A drama centered on three people who are haunted by mortality in different ways. George (Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (de France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (Frankie/George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter. Written by
Warner Bros. Pictures
Shipped to theaters under the title "Heaven's Playground". See more »
The Tube station where Markus narrowly misses a terrorist bombing is incorrectly identified as Charing Cross Station. None of the July 7 bombings took place anywhere near Charing Cross. The external shot of the station was taken of the Liverpool Street station where one of the bombs actually did explode on a train which had just left the station. The sign on the exterior was digitally altered to Charing Cross. See more »
Sometimes, I mean you know, knowing everything about someone, it seems nice, but really, maybe it's better to hold stuff back.
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The mid 80s-late 90's Warner Bros. shield is used and is in black and white at the beginning of the movie, and at the end of the credits, the same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »
I can't believe I was gonna miss it because of bad reviews!
I'm amazed at the amount of attacks this wondrous picture has suffered so far. I don't know whether it's Clint Eastwood, Matt Damon, or an overstated publicity before its opening. Would it have received different reviews if it had been directed or starred by other people, I don't know! The movie is SUPREME! It's probably going to be the best movie I will have watched this year. I don't deny that at first I was so put off watching itbecause of your reviews, of course, and because I originally thought it would grapple with bereavement and loss and all spooky depressing mattersbut an initial 10 min proved I had been greatly mistaken, and misled. It's been time since I've followed such a delicate and lovely storyline. It reminds me of movies like Sleepless in Seattle, The Adjustment Bureau and Jet Lag. It's much better and sophisticated in romance, for that matter; the romantic element runs almost surreptitiously, without you noticing it, till it is consummated in the end. The multi-plot scenario is really authentic, despite some reservations I have toward the Irish twins story. Some may criticize by stating its slow pace, but in my opinion it couldn't have been brought out another way; this is drama, people, not an action or horror flick.
This is a very bright, profound and unusual work of art. I may have my takes on some points in the scenario, the attitude towards Christianity in particular (which was quite unexpected given the spiritual dimension of the movieas if they were trying to re-found spirituality without religion!); but all in all, a fascinating picture.
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