A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted to. While he's resisting temptation, his wife encounters her past love.
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
Fresh out of prison, Mitchel wants nothing to do with crime but accepts a kip from Billy, a marginal grafter, and accompanies Billy on rent collection trips. He's also old school, wanting revenge on two youths for assaulting a mendicant he's befriended. He's got a strung-out sister to protect, and he's offered a job protecting a famous actress from paparazzi. The plot lines join when Michael finds himself attracted to the actress and Billy's Mob boss, Gant, finds ways to force Michael work for him. He also warns Michael off revenge against the assailants of his friend. What are Michael's options: is there any way to avoid Gant, protect his sister, and find a path to love? Written by
I went into this film expecting a cool,tense,exciting Brit thriller. The trailer looked decent and the acting talent on show made me want to give it a go. Overall though it failed to deliver on the promising looking opening credits. It lacked any real tension or suspense, the story felt underdeveloped with too many subplots and a lot of it just fails to convince. Many parts of the film are just not believable enough.
The acting is fairly strong and there are a couple of elegant visual touches;(Farrell in the car for example).In my opinion,the soundtrack is the best thing about the film. Serge Pizzorno from Kasabian had a hand in the music on this one and he has done a good job with a 60's/70's spaghetti western/French art-house vibe if you can imagine such a thing!
Finally its worth noting that I asked my girlfriend to contribute her thoughts after seeing the film and she gave me a one word reply..........."sh*te"
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