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Directed by | |||
| Rick Jacobson | |||
Writing credits | ||
| Rick Jacobson | (poet laureate) & | |
| Eric Gruendemann | (poet laureate) | |
Produced by | |||
| Eric Gruendemann | .... | producer | |
| Rick Jacobson | .... | producer | |
| Bernadette Joyce | .... | post production producer | |
| Brian Peck | .... | associate producer | |
| Carrie Tyson | .... | line producer (as Carrie Ann 'Cat' Tyson) | |
Original Music by | |||
| John R. Graham | (the music man) | ||
Cinematography by | |||
| Stuart Asbjornsen | (director of photography) | ||
Film Editing by | |||
| Joseph McFadden | (as Joe McFadden) | ||
| Corey Yaktus | |||
Casting by | |||
| John Barba | |||
| Lisa Fields | |||
Production Design by | |||
| Vali Tirsoaga | |||
Art Direction by | |||
| Daniel Cerny | |||
Set Decoration by | |||
| Jennifer Mueller | (as Jenny Mueller) | ||
Costume Design by | |||
| Robin Lewis West | |||
| Rosalida Medina | |||
Makeup Department | |||
| Fiona Distefano | .... | makeup department head | |
| Jenna Keller | .... | makeup artist | |
| Eva Lohse | .... | key makeup artist | |
| Sheila Moran | .... | key hairstylist | |
Production Management | |||
| Eric Gruendemann | .... | unit production manager (as Eric 'Tripod' Gruendemann) | |
Second Unit Director or Assistant Director | |||
| Joshua Lou Friedman | .... | second assistant director | |
| Mark Wallace | .... | first assistant director | |
Art Department | |||
| Daniel Bosler | .... | conceptual artist | |
| George Hobbs | .... | propmaster | |
| Erin Vitali | .... | set dresser | |
| Michael Smith | .... | art department (uncredited) | |
Sound Department | |||
| Darren Barnett | .... | dialogue mixer | |
| Arlan H. Boll | .... | dialogue editing (as Arlan Boll) | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Brian Carter | .... | foley artist | |
| Eric W. Edwards | .... | boom operator (as Eric Edwards) | |
| Chris Julian Irwin | .... | re-recording mixer (as Chris Julian) | |
| Chris Julian | .... | post production sound supervisor | |
| Daniel Kier | .... | sound effects | |
| Dacoury Natche | .... | sound effects | |
| Peter Rand | .... | sound mixer | |
| Josh Sarles | .... | adr supervisor | |
| Josh Sarles | .... | sound effects | |
| Jason Schmid | .... | re-recording mixer | |
| Brian Slack | .... | re-recording mixer | |
| Harry E. Snodgrass | .... | supervising sound effects editor (as Harry Snodgrass) | |
| James Cret Wilson | .... | sound effects (as Cret Wilson) | |
Special Effects by | |||
| Chris Cline | .... | special effects foreman: Automatrix Fx | |
| Kyle Cyganowski | .... | special effects assistant: Automatrix Fx | |
| John Eggett | .... | special effects coordinator | |
| Tony Gardner | .... | big cheese: Alterian Inc. | |
| Timothy Huizing | .... | special effects makeup | |
| David Lazarus | .... | special defects: Automatrix Fx (as David 'When's Lunch?' Lazarus) | |
| Steve Prouty | .... | project supervisor: Alterian Inc. | |
| Tom Steves | .... | on-set make-up artist: Alterian Inc. (as Thomas Steves) | |
| Hugo Villasenor | .... | on-set make-up artist: Alterian Inc. | |
| David Waine | .... | special effects coordinator: Automatrix Fx | |
| John Shea | .... | key hair effects (uncredited) | |
Visual Effects by | |||
| Minky Billups | .... | digital artist | |
| Scott Billups | .... | visual effects supervisor: PixelMonger VFX | |
| Phil Carbonaro | .... | composite supervisor (as Philip Carbonaro) | |
| Tim Cutt | .... | digital artist | |
| Bob Forward | .... | visual effects crew | |
| Martin Gruhn | .... | digital artist | |
| Shane Houston | .... | visual effects artist | |
| Glen David Miller | .... | visual effects artist (as Glen Miller) | |
| Stefan Morrell | .... | digital artist | |
| Nicholas Seal | .... | lead compositor (as Nick Seal) | |
| J.R. Soldano | .... | visual effects artist | |
| Jon Terada | .... | digital artist | |
| Andre Van Der Merwe | .... | visual effects producer | |
Stunts | |||
| Sala Baker | .... | stunt player: Bruise | |
| Zoe Bell | .... | fight choreographer (as Zoë Bell) | |
| Zoe Bell | .... | stunt coordinator (as Zoë Bell) | |
| Eurlyne Epper | .... | stunt player: Hematoma | |
| Richard King | .... | stunt player: Laceration | |
| Phil Sommerville | .... | stunt player: Contusion | |
| Sabine Varnes | .... | stunt double: everyone else | |
| Josh C. Waller | .... | stunt player: Owie | |
| Thom Williams | .... | stunts (uncredited) | |
Casting Department | |||
| Emily Marchand | .... | casting assistant (uncredited) | |
| Jonathan J. Nelson | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Mira Jackson | .... | assistant: costume designer | |
| Jerry Santana | .... | key set costumer | |
| Joyce Tom | .... | costumer | |
| Tiffany Welt | .... | wardrobe supervisor | |
Editorial Department | |||
| Kent Pritchett | .... | colorist | |
| Micah Stuart | .... | associate editor | |
Music Department | |||
| Michael Aarvold | .... | music scoring mixer | |
| John R. Graham | .... | music orchestrated and conducted by | |
| Margaret Minton Fetter | .... | music preparation | |
| Christopher Eric Ng | .... | music associate | |
| Michael T. Ryan | .... | music editor | |
| Josh Sarles | .... | music editor (as Jamie Steele) | |
| Chris Julian | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Billy Kane | .... | transportation coordinator (as Bill Kane) | |
| Larry Riggen | .... | transportation captain | |
| Lewis Seiden | .... | picture car commissar | |
| Tony M. Wood | .... | driver: Kargoyle Charioteer (as Tony Wood) | |
Other crew | |||
| Jeremy Aimone | .... | key production assistant | |
| Michael Belasco | .... | production coordinator | |
| Greg Broadmore | .... | specialty weapons design & fabrication | |
| Craig Chapman | .... | stage manager | |
| Mary Claypool | .... | stage manager: Laurel Canyon Stages Queenbee | |
| Josh Hofstetter | .... | craft service: executive in charge | |
| J. Michael Hull | .... | location manager | |
| Rachel Jacobson | .... | script supervisor | |
| Pierre de Lespinois | .... | production guru (as Count Pierre Jean Leon Bonnescuelle de Lespinois) | |
| Callum Linegard | .... | specialty weapons design & fabrication (as Callum Lingard) | |
| Peter Lyon | .... | specialty weapons design & fabrication | |
| Henry Rodriguez | .... | stage manager | |
| Arleane Smith | .... | security manager | |
| Michael C. Smith | .... | security manager (as Mike Smith) | |
| Richard Taylor | .... | specialty weapons design & fabrication | |
| Hayden D. Till | .... | production accountant | |
| Lisa Callif | .... | clearance counsel (uncredited) | |
| Michael Coulombe | .... | second script supervisor (uncredited) | |
| Michael Donaldson | .... | clearance counsel (uncredited) | |
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| The Professional: Golgo 13 | The A-Team | Strange Days | MacGruber | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Bitch Slap sees a gang of scantily clad ladies journey into the desert in an attempt to steal 200 million dollars worth of diamonds. If you're a fan of trashy exploitation flicks and love guns, cleavage, and women getting out of cars in slow-motion, then Bitch Slap was made with you in mind. It's fun, it's hyperactive, and it's a film that does not disappoint. Never promising to be more than it is, it succeeds in being more fun and funnier than one would expect. It's the kind of film where they take a break from the plot in order for the women to just pour water over each other. Many memorable scenes take place as a ridiculous but engaging plot unravels. I hope we can see more films like Bitch Slap over the next decade.