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London Boulevard (2010)

 -  Crime | Drama  -  26 November 2010 (UK)
6.3
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Ratings: 6.3/10 from 33,767 users   Metascore: 52/100
Reviews: 99 user | 117 critic | 13 from Metacritic.com

An ex-con with a reputation tries to go straight by working as a handy man for a reclusive actress but this is unfortunately not the wish of London's underground crime lord.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
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Briony
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Gant
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DI Bailey
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Dr. Raju
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Danny
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Whiteboy
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Storbor
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Lee
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Joe
Jonathan Cullen ...
Anthony Trent
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Storyline

Fresh out of prison, Mitchel wants nothing to do with crime but accepts a kip from Billy, a marginal grafter, and accompanies Billy on rent collection trips. He's also old school, wanting revenge on two youths for assaulting a mendicant he's befriended. He's got a strung-out sister to protect, and he's offered a job protecting a famous actress from paparazzi. The plot lines join when Michael finds himself attracted to the actress and Billy's Mob boss, Gant, finds ways to force Michael work for him. He also warns Michael off revenge against the assailants of his friend. What are Michael's options: is there any way to avoid Gant, protect his sister, and find a path to love? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Not every criminal wants to be one.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, pervasive language, some nudity and drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

26 November 2010 (UK)  »

Also Known As:

London Boulevard - Crime e Redenção  »

Filming Locations:

 »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$3,431 (USA) (11 November 2011)

Gross:

$10,484 (USA) (18 November 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The book that Gant is reading in bed near the end of the film is the Penguin edition of "The Social Contract" by Rousseau. See more »

Goofs

When the camera angle switches between the two main characters while they are in a moving van, the difference in speed of passing scenery is very noticeable. See more »

Quotes

[first lines]
Jailer: [to Mitchel] You. You're out.
See more »

Connections

Referenced in RTL Film: Episode #9.12 (2011) See more »

Soundtracks

Beautiful Day
(uncredited)
Music by Steve Dudas and Mark Hart
Extreme Music Library
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User Reviews

 
Welcome to the disappointment
29 November 2010 | by (United Kingdom) – See all my reviews

In a lot of ways, this is a puzzling movie. Every single element of it is so right, so how does it end up being so completely uninvolving that I ended up nearly falling asleep halfway through? The problem isn't the casting; Colin Farrell makes a hell of a gangster, all smouldering machismo stomping through the streets of London. And with a supporting cast that includes Eddie Marsan (sleazy), David Thewlis (sleazier) and Ben Chaplin (sleaziest, and very, very good), Farrell has some excellent support. Ray Winstone has never been scarier, but of all people it's Anna Friel who takes the acting honours as Farrell's sister, a woman who out-sleazes Marsan, Thewlis and Chaplin combined.

The problem isn't the locations, or how true to life they are. I lived in London for a long time, and I've rarely seen the city depicted better, all back streets and alleyways with nasty bastards lurking around every grubby corner. Considering the film's writer and director William Monahan is from Boston, I was worried that this might be the tourist's eye view of London, but that really isn't the case. The film positively drips with atmosphere, and the expletive-heavy dialogue rings true.

And yet it all sits there, lifeless on the screen, a collection of images and characters that seem only vaguely related to one another. It doesn't help that the main plot - will Farrell become a proper gangster, or will he end up with Keira Knightley's way-too-good-for-him actress - is hardly new. But that doesn't have to be a deal breaker, and there are plenty of interesting minor characters to pass the time.

The problem is really that the film feels rushed. Those minor characters aren't given nearly enough time - Marsan gets three scenes, none of them remotely important to the plot, and even Anna Friel doesn't get a lot to do. She's still better off than Stephen Graham and Sanjeev Bhaskar, great actors who are cast in completely pointless roles that could have been played by anyone. And so much of this movie feels tacked on, from the dozen or so subplots, to Winstone's pointless murder of the wrong man halfway through, to the stalker, obviously based on Mark David Chapman, who makes several ominous appearances and is then dismissed in a single line of dialogue.

If some subplots and characters are pointless, though, the ending made me feel that way about the whole damn film. Without giving too much away, it's a horrible, limp lettuce of an ending, with none of the resonance that the film-makers clearly thought it had achieved. That's the film in a nutshell - it wanted to be profound, but ended up as a giant 'so what?'


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isn't there any way to make a decent movie without the vulgar talk? clearthinkernow
Music too loud! angelica86
Colin's turned into an actor I can respect Depp1240
Just watched London Boulevard seany87
sountrack emily_057
just saw this randy757
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