Fresh out of prison, Mitchel wants nothing to do with crime but accepts a kip from Billy, a marginal grafter, and accompanies Billy on rent collection trips. He's also old school, wanting revenge on two youths for assaulting a mendicant he's befriended. He's got a strung-out sister to protect, and he's offered a job protecting a famous actress from paparazzi. The plot lines join when Michael finds himself attracted to the actress and Billy's Mob boss, Gant, finds ways to force Michael work for him. He also warns Michael off revenge against the assailants of his friend. What are Michael's options: is there any way to avoid Gant, protect his sister, and find a path to love? Written by
I really enjoyed this movie, kept my eyes on the screen till the end. I just couldn't get bored when the movie is full with events and so many interesting characters. These characters are having their own interesting stories, and I think it was a good decision not to develop it more. We see only what's relevant to Farrell's character.
"London Boulevard" is about a man in some troubles, surrounded by people with their problems. It's a mess from which the main character must get out. This movie isn't supposed to be profound, it's intense. it's not about how Farrell makes his decisions and his inner conflicts, we just get to see how he tries to break through.
I enjoyed the storyline and wouldn't even dare to judge its credibility. I just put this in the "inside view" category. It's London the way tourists wont see it probably. Acting was great for all cast! This is the right place for Farrell. I would only object Knightley, but this could be just my taste.
After watching the movie, there was only one thing that disappointed me, and that is - the end. This is not a philosophical movie, the end shouldn't raise questions. And the question raised at the end is not even philosophical... it's just lack of information. Still... I don't think one minute ruined the film.
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