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Directed by | |||
| Alan Poul | |||
Writing credits(WGA) | ||
| Kate Angelo | (written by) | |
Produced by | |||
| Todd Black | .... | producer | |
| David J. Bloomfield | .... | executive producer | |
| Jason Blumenthal | .... | producer | |
| Christine Coggins | .... | co-producer | |
| Lance Johnson | .... | co-producer | |
| Rodney Liber | .... | executive producer | |
| Steve Tisch | .... | producer | |
Original Music by | |||
| Stephen Trask | (music by) | ||
Cinematography by | |||
| Xavier Pérez Grobet | (director of photography) | ||
Film Editing by | |||
| Priscilla Nedd-Friendly | |||
Casting by | |||
| Richard Hicks | |||
| David Rubin | |||
Production Design by | |||
| Alec Hammond | |||
Art Direction by | |||
| Scott Dougan | |||
| Priscilla Elliott | |||
Set Decoration by | |||
| Kathy Lucas | |||
Costume Design by | |||
| Karen Patch | |||
Makeup Department | |||
| Stephen Bettles | .... | prosthetic makeup artist | |
| Clare M. Corsick | .... | key hairstylist | |
| Danielle Friedman | .... | makeup artist | |
| Jane Galli | .... | makeup department head | |
| Chris Grondin | .... | makeup effects painter | |
| Natasha Ladek | .... | wig maker: Jennifer Lopez | |
| Karen McDonald | .... | key makeup artist | |
| Matthew W. Mungle | .... | makeup effects designer and application | |
| Koji Ohmura | .... | special makeup effects: W.M. Creations | |
| Rod Ortega | .... | hairstylist: Jennifer Lopez | |
| Vincent Schicchi | .... | key makeup artist: New York unit | |
| Candy L. Walken | .... | hair department head | |
| Clinton Wayne | .... | special makeup effects artist | |
Production Management | |||
| Dustin Bernard | .... | unit production manager | |
| Abby Callahan | .... | post-production supervisor | |
| Judy Richter | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Thom Buckley | .... | additional second assistant director | |
| Steven Hacker | .... | additional second assistant director | |
| Iris Huezo | .... | additional second assistant director (day player) | |
| Ivan Kraljevic | .... | second assistant director | |
| Vincent Lascoumes | .... | first assistant director | |
| Christophe Le Chanu | .... | second assistant director | |
| Justin Ritson | .... | second second assistant director: New York | |
| Robin Winter | .... | second assistant director | |
Sound Department | |||
| Kami Asgar | .... | supervising sound editor | |
| Gregg Barbanell | .... | foley artist | |
| Beau Borders | .... | additional sound re-recording mixer | |
| Scott G.G. Haller | .... | dialogue editor | |
| Kevin Hyde | .... | boom operator | |
| Pamela Kahn | .... | foley artist | |
| Herwig Maurer | .... | sound editor | |
| Sean McCormack | .... | supervising sound editor | |
| Scott Millan | .... | sound re-recording mixer | |
| Kevin O'Connell | .... | additional sound re-recording mixer | |
| Erin Oakley | .... | adr editor | |
| David Parker | .... | sound re-recording mixer | |
| Paul Pirola | .... | sound designer | |
| Eric Raber | .... | adr mixer | |
| Jacob Riehle | .... | dialogue editor | |
| Christopher T. Silverman | .... | sound | |
| Greg Steele | .... | adr mixer | |
| Jim Stuebe | .... | sound mixer | |
| Lucy Sustar | .... | foley mixer | |
| Tim Tuchrello | .... | first assistant sound editor | |
| Thomas Varga | .... | sound mixer: New York | |
| Drew Webster | .... | re-recording mix technician | |
| Aaron Zeller | .... | ProTools operator | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Mark R. Byers | .... | special effects coordinator | |
Visual Effects by | |||
| Patrick Clancey | .... | digital opticals | |
| Mark Dornfeld | .... | visual effects supervisor | |
| Michele Ferrone | .... | visual effects producer | |
| Fortunato Frattasio | .... | digital effects artist: Wildfire VFX | |
| Elbert Irving IV | .... | visual effects coordinator: Wildfire VFX | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Tom Lamb | .... | digital compositor | |
| Katie Miller | .... | visual effects coordinator: Wildfire VFX | |
| Caleb Owens | .... | digital compositor | |
| Janet Quen | .... | senior flame artist | |
| Lauren Ritchie | .... | visual effects producer: Wildfire VFX | |
| Lesley Robson-Foster | .... | visual effects supervisor: New York unit | |
| Cory Shaw | .... | main title designer & animator | |
| Dottie Starling | .... | visual effects supervisor: Wildfire VFX | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
| Andy Armstrong | .... | stunt driver | |
| Perry Barndt | .... | stunt player | |
| James Thomas Bligh | .... | stunt driver | |
| Eddie Braun | .... | stunt player | |
| Brian Patrick Collins | .... | stunt double: Alex O'Loughlin | |
| Jeannie Epper | .... | stunt performer | |
| Sandra Lee Gimpel | .... | stunt performer | |
