| Videos (see all 2) |
| David Carradine | ... | Clive Jonis | |
| Richard Lynch | ... | Karl Lumis | |
| Dee Wallace | ... | Jean Applebe | |
| rest of cast listed alphabetically: | |||
| Jeff Beorger | ... | The Reverend - 1950 | |
| Christopher Bondy | ... | The Reverend | |
| Derek Brandon | ... | Daniel Jonis | |
| David G.B. Brown | ... | Boyfriend | |
| James Howard Carr | ... | Ben Wheeler | |
| J.J. Chidiac | ... | Simon Wheeler | |
| Paula Ciccone | ... | Eleanor Lumis | |
| Peter Coady | ... | Sheriff | |
| Adam Cooper | ... | Dell's Boy | |
| Daniel Cooper | ... | Dell's Boy | |
| Guy Copland | ... | Dell / Motel Manager | |
| Colin Crenshaw | ... | Jack Lumis | |
| Didrik Davis | ... | Townsman | |
| Jimmy Doom | ... | Horace | |
| Maddie Dorsey | ... | Mandy Applebee | |
| William C. Fox | ... | Cursed Farmer | |
| William Giordano | ... | Kyle Lumis | |
| Sasha Higgins | ... | Cari | |
| Jillian Hoffman | ... | Jenny Applebee | |
| Kristen Jarzembowski | ... | Maggie Jonis | |
| Tiren Jhames | ... | Clarence Applebe / Mr. Saul | |
| Patrick Kelly | ... | The Shaman | |
| Natalie Light | ... | Girlfriend | |
| Natalie Light | ... | Girlfriend | |
| Mary Malaney | ... | Brenda Applebee | |
| Max | ... | The Dog (Present) | |
| Caden Miller-Baker | ... | Max Lumis (as Caden Miller Baker) | |
| Andre Neebnagezhick | ... | The Indian Boy | |
| Ellen Sandweiss | ... | Mandy | |
| Hope Crenshaw | ... | Church goer (uncredited) | |
| Molly Howe | ... | Dolly (uncredited) | |
| Carol Ilku | ... | Farmer's Wife (uncredited) | |
| Tevis R. Marcum | ... | Henchman (uncredited) | |
Directed by | |||
| Douglas Schulze | |||
Writing credits(in alphabetical order) | ||
| Kurt Eli Mayry | screenplay | |
| Douglas Schulze | screenplay | |
| Mark C. Schwarz | story elements | |
Produced by | |||
| Kurt Eli Mayry | .... | producer | |
| Douglas Schulze | .... | producer | |
| Julie Schulze | .... | co-producer | |
| Thomas Zambeck | .... | line producer | |
Original Music by | |||
| David Bateman | |||
Cinematography by | |||
| Lon Stratton | |||
Costume Design by | |||
| Cheryl Marie Freeman | |||
Makeup Department | |||
| Cat Bernier | .... | special makeup effects artist | |
| Danielle Dettore | .... | makeup artist | |
| Meshelle Melone | .... | key makeup artist | |
| Bree Shea | .... | makeup artist | |
Art Department | |||
| Daniel Fumero | .... | poster artist (uncredited) | |
Sound Department | |||
| Terence Lee Cover | .... | boom operator | |
| Aaron Eschenburg | .... | production sound mixer | |
| Mark Haygen | .... | additional sound mixer | |
| Brian Kaurich | .... | production sound mixer | |
| David Rumble | .... | production sound mixer | |
Special Effects by | |||
| Cat Bernier | .... | key special effects | |
| Kevin Carter | .... | special effects contact lenses | |
Visual Effects by | |||
| Alan Contino | .... | visual effects supervisor | |
| Brian K. Johnson | .... | lead compositor | |
| Brian K. Johnson | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Sebastian Boada | .... | second assistant camera | |
| Chris Bondy | .... | grip | |
| Rick Cramblett | .... | grip | |
| Mark C. Davis Jr. | .... | second assistant camera | |
| William Eichler | .... | steadicam operator | |
| Patrick Elliott | .... | first assistant camera (as Patrick Elliot) | |
| Geoff Ernst | .... | gaffer | |
| Ian Henderson | .... | assistant camera | |
| Chris Hoyle | .... | second assistant camera | |
| Chris McLeod | .... | additional electrician | |
| Robert Skates | .... | camera operator | |
| Doug Susalla | .... | gaffer | |
Other crew | |||
| Roze Berisaj | .... | personal assistant to actor | |
| Bill Dann | .... | production assistant | |
| Amber Fritz | .... | script supervisor | |
| Anthony Horger | .... | production assistant | |
| Alicia Jurva | .... | production assistant | |
| Chris Myers | .... | production assistant | |
| Jeff Nurmi | .... | gun handler | |
| Chris Ordon | .... | production assistant | |
| Rebecca Rogers | .... | production coordinator | |
| Steven Seery | .... | production assistant | |
| Andy Yeomans | .... | production assistant | |
| Sam Sage | .... | production assistant (uncredited) | |
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| Hocus Pocus | Evil Grave: Curse of the Maya | So Big | Hidden Places | An American Haunting |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The plot: A cursed town holds a lottery to sacrifice three children from every generation, to ensure rain.
I was kind of excited to see a movie starring some B movie legends (Richard Lynch, David Carradine, and Dee Wallace Stone), but none of them really has all that much screen time. In fact, the movie splits its time almost randomly between half a dozen characters, each of whom wander in and out of the main plot, while telling their own story. A talented writer/director could have pulled this off, but it just ends up being annoying and confusing here.
The story is a bizarre mix of Dark Romanticism tropes that never really settles down into a coherent story. There's a cursed bloodline, a small town with a hideous secret, Faustian bargains with malevolent spirits, some kind of demon guy who comes out of nowhere, exploited Native Americans, Machiavellian adults, and innocent children. Throw all these things together, with a few modern horror clichés (such as a deus ex machina in the form of a friendly dog), and you get... well... to be honest, I'm not sure what you get. The movie was so erratic, random, and disorganized that I was constantly wondering exactly what I was supposed to be taking from each scene.
If the writer/director had just settled on telling one story, without spreading the exposition through three stories that barely even interconnect, I think he could have had something that would be remembered fondly by B movie fans. Instead, he tries to pull off something like Pulp Fiction and fails miserably.
There are some scenes that worked well, but, overall, the movie was clumsy and amateurish. As far as Shirley Jackson ripoffs go, this wasn't the worst that I've seen. It was able to channel much of her pessimism about human nature, while preserving her faith in children. It also hit all the right notes that a story inspired by The Lottery should hit, though it hit them in a haphazard, lazy way, burying them under a mountain of subplots and extraneous characters.
If you're into independent horror, then you're probably pretty forgiving of even the most egregious flaws. For you, this will probably seem like an enjoyable waste of time. If you're more into mainstream, big budget horror movies, I have to warn you away from this low budget mess.