6.5/10
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335 user 316 critic

Hereafter (2010)

PG-13 | | Drama, Fantasy | 22 October 2010 (USA)
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A drama centered on three people -- a blue-collar American, a French journalist and a London school boy -- who are touched by death in different ways.

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Writer:

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Popularity
3,944 ( 190)
Nominated for 1 Oscar. Another 4 wins & 13 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Marie Lelay (as Cécile de France)
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Cyndi Mayo Davis ...
Island Hotel Clerk
Lisa Griffiths ...
Stall Owner
Jessica Griffiths ...
Ferguson Reid ...
Rescuer
Derek Sakakura ...
Rescuer
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Photographer
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Social Worker
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Storyline

A drama centered on three people who are haunted by mortality in different ways. George (Matt Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (Cécile De France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (identical twins Frankie McLaren and George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis

Taglines:

Touched by death. Changed by life.

Genres:

Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements including disturbing disaster and accident images, and for brief strong language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

22 October 2010 (USA)  »

Also Known As:

Más allá de la vida  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$220,322, 17 October 2010, Limited Release

Gross USA:

$32,746,941

Cumulative Worldwide Gross:

$105,197,635
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The outside scenes of the London Underground feature Liverpool St Station which is at the eastern edge of the City of London, with the signage digitally altered to make it appear to be Charing Cross. Charing Cross actually has only one above-ground entrance to the tube network, on Trafalgar Square just across from Nelson's Column. See more »

Goofs

When Marie is walking down the stairs with the psychic in Switzerland, you can see a cameraman cut across the path in the background, the shot shortly after is from his angle. See more »

Quotes

Billy: [about George] He said, "A life that's all about death is no life at all."
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Crazy Credits

The mid 80s-late 90's Warner Bros. shield is used and is in black and white at the beginning of the movie, and at the end of the credits, the same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »

Connections

Featured in Maltin on Movies: Hereafter (2010) See more »

Soundtracks

Che Gelida Manina
(1896)
from "La Bohème"
Written by Giacomo Puccini
Performed by Thomas Harper
Courtesy of Naxos
By Arrangement with Source/Q
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User Reviews

 
Death and Clint Eastwood
2 April 2011 | by See all my reviews

Hereafter is a slow, quiet study on the effect that death and the dearly departed have on the living. 

It's not really a ghost story or even a very supernatural movie. The three main characters each have felt death's power in different ways in their life. George (Matt Damon), a man who can contact the deceased, has fled from his abilities because they keep him from having a normal life. Marie (Cecile de France) is a journalist who has a near-death experience during a tsunami, and becomes consumed with understanding what she saw. And in London, a young British boy is desperate to contact a lost family member one last time. 

The three separate stories do eventually connect, but that's not really where the value of Hereafter lies. I can see this film being a source of frustration for some viewers eager for a traditional conflict and resolution or character arc, but those things aren't really Eastwood's priority.The movie doesn't have much of a "point", other than how death is such an important part of all of our lives, even as it's also probably the most mysterious. 

I liked it, but I'm hesitant in recommending it. Slow-paced movies like these need the right audience. It's fairly different from Eastwood's other movies, and I wouldn't mind seeing him tackle something like this, again.   


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