| Chuck Hicks | .... | stunt performer | |
| Hannah Kozak | .... | stunt performer | |
| David Paul Olsen | .... | stunt double | |
| Crystal Santos | .... | stunt double: Jennifer Lopez | |
| Kaye Wade | .... | stunt performer | |
| Bob Yerkes | .... | stunt double | |
Casting Department | |||
| Alex Christopoulos | .... | casting assistant | |
| Dawn Marie Deibert | .... | extras casting | |
| Kate Hubbell | .... | casting associate | |
| Erin Hughes | .... | extras casting assistant | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Pam Aaron | .... | set costumer: New York | |
| Charlene Amateau | .... | costume supervisor | |
| Jennifer Antony | .... | assistant costume designer | |
| Kate Edwards | .... | wardrobe supervisor new york | |
| Katie Gavin | .... | set costumer | |
| Mitzi Haralson | .... | costumer: Ms. Lopez | |
| Shawnique Hill | .... | wardrobe | |
| Courtney Hoffman | .... | additional costumer | |
| Kate Mallor | .... | wardrobe production assistant (as Kate-Eloise Mallor) | |
| Ann Miller | .... | key costumer | |
| Susan Strubel | .... | set costumer | |
| Danny Vick | .... | costumer | |
| Gillian Zwick | .... | costume assistant | |
Editorial Department | |||
| Steven Bodner | .... | dailies colorist: NY | |
| Beth Dewey | .... | digital intermediate producer | |
| Nathan Hower | .... | post-production assistant | |
| Natasha Leonnet | .... | digital intermediate colorist | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Justin Craig | .... | musician: acoustic guitar | |
| Joanie Diener | .... | music editor | |
| Greg Hayes | .... | music scoring mixer | |
| Tom Kramer | .... | music editor | |
| Larry Mah | .... | score editor | |
| Brian McNelis | .... | music executive | |
| Sean Morris | .... | score preparation | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | music contractor | |
| Raney Shockne | .... | composer: additional music | |
Transportation Department | |||
| Hedy Phil Balani | .... | driver: production van | |
| David Chacon | .... | production driver | |
| Ray Cicero | .... | production driver | |
| Richard Curry | .... | transportation coordinator: new york city | |
| Steve Curtis | .... | driver: set dressing nyc | |
| Mark Dolce | .... | transportation co-captain | |
| Larry Flaherty | .... | production driver | |
| David Florio | .... | driver | |
| Geno Hart | .... | transportation coordinator: Los Angeles | |
| Chris Haynes | .... | driver | |
| Kirk Huston | .... | transportation captain | |
| Anslem King | .... | office driver | |
| John Lalor | .... | nyc | |
| David G. Lang | .... | driver | |
| Dave Lundy | .... | truck driver helper | |
| Adam Nutt | .... | driver | |
| Joe Nuzzo | .... | honeywagon maintenance | |
| Daniel Quick | .... | driver (as Daniel C. Quick) | |
| Rocky Reed | .... | driver | |
| Biyami Sak | .... | production driver | |
| David G. Todd | .... | transportation | |
| Don Violett | .... | transportation captain | |
| Erik W. Wickstrom | .... | new york | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
In New York, the former executive and presently owner of a pet shop Zoe (Jennifer Lopez) has no boy-friend and only a couple of friends since she has difficulties to let people into her life. She lost her parents when she was a child and her only relative alive is her grandmother that lives in a nursing home and Zoe feeling lonely. She decides on artificial insemination to have a baby and to join a supporting group of single mothers. When she leaves the clinic very happy with the successful procedure, she meets the cheese manufacturer and college student Stan (Alex O'Loughlin) and they immediately feel attracted for each other. They date and Zoe believes she has found the prince charming and changes her expectation with the insemination. However the doctor finds that she is pregnant and now she has the dilemmatic situation: how to tell Stan that she is pregnant.
"The Back-up Plan" was supposed to be a romantic comedy; unfortunately it is a cheesy, unfunny and non-romantic comedy. The idea of "falling in love", "getting married" and "having a baby" not necessarily in this order" could have worked with a better screenplay. However, the situations and characters are too stupid to work. Zoe is described as a former successful executive but her character seems to be a housewife fan of melodramatic soap-operas. Stan is a guy trying to reach an objective in life through the study at night and Zoë's character has nothing positive to keep a steady relationship out of time. His decision of staying with an unstable woman pregnant of twins is absolutely unreasonable and never funny. The writer seems to be alienated from the concept and reality of raising a family. My vote is three.
Title (Brazil): "Plano B" ("Plan B")