuce of an ending, with none of the resonance that the film-makers clearly thought it had achieved. That's the film in a nutshell - it wanted to be profound, but ended up as a giant 'so what?'