A career assassin becomes haunted by one of her victims following a near fatal injury to her brain. Becoming a rogue assassin settling the score with her former mob employers, chaos and power struggles ensue.
Mentally abused, enslaved and coerced into prostitution, a left-for-dead merciless Sister will take on a mission straight from God, whacking sinners in a strictly personal, no-prisoners vigilante Holy War.
A young woman inherits a mansion and discovers a centuries old diary which details the exploits of Dr. Fellatingstein, who has created a man to satisfy her insatiable desires but he doesn't... See full summary »
A medieval Book of the Dead is discovered in the catacombs that run under a small town strip club. When one of the desperate strippers raises an army of the undead, the rest of the ... See full summary »
When three curvaceous babes, stripper Trixe, business executive Hel, and the feisty ex-con Camero, arrive at a desert hideaway to steal a stash of diamonds from an underworld kingpin, things quickly spiral out of control. Allegiances are switched, truths are revealed, criminals are unmasked and nothing is quite what it seems as the fate of the world is precariously balanced among this trio of sexy femmes fatales. Written by
In the deleted scenes / alternative takes extras (on the DVD) is this additional alternative (feminist reasoning) dialogue scene of the released version where Camero 'dogs' on Trixie about her 'profession' and general personal demeanour, as: "You wanna know why I hate you? I Hate women who let themselves be objectified!" "Women are objectified every minute of every day - not as though I feel any less objectified as a waitress or a congressional page; you wanna know what's objectified? Poverty! Stripping kicks ass." "You still cater to men! And no amount of money is worth what you do!" Excision suspect - perhaps too challenging for the likely male gaze target audience ... But kudos to writers Ric Jacobsen and Eric Gruendemann for thinking of it once. See more »
In the prison scene Camero is doing pull-ups but none of her muscles are flexing. She doesn't even try to make it seem realistic, making it obvious someone or something is just hoisting her up and down. See more »
[seeing the contortionist tattoo just above Trixie's croch]
You're... her? You're my best lay ever?
[frightened to death]
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"The characters displayed in this photoplay are fictitious. No really... It's all just make believe! Any similarity between our story and the classic and timeless works of William Shakespeare is purely coincidental." See more »
Bitchslap is a young unpretentious movie, no big names, no big budget. It has a story to tell, which involves six lovely breasts, and it tells its story with tightly focused exuberance, excitement, and a certain sense of wonder. There's none of that old Hollywood cynicism, no gratuitous manipulation of the viewer, no wandering, no missteps.
We're promised three lovely ladies who alternately fondle or beat the daylight out of each other and every passing male, and we get that. In loving slow motion, with dramatic explosions, bullets, and music, gallons of water, blood, and gasoline, and dialog that takes cinematic intellectualism out into the back yard and beats it to a pulp with a heavy shovel.
You can watch any movie on many levels. Don't go into this one expecting a complex plot, deep characterization, or philosophical questions. It's a cartoon based around breasts that does not demean women. This by itself should satisfy many of us. However, it is an intellectual movie in some ways, especially in its treatment of gender.
The tight focus and almost perfect presentation makes me think the team behind this really enjoyed making the movie and will give us more of the same, probably more sophisticated and ambitious, in the future.
